52 pages • 1 hour read
Angie ThomasA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As Nic races back home, she sees a dozen Guardian Force members burst through the Blakes’ front door. Alex uses a pair of Gift-enhanced glasses to allow him and his sister to see inside the house. The Guardians’ leader is a woman named General Althea Sharpe, who went to school with Ty and the twins’ parents. She tells Calvin that he will be tried before the Council of Elders for kidnapping Nic and stealing the Msaidizi, and Ty and Zoe will be tried for not immediately informing LORE of his whereabouts. Sharpe believes the adults gave the twins the Msaidizi. Sensing that the children can see him, Calvin mouths the words, “Find it” (99). The Guardians fly off with their three prisoners. Alex insists that his mother will be freed and return to them soon, but Nic senses that they need to fend for themselves now.
A few hours later, three scavengers come to the Blakes’ house looking for Remarkable artifacts to steal. Nic, Alex, and Cocoa try to sneak out of the house, but JP strolls into the backyard and loudly announces that he is leaving for Bible camp. The scavengers hear him and chase the three children to a busy intersection. Ms. Lena ushers the children into her convertible and speeds them to safety.
Ms. Lena brings the children to her juke joint. She realizes that JP is a Seer, an Unremarkable with the rare ability to see Remarkables. The boy is relieved to learn that the strange occurrences he’s seen all his life are real. Nic tells Ms. Lena and JP everything about her kidnapping, the Guardians, and the Msaidizi. Finding the weapon would clear Calvin’s name, but Nic has mixed feelings about her father expecting her help after he hid the truth from her. Ms. Lena warns her that she needs to help him if she wants to find out why he took her: “For the real bad crimes, LORE erases a criminal’s memories, so that person can start anew” (112). Ms. Lena tells the children that the Msaidizi will bear the Mark of Eden, an ancient symbol of a tree. She’s heard rumors that the weapon is in New Orleans. Alex doesn’t want to go because he hates the idea of worrying his mother, but Nic convinces him that they need to clear Zoe’s name, too. JP enthusiastically agrees to go to New Orleans because he loves “beignets and po’boys and gumbo and pralines” (116).
The Guardian Force comes to the juke joint, but an Aziza named Ms. Sadie holds them off. Ms. Lena leads the children through a secret door in her office and down a staircase. The Underground Railroad station comes to life as she sings, “I’m gonna keep on walking, keep on talking, marching into free-dom land” (119). Alex is astonished to see a small locomotive on the tracks because LORE shut down access to the railroad during the war on Roho. Ms. Lena explains that LORE only closed the routes to Remarkable cities and that exiles still use the railroad. She tells the children that LORE’s main purpose used to be freeing enslaved Remarkables and Unremarkables. The Underground Railroad they studied in Unremarkable history textbooks was named after the literal, Remarkable one. The children board a sentient locomotive named Bertha that is outfitted with a bedroom, bathroom, kitchen, and living room. Nic asks Ms. Lena about what happened on her birthday, but the Visionary still doesn’t understand how the girl had a vision. She tells Nic, “You’re way more powerful than you think, Nichole Blake. Way more powerful” (123). She bids the children goodbye and wishes them luck.
During the train ride to New Orleans, JP encourages Nic and suggests that they consult the Stevie James books for clues about the Msaidizi. Alex scoffs at the idea that the stories will be any help. While Ty believes that he is the Chosen One and that the real Manowari has yet to appear, many Manifestors think that Roho was the Manowari and that Ty failed. Roho destroyed six of the 12 LORE cities, and the twins’ paternal grandfather, Dr. Blake, stopped him in the end, not Ty. Alex opens up about not having any real friends outside his family because his grandmother is president, and Nic listens longingly to his descriptions of weekly Sunday dinners with a large gathering of relatives. JP talks about his grief for his late sister, Leah, and Alex tells him that there’s nothing wrong with crying because it shows how much he loves the person he lost. When the train stops in New Orleans, a vampire named Mack threatens to drink the children’s blood. A mysterious woman named Dee Dee scares him away and offers to help the trio find the Msaidizi.
Dee Dee brings the children to her home in the French Quarter, and they’re startled to see that she has haints for servants. Dee Dee explains, “Technically, they work for my daddy” (136). Nic has never seen a Remarkable with a black Glow before, but Dee Dee declines to explain. While Cocoa happily curls up in the woman’s lap, Dee Dee reveals that the scavengers told LORE that the twins have the Msaidizi and that they kidnapped JP. She offers to summon the ghost of High John, who has a connection to the Msaidizi, if they reclaim her conjure root from Hairy Man Junior. A haint named Walter takes the children into the swamp on an airboat. Walter was lynched 100 years ago. JP reacts with quiet sadness while Alex is incredulous and horrified: “Why did that stuff happen to Black people? Why does it happen? Can’t somebody stop it?” (146). Nic answers that Manifestors could help, and she resolves to help Unremarkables once she learns how to use the Gift, no matter what LORE says.
Walter takes the children to Hairy Man Junior’s shack, which is full of crosses and statues of angels. Nic locates the conjure root in the kitchen, and Cocoa finds Hairy Man Junior, who disguised himself as a rat. Hairy Man Junior threatens to eat the children, but Nic tricks him into turning into a succession of animals by poking at his pride. Last, he turns into a minnow and flails about helplessly on dry land. The children return to the airboat with the conjure root, and Nic releases the minnow into the swamp. Alligators pursue Hairy Man Junior back to his shack, and the ramshackle structure collapses into the swamp.
JP and Alex want to see if Hairy Man Junior is all right, but Nic reminds them that he threatened to eat them. When Nic gives Dee Dee the conjure root, the woman’s tongue becomes forked, and wails and flames pour out from the door to her basement. Nic realizes that Dee Dee is the Devil’s daughter. High John was an African prince sold into slavery in America who offered other enslaved people hope through “his prophecies about freedom and his stories about the legendary tricks he’d pull on slave masters” (162). Dee Dee summons High John, but he can’t tell them where the Msaidizi is because it’s protected by a powerful juju. He last saw the weapon about 10 years ago, and it was in the possession of a short, plump person with the Mark of Eden tattooed on their hand.
Dee Dee wants to bring her beloved back to life, and she needs a soul to do so. She attacks the children and casts an illusion on her home, turning it into an infernal, labyrinthine structure. Dee Dee tries to lure Nic with promises to reveal the truth that her father hid from her: “Don’t you wonder why your father ran off with you? The answer lies in the prophecy, my dear” (168). Next, Dee Dee tries to lure Alex by telling him that his sister doesn’t care about his feelings and isn’t a real Manifestor. Skeletal hands drag Nic toward the basement, but JP bursts into the room with an improvised cross made from silverware and shouts Jesus’s name, which weakens Dee Dee enough for Alex to bind her with a spell. Binding Dee Dee frees the haints, but it also angers her father. The children dash outside moments before the Devil’s wrath causes the house to burst into flames.
JP sees one of the Guardian Force’s aircraft searching the city, and the children hurry back to Bertha. Nic asks the train to take them somewhere safe. JP is excited that being a Seer allows him to look through Remarkables’ illusions, and her best friend’s power makes Nic feel even worse about her inability to use the Gift. A news bulletin informs the children that the Guardians know they were at the home of the Devil’s daughter and that the charges against Zoe have been dropped. The Devil sends a demon to control a member of the Council of Elders, Aloysius Evergreen. The demon makes him call for the children’s apprehension and declare that Calvin’s memories and Gift should be taken from him.
JP remains optimistic about their odds of success, and he tells Nic that he chooses to be hopeful because of his sister, Leah, who died of leukemia: “[S]he told me, ‘Things don’t always go the way we hope, li’l bro, but they’ve got a way of working out’” (185). While Alex is out of earshot, Nic voices her concern that her brother doesn’t like her. JP suggests that neither Alex nor Nic is what the other imagined in a sibling but that they can choose to love each other as they are. Bertha brings the children to Someplace Safe, a museum about the Underground Railroad.
In the novel’s second section, Nic’s quest for the Msaidizi takes her from her home in Jackson into a world where history and folklore come alive. The song that Ms. Lena uses to awaken the Underground Railroad is a freedom song called “Ain’t Gonna Let Nobody Turn Me ‘Round,” which was an anthem of the civil rights movement. Just as the song brings the train station to life, it reminds Nic that her people’s history and heritage live on through her. In another development for the theme of The Importance of Heritage and Cultural Identity, moving the narrative to New Orleans allows the author to draw from a rich tradition of Creole folktales and spirituality. In her 1943 story “High John De Conquer,” Zora Neale Hurston synthesized stories about various trickster figures and folk heroes named John. She identified this syncretized character as the namesake of the John the Conqueror root, a prized ingredient in folk magic. Dee Dee’s use of the conjure root to summon her beloved nods to the practice of using the John the Conqueror root in spells for love, luck, and success.
Thomas also draws inspiration from a Southern folktale called “Wiley and the Hairy Man.” Nic outsmarts Hairy Man Junior with the same strategy Wiley uses in the original tale: “Wiley convinced the Hairy Man to turn himself into three animals—a big one, a not-so-big one, and a small one” (154). Her memory of the story is essential to her success, emphasizing the importance of knowing one’s culture. Thomas gives the traditional folktale a modern twist by having Hairy Man’s son seek therapy for his cynophobia: “I’m breaking generational traumas. My daddy was terrified of dogs. I refuse to have the same fate” (154). This statement foreshadows that Hairy Man Junior will become Nic’s ally in later chapters because he is seeking change rather than following in his fearsome father’s footsteps. By outsmarting Hairy Man Junior, Thomas’s protagonist joins a long and storied tradition of heroes who overcome formidable opponents with their wits, including High John and Wiley.
The friendship trio of Nic, JP, and Alex develops the theme of The Dynamics of Friendship and Loyalty. The protagonist knows that she “can always count on JP” (116), and she appreciates that the devout and dutiful boy decides to help her instead of going to Bible camp. Thomas establishes that Alex also needs JP’s friendship by depicting his loneliness: “When your grandma is the president, kids wanna be your friend for the wrong reasons” (128). Despite his initial disdain for Unremarkables, Alex begins to reciprocate JP’s kindness and tells him, “It’s fine if you do cry, you know?” (130). Alex understands grief from watching his mother mourn his sister’s absence, and this helps him empathize with JP, whose sister died of leukemia. JP may be “an eternal optimist” (125), but his positivity is a conscious decision made in the face of terrible loss, not an obliviousness to hardship. The boys’ budding friendship inadvertently exacerbates the insecurity and inferiority Nic feels because she doesn’t know how to use the Gift: “I wanna ball up and disappear. I shouldn’t even be called a Manifestor” (177). Before Nic and her brother can form lasting bonds of loyalty, she must confront these painful feelings.
The Struggle for Justice places Nic’s objectives and values in conflict with LORE, but the author reveals that this was not always the case. Because LORE believes the scavengers’ false accusations, the twins must fight for justice not only for Calvin but also for themselves. The threat of Nic’s father losing his memories for a crime he didn’t commit heightens the need for justice and raises the novel’s stakes. Even though she has reasons to be justifiably angry with him, the protagonist’s love and sense of justice motivate her to take action: “Although he hurt me, I know he loves me and I love him too” (113). Nic’s perspective illustrates that love and justice are not mutually exclusive, highlighting the importance of mercy.
The author works the struggle for justice into her fantasy novel’s worldbuilding through exposition about LORE’s history. When the organization began, it helped both Remarkables and Unremarkable alike escape from slavery. The drastic shift between LORE’s original purpose and its current policy of absolute secrecy offers another mystery for the protagonist to uncover. By having the children travel on the Underground Railroad, which carried people to liberty, Thomas shows that the struggle for freedom continues today. Alex has been shielded from racism and hate crimes because he lives in a Remarkable city, so Thomas is able to use his reactions to illustrate that these injustices should not be considered normal: “Why did that stuff happen to Black people? Why does it happen?” (146). Questions like these place the children’s efforts to clear Calvin’s name in the context of the ongoing struggle for justice.
Thomas uses foreshadowing to provide clues about the characters’ identities. Dee Dee’s initials, her acquaintance with High John, and her frequent references to her father hint that she is the Devil’s daughter. For example, the mere mention of her father is enough to make the vampire who threatens the children flee: “‘Don’t make me call my daddy on you.’ Mack stiffens like a board. ‘No, ma’am, you ain’t gotta do that. I’m gone!’” (133). The author builds up the mystery and suspense by allowing them to gather these clues rather than stating who the character is right away. Dee Dee also provides foreshadowing about the protagonist’s identity: “Sweet girl, you and Tyran Porter are very similar. Some may say you’re two sides of the same coin” (169). In this, Dee Dee hints that Nic is the Manowari and that her father took her away from Uhuru because of her role in the Manifestor Prophecy.
By Angie Thomas