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41 pages 1 hour read

Bertolt Brecht

Mother Courage and Her Children

Fiction | Play | Adult | Published in 1939

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Character Analysis

Mother Courage (Anna Fierling)

Content Warning: This section of the guide contains references to rape.

Mother Courage is the play’s titular protagonist and a complex character. As her moniker suggests, her role as a mother is central to her identity, and she is determined to keep her children alive at a dangerous time. Kattrin, especially, who has been traumatized by the war, becomes Mother Courage’s special cause. She is certain that Kattrin cannot care for herself and that no man will want to marry her, so she takes it upon herself to protect Kattrin from the dangers attending women during wartime, such as rape and assault. Despite her efforts to protect her children from the world’s ills, however, her actions also reveal a self-interested side. Her dedication and courage are both called into question when she denies knowing Swiss Cheese to save herself. Mother Courage is a paradoxical character, simultaneously brave and cowardly, devoted to her children and to self-preservation.

Mother Courage is brash, curt, and unladylike in her conversations with men—she is never deterred by their authority or intimated by their threats to shut down her business. She claims that she earned her moniker because she is unafraid to tread into combat zones and willing to take risks to earn an income. Several characters criticize Mother Courage for profiting from the war. In her view, however, she simply recognizes a need (soldiers and others need goods and supplies) and fills it. She recognizes that commerce is an essential aspect of survival, and she is determined to survive. Yet, as the war drags on, she becomes increasingly worried about her business, at times fearing the war will end and leave her with no means of providing for herself and her children. Though she hails from a Protestant background, she is unmoved by the war’s religious underpinnings and finds religious doctrine useless. When the tide of the war turns in the Catholics’ favor, she readily flies a Catholic flag from her wagon to escape being discovered a Protestant. Through her character, the play attacks war and religion, exposing the hypocrisies of both.

In the end, Mother Courage raises questions about what it means to be a mother and how courage is defined. She is saddened by the death of Kattrin but spares little time mourning her. Instead, she presses on, determined to continue to make money with her canteen wagon.

Eilif

Mother Courage’s oldest son, Eilif, enlists in the war despite Mother Courage’s protestations. The son of a soldier, Eilif takes pride in this legacy. He is, however, arrogant and self-centered, more interested in obtaining accolades for his personal successes than motivated by religion. He prides himself on being brave and a skilled soldier, often bragging about his accomplishments. The narrative, however, gives no evidence of Eilif being skilled or virtuous in battle. Instead, his primary actions are pillaging from the poor. Eilif is unapologetic for this, insisting that his fellow soldiers are needier than the civilian peasants. He views himself as their hero for the way he slaughters innocent bystanders so that he can gift meat and other spoils to his peers. Moreover, the Commander applauds these immoral actions. Eilif’s actions parallel those of his mother, who is accused of profiting from the horrors of war. Mother Courage loves Eilif and does not want any harm to come to him, but once he enlists, she can no longer protect him and Eilif ultimately dies, just as Mother Courage predicted.

Swiss Cheese

As she introduces him in the opening scene, Mother Courage explains that her younger son’s father was Swiss, but that she gave him the surname of the Hungarian man she was with when he was young. Swiss Cheese is foolish but principled, and despite his lack of intelligence, he obtains a job in the war as a paymaster, collecting payments and turning them over to the regiment. It is because he is honest and loyal—never considering stealing the money for himself—that Swiss Cheese receives and keeps the job. His foolishness, however, wins out when he first hides the money in Mother Courage’s wagon (where it could easily be found and stolen) and then again when he easily admits where the money is hidden. His honesty and virtuous nature contrast with that of Eilif, who is unapologetic for plundering during peacetime. In the end, Swiss Cheese’s inability to go against his morals costs him his life, suggesting such virtues are liabilities during times of war.

Mother Courage’s denial of knowing Swiss Cheese is reminiscent of the way the Christian disciple Peter denies knowing Jesus Christ upon the eve of his crucifixion. In this way, Swiss Cheese becomes a kind of martyr for integrity.

Kattrin

Mother Courage’s only daughter Kattrin doesn’t speak, a response to the trauma she has endured during the war. She works with Mother Courage, running the canteen and taking orders without complaint. Mother Courage appears to be the only character who can communicate with Kattrin, interpreting her gestures and manner. While her brothers are forced to be soldiers and thus become victims of the war, Kattrin is at risk in another way: As a young woman, she is constantly in danger of being assaulted and raped by soldiers. Mother Courage is keenly aware of this and seeks to protect her—she is also highly focused on ensuring that Kattrin marries when the war ends, though she indicates that this will be a difficult feat. Not only is Kattrin nonspeaking, but Mother Courage indicates that she is unattractive—a quality that only increases late in the play when Kattrin is injured. In her silence, Kattrin is sexualized and regarded as valuable only for the pleasure she can provide men. Her mimicking of Yvette, the local sex worker, underscores this and enrages Mother Courage, who wants Kattrin to remain moral and pure.

In the end, Kattrin sacrifices herself for others in a way that parallels the sacrifice a dying soldier makes for his country. By sounding the drum, Kattrin “speaks” in a way that she is unable to otherwise. Though the farmer and his wife fear that her drumming will reveal them to the enemy, Kattrin who pays the price by being shot. Her drumming is both an alert to the townspeople that the enemy is afoot and a means of voicing her frustration with the war and her circumstances.

The Chaplain

The Chaplain serves the Protestant army and functions as a reminder of the war’s religious motivation. The Chaplain is a foolhardy man who looks out for his own interests and is not overly concerned with the souls of the soldiers he is meant to care for. Though he is knowledgeable about scripture, he does not protest strongly when those around him subvert or twist it. Instead, he boasts of having God on his side and insists God approves of the war—and therefore any harm that results from it—because it is being fought on religious grounds. In this way, the Chaplain advances the theme of The Futility of Religion. In particular, he illustrates the hypocrisy of Christianity that is present on both sides of the war, with each opposing force believing itself to be in the right, though they worship the same God.

When the tide turns and the Catholics gain the upper hand, the Chaplain takes up with Mother Courage and feigns being a Catholic, opting to deny his beliefs rather than adhere to them proudly and steadfastly. As the war continues, he complains that he is being denied the opportunity to preach, but his reasons for complaining are suspect: He doesn’t wish to help others in need or share his faith, but instead considers himself a gifted speaker and arrogantly believes others should not be denied the gift of his speaking abilities. His actions become even more suspect when he appears to proposition Kattrin and becomes involved in Mother Courage’s business. He does not condemn her thirst for profit and eagerly takes what protection she can provide him. As the play’s main representative of religion, the Chaplain proves to be a problematic character whose hypocrisy mirrors that of the war itself.

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