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42 pages 1 hour read

Maya Angelou

Mom & Me & Mom

Nonfiction | Autobiography / Memoir | Adult | Published in 2013

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Background

Authorial Context: Maya Angelou’s Autobiographies

Maya Angelou published seven autobiographies spanning from 1969 to 2013. Her memoirs include I Know Why the Caged Bird Sings (1969), Gather Together in My Name (1974), Singin’ and Swingin’ and Gettin’ Merry Like Christmas (1976), The Heart of a Woman (1981), All God’s Children Need Traveling Shoes (1986), A Song Flung Up to Heaven (2002), and Mom & Me & Mom (2013). I Know Why the Caged Bird Sings earned her critical acclaim. All of Angelou’s books center on the Black female experience and the development of Black womanhood in a racist society. The books explore themes of identity, family, love, racism, traveling, male domination, and the resilience of African American women.

Angelou’s autobiographies challenge the genre and attempt to expand it, examining its relationship with memory and truth and making use of dialogue and plot. Her books are often analyzed beyond the focus of a personal narrative as an attempt to capture a collective Black experience. Through her autobiographies, she narrates parts of her life as a Black woman: her experiences with racism, domestic abuse, and sexual abuse; her work as a writer and civil rights activist; her life as a young mother; and her travels in West Africa. In Mom & Me & Mom, Angelou focuses on her mother and their relationship. She offers an intimate portrayal of her mother, Vivian Baxter, tracing their relationship from early childhood to adulthood—from her mother’s abandonment to her death. Her narration explores the intricacies of Black motherhood and womanhood by illustrating how her relationship with her mother impacted her sense of self.

Cultural Context: Black Women in 20th-Century American Literature and Art

The rise of the Civil Rights Movement in the 1950s and 1960s added momentum to Black women’s creative work. These women’s participation in the Women’s Liberation Movement defined their artistic expression. They developed their own politics and theory of womanhood to express their historical and lived experiences. The 1970s marked a significant period in Black women’s writing—the Black Women’s Literary Renaissance. Many Black women were part of the Black Arts Movement that developed alongside the Black Power Movement, emphasizing Black culture and pride. While much of the 1960s focused on political injustices, the 1970s connected the diverse realities of Black life and multiple forms of oppression—while seeking to empower Black identity and community. African American women in literature sought to change the established narrative around their lives by establishing their own voices. Their writing centralized Black womanhood and offered political criticism of mainstream Western culture, white supremacy, and capitalism. Black women also promoted the theory of intersectionality, considering a combination of racial, gendered, and class-based oppression rather than any single lens. Black women’s writing of the period captured the modern Black female experience, challenging the boundaries of American literary canon and expanding literary tradition. Important Black female writers of the period include Angelou, Audre Lorde, Toni Morrison, and Alice Walker. Angelou’s poetry and prose are a crucial part of this period, with her first autobiography, I Know Why the Caged Bird Sings (1969), being her intimate narration of the Black female experience.

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