logo

46 pages 1 hour read

Zora Neale Hurston

Moses, Man of the Mountain

Fiction | Novel | Adult | Published in 1939

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Authorial Context: Zora Neale Hurston

Zora Neale Hurston was an African-American author and anthropologist whose writings on the Black experience in the American South made her a central figure of the Harlem Renaissance. Hurston was born in Notasulga, Alabama, in 1894 and moved at a young age to Eatonville, Florida, one of the first all-black towns in the United States. Her early experiences in Florida proved essential to her development as a thinker and writer, and many of her later workers are set in Eatonville. Hurston began college at Howard University before transferring to Barnard College, where she began studying anthropology and conducting ethnographic research. After graduating from Barnard in 1928, she conducted graduate work in anthropology at Columbia University. Hurston’s study of Black American folklore and hoodoo magic resulted in the publication of Mules and Men (1935), a collection of Southern folklore and traditions. While living and working in Harlem, Hurston met important writers of the Harlem Renaissance including Langston Hughes. From 1935 to 1948 Hurston travelled extensively through the American South, the Caribbean, and Central America studying folklore traditions. She died in relative obscurity in 1960. In the mid-1970s, the African-American writer Alice Walker laid a tombstone on Hurston’s unmarked grave, reviving interest in and critical appreciation of Hurston’s works.

Hurston is best known for her 1937 novel Their Eyes Were Watching God, which describes the difficult life of an African-American woman living in Eatonville, Florida. Although initially poorly reviewed, the novel is now considered a classic of the Harlem Renaissance. Like Moses, Man of the Mountain, the novel demonstrates a thematic interest in race, liberation, and gender roles.

Cultural Context: Moses

Moses is a major figure in the Abrahamic religions: He is considered the primary prophet of Judaism, and one of the most important prophets in both Christianity and Islam. According to the Book of Exodus, a central text of both Judaism and Christianity, Moses was born into an enslaved Hebrew family living in Egypt. When the Egyptian Pharaoh ordered all newborn Hebrew boys to be killed, Moses’s mother hid him in a basket of reeds and sent him down the Nile, where he was found and adopted by Pharaoh’s daughter. Moses was raised as an Egyptian prince, but fled Egypt when he killed an Egyptian enslaver who had beaten a Hebrew. After crossing the Red Sea, Moses encountered God on Mt. Sinai in the form of a burning bush. God told Moses to return to Egypt and free the Hebrews from enslavement. Moses led the Exodus of the Hebrew people out of Egypt, across the Red Sea, and back to Mt. Sinai where he received the Ten Commandments. After 40 years of wandering in the desert, Moses led the Hebrews to the River Jordan, the entry to the promised land of Canaan. God called Moses up to Mt. Nebo, where he died.

In the Antebellum era, enslaved Black Americans turned to the Exodus narrative and the character of Moses for hope and a historical example of a people being freed from slavery by the divine power of God. The popular African-American spiritual “Go Down Moses,” which includes the refrain, “Tell Old Pharaoh, let my people go,” speaks to the importance of Moses as a symbol of freedom from enslavement in the American imagination. In Moses, Man of the Mountain, Hurston strengthens this association by giving Moses and the other characters a distinct African-American dialect.

blurred text
blurred text
blurred text
blurred text