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Bertolt BrechtA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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The war continues into 1634; winter comes early and food is scarce. The Cook, having been fired from his position, has taken up with Mother Courage. They come upon a parsonage, and Mother Courage wants to ask the parson for food, but the Cook is certain that if he has some, he will not share it. He tells Mother Courage that he received a letter informing him that his mother died of cholera and that the inn she owned now belongs to Cook. He suggests that Mother Courage go into business there with him. Mother Courage presents the idea to Kattrin and, as she does, talks herself into the plan. The Cook asks to speak privately with her, telling Mother Courage that the deal is off if she insists on bringing Kattrin. He says the inn is too small for three and that Kattrin can survive by continuing to run the wagon business. Mother Courage protests, hoping to find a husband for Kattrin in Utrecht, where the inn is located. The Cook adds that he also does not want Kattrin around because she is ugly.
They come upon a man and the Cook begins to sing in hopes that the man will pay him for the song. He sings of Solomon, then Julius Caesar, then Socrates, chastising the man between songs for not sharing anything with them. The Cook stresses that it is because they are honest, virtuous people—rather than thieves—that they are starving.
Finally, someone offers the Cook some soup; Mother Courage tells him she will never leave Kattrin alone. She and the Cook go to get the soup, and, when Mother Courage returns, she sees that Kattrin has packed up her belongings in anticipation of moving to the inn. She tells Kattrin they will not be moving and, instead, removes the Cook’s belongings from the wagon. They leave, and the Cook returns with his soup to find his belongings in the street.
It is 1635, and Mother Courage and Kattrin pull the wagon through Germany. They stop near a farmhouse when they hear someone singing inside. The song is about the warm shelter that the farmhouse provides.
It is January 1636, and Mother Courage’s wagon stands near a farmhouse at night. The wagon is in very poor condition. A Catholic lieutenant and three soldiers emerge from the woods. They knock on the farmhouse door to demand an escort into town, not knowing where the path is. As the farmer opens the door, the soldiers notice Kattrin, who has emerged from the wagon. The farmer tells them that she is harmless and that her mother has gone off in search of goods to restock her wagon.
The soldiers ask the farmer’s son to be their guide, but he refuses, saying he doesn’t “help Catholics.” The soldiers threaten to kill their cattle if he doesn’t assist them. The farmer and his wife plead with the soldiers not to kill their cattle, and the son complies, leading them off.
The farmer and his wife climb the roof to see into the distance. They discern that the Catholic regime has advanced and has killed the town watchman, which is why they were not alerted. Convinced their situation is hopeless, they beg Kattrin to pray with them.
As they pray, however, Kattrin retrieves a drum from inside the wagon and begins to beat it. Not wanting to alert more enemy soldiers to their presence, the farmer and his wife beg her to stop drumming. Kattrin only beats the drum more loudly. The farmer frantically begins to chop wood, hoping to drown out the sound of the drum, but his efforts are futile and Kattrin is shot. Her drumming, however, has alerted the town of the advancing forces.
Mother Courage sits in the wagon with Kattrin’s body. She sings, insisting that Kattrin is merely sleeping. The farmer and his wife urge her to leave and seek safety. They promise to bury Kattrin’s body and Mother Courage gives them some money to do so. They ask if she has any relative who is still living and Mother Courage claims Eilif is still alive. The farmer instructs her to find him. Mother Courage, determined to carry on with her business, resolves to pull the wagon herself. She calls out to the soldiers in the distance, asking them to take her with them.
As the play draws to a close, conditions across Europe reach their worst, advancing the theme of Commerce in War. Fields lie fallow and famine rages. Poverty and death are common among civilians and soldiers grow increasingly unethical, disregarding the “rules” of civilized combat. Despite these dire circumstances, Mother Courage restocks, confident that she will be able to find customers for her wares. She fails to realize that, thanks to the war, no one has money to spare anymore—an economy based on profiteering is unsustainable in the long term.
Like others involved in the war, the Cook seeks to make a profit: He wants Mother Courage’s help running the inn he has inherited because, it seems, Mother Courage is successful in turning a profit during wartime. The Cook’s motivations are purely self-seeking, however, and his insistence that Kattrin cannot join them ultimately reveals them to be petty: The Cook is certain her physical deformities will deter potential clientele. It seems, too, that he selfishly does not wish to divide any profits any more than is necessary.
This section sees the culmination of A Mother’s Duty to Her Children. Mother Courage’s refusal to abandon Kattrin contrasts sharply with her previous denial of Swiss Cheese and suggests that she is turning over a new leaf. Whereas she denied knowing Swiss Cheese to save herself, she stays with Kattrin even though it means abandoning a potentially lucrative business venture, prioritizing her child’s safety over personal gain for the first time. However, soon after this, she leaves Kattrin with the farmers so she can steal goods from abandoned shops to sell. This decision seals her daughter’s fate, as the farmers acknowledge when they say Kattrin might not have died if Mother Courage had stayed at the farm.
Kattrin’s death signals Mother Courage’s final failure to protect her children: Now all three are dead, and she is alone. Mother Courage mourns Kattrin but briefly, then carries on with her business. Her actions are open to interpretation: On one hand, she remains true to her name, courageously carrying on alone, determined to make her living though the task has grown increasingly difficult (not only does she no longer have help in pulling the wagon, but the war-torn economy threatens her profits). On the other hand, Mother Courage can be regarded as money-hungry and self-seeking, just as the Commander accused her of being when the play opened. She has sacrificed all her children to the war while willing the war never to end, as this would mean the end of her profit source.
The play continues to examine The Futility of Religion. The Cook discourages Mother Courage from begging for food at a minister’s home, insisting that the minister will keep anything he might have for himself—an assertion that challenges the selflessness commonly associated with the clergy. Yet the Cook later begs for food directly from the minister for himself, claiming that he is worthy of charity because he is a virtuous person, a claim at odds with his behavior throughout the play. In addition, his assertion ironically contradicts the Protestant doctrine of providence, which argues that all humans are sinners but are given mercy by their creator though they are undeserving of it, whether they perform good deeds or not.
This theme is furthered when the farmer and his wife, hearing the enemy troops advance but having no protection against them, pray to be saved. Their prayers are desperate and a last resort, and though they ask Kattrin to pray with them, she senses prayer’s futility. Instead she beats the drum, an action rich with symbolism. Having lost her voice, Kattrin finds another means to communicate. By beating the drum more and more loudly, she conveys the pain and frustration she has long held inside. Though Kattrin is repeatedly urged to be silent, she refuses to stop drumming. Instead, she drums more loudly, determined to make herself seen and heard. This action is a symbolic assertion of self, but it is also a way to alert the rest of the town of the impending danger. In drumming, Kattrin shows courage in a way Mother Courage never did: knowingly sacrificing herself for others.
By Bertolt Brecht