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Elizabeth GaskellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Edith Shaw is engaged to marry the handsome Captain Lennox. After their wedding, they plan to move to Corfu, where he is stationed. Her mother is hosting a dinner party and summons Edith to show the guests the shawls she has in her trousseau. However, unbeknownst to her mother, Edith has fallen asleep in the drawing room. Aunt Shaw asks Margaret, Edith’s 18-year-old cousin, to retrieve the shawls from the nursery and model them for the guests. Margaret speaks briefly with the old nurse Newton, and they lament the end of their time together. Margaret has lived at Edith’s home since she was eight. The night Margaret arrived, she cried herself to sleep, but she eventually adjusted to living with her relatives.
The ladies discuss marriage and complain about their husbands. Just then, Lennox, the bridegroom’s brother, arrives. He and Margaret have an amicable relationship and discuss the flurry of wedding preparation. Margaret tells him that when she marries, she wants a simple wedding. After Edith’s wedding, she plans to return to her home in Helstone, a place she describes as peaceful and idyllic. Lennox pokes fun at her for the dreamy way she describes it. Margaret refuses to say more; she knows her aunt would not like her speaking to Lennox. Lennox apologizes, but Margaret continues to watch him throughout the evening. She notes he is “the plain one in a singularly good-looking family; but his face was intelligent, keen, and mobile” (20).
Edith plays the piano for the guests until her fiancé, Captain Lennox, arrives. Edith is overjoyed to see him and clumsily orders too much food while fussing over him. Edith’s mother was not happy in her marriage, and she insists Edith marry for love rather than social or financial gain.
Margaret travels home from the wedding with her father, Richard Hale. Her mother, Maria, did not attend her niece’s wedding because she was ashamed of her shabby clothing. Maria married for love but is discontent with her modest lifestyle. Aunt Shaw, on the other hand, envies Maria’s handsome husband but is happy she has wealth. Margaret notices that her father, who is Helstone’s parish priest, looks tired and aged.
The two-day wedding celebration leaves Margaret exhausted, but she is sad to leave Harley Street: “The farewells so hurriedly taken, amongst all the other good-byes, of those she had lived with so long, oppressed her now with a sad regret for the times that were no more” (22). Margaret thinks of her brother, Frederick, a Navy soldier, who participated in a mutiny and has been missing ever since.
It is late July, and Margaret enjoys being outside in nature. Her mother, on the other hand, complains about living in a remote village. Both Margaret and her father share a love of reading and spend most evenings combing through boxes of books. They do not speak of Frederick as it upsets Maria. Dixon, the domestic worker, still cleans Frederick’s room weekly due to Maria’s hope that he will return. Maria is from a wealthy family, and Dixon came with her after her marriage to Richard. As Margaret’s father returns to his parish work, she notices his depression and detachment worsening. Margaret pushes her worry aside to make a winter preparation list, when the house cleaner Sarah announces Lennox’s arrival.
Margaret is overjoyed to see Lennox though Maria is frustrated with the surprise visit, as they do not have the makings for a proper meal: As is often the case, Maria is in a disagreeable mood. Lennox has been in the Scottish Highlands with the newlyweds and has a letter for Margaret from Edith. After giving Margaret the letter, Lennox examines the room and finds its dullness no match for Margaret’s beauty. Margaret takes Lennox out into the woods to sketch while the house prepares for dinner. Seeing the village, Lennox agrees with Margaret’s earlier assertion of its charm. She goes to speak with an old man from the village, and Lennox sketches her. They return for dinner and find that Maria’s mood has lightened: A neighbor gave them fish for dinner, saving Maria from her embarrassment.
Everyone except Maria retires to the garden after dinner for a dessert of fresh pears. Lennox takes Margaret on a walk and surprises her with a declaration of his love. Margaret responds awkwardly, saying she only views him as a friend. The refusal hurts Lennox’s feelings. When they return to the house, Richard notices a change in Lennox. Lennox abruptly leaves, but not before telling Margaret he thinks she will change her mind.
Margaret thinks over the events of the day. She feels guilty for refusing Lennox’s proposal, but her feelings for him are not deep enough for love. Richard summons Margaret to his study and tells her they must leave Helstone. He has theological doubts about the authority of the church and can no longer be a minister. Richard reads to her from a speech by Mr. Oldfield that inspired his decision: “I must do what my conscience bids. I have borne long with self-reproach that would have roused any mind less torpid and cowardly than mine” (48). In two weeks, they will move to Milton-Northern in Darkshire. A Mr. Bell, Margaret’s godfather, owns property there and will help Richard secure work.
Margaret does not like Northern England and is not fond of the idea. At the same time, she is curious: “Discordant as it was-with almost a detestation for all she had ever heard of the North of England, the manufacturers, the people, the wild and bleak country-there was this one recommendation-it would be different to Helstone” (53). She is ignorant of the family’s financial situation and believes only personal reasons motivate Richard to move. A man named Mr. Thornton will help Richard find opportunities to tutor people in the town. Richard is too ashamed and frightened to tell Maria about the move (he fears her negative response) and begs Margaret to do it.
Gaskell establishes two dichotomies in these early chapters: the class division between the wealthy and poor, and chosen versus arranged marriages. Edith is the lovely bride-to-be and the only daughter of Mrs. Shaw. A wealthy widow, Mrs. Shaw notes her marriage was loveless but profitable, and she is glad to have found a man her daughter loves who is also a man of stature. She still cannot resist the urge to display her wealth and is anxious to show her daughter’s expensive trousseau to the dinner guests. Edith exemplifies childlike behavior when the bridegroom arrives. She attempts to play the role of a wife, but her inability to even make tea flusters her, and she pouts like a toddler. Conversely, Margaret, Edith’s cousin, is quite mature for her age. She plays the part Edith cannot by modeling the shawls for the guests and appears to be better prepared to be a wife than Edith. While Edith is awkward and clumsy in the presence of her husband-to-be, Margaret effortlessly converses with Lennox and shows herself ready to enter the world of adults. Through the example of both girls, Gaskell explores the abrupt ending of adolescence that came with Victorian-era marriage. Margaret mourns the empty nursery where she and Edith grew up together, symbolically mourning the end of their childhood.
Though Margaret enjoys the luxuries of living with her aunt, she has a certain wistfulness about her village, Helstone. Even after 10 years away, she feels a connectedness to its people and community. Gaskell establishes Margaret as an uncharacteristic female for her time. Instead of focusing on finding a suitable marriage match, Margaret prefers to dreamily walk through the woods, connect with those in her community, and savor her books and art. When an unanticipated marriage proposal comes from Lennox, the idea of matrimony repels her, and she repudiates the idea that she has come of age and must consider marriage and inevitability. Denied her childhood in Helstone, Margaret wants to take her time and enjoy being home with her family once again. Gaskell presents a radical vision in Margaret as a woman desiring a platonic friendship with a man and a chance to find herself before settling into domesticity.
While Edith and Margaret exemplify two versions of females coming of age in the Victorian era, Mrs. Shaw and Maria represent how two sisters can take divergent paths that result in vastly different lives. Maria married for love but, ironically, is unhappy in her marriage. Her sister admits her marriage was loveless, but the wealth and status she attained were equally as satisfying as romance. The sisters have a complex familial relationship, exemplifying the complexities of marriage in a society that values wealth and status over true companionship. Personality plays an important role too. Gaskell portrays Maria as a discontented, joyless woman who once loved her husband but now fails to see he is suffering silently and carrying a heavy burden.
Richard experiences a crisis of faith, not in God but in the institution of the church. To be a part of the Church of England was to participate in state-sponsored religion with all the political concerns that entailed. This theocratic way of governing caused pain, war, and bloodshed in the history of England. So deep is Richard’s thwarted conviction that he not only resigns his position but also leaves town. Having aligned every aspect of his life with serving as the community vicar, Richard sees no other option but to disengage with Helstone in every way. Richard represents the tension between true faith in God and oppressive institutions of religion. The personal crisis, unfortunately, affects his entire family and will require him to uproot them from all that is familiar and comfortable. In one day, Margaret experiences a profound loss of innocence: An unexpected (and unwanted) marriage proposal, the revelation of her father’s ethical crisis, and the news of an impending move bring an abrupt end to Margaret’s bucolic pastoral youth and kickstart her difficult journey of self-discovery.
By Elizabeth Gaskell