63 pages • 2 hours read
Suzanne CollinsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Mockingjay begins several months after the events of Catching Fire. Seventeen-year-old Katniss Everdeen wanders through the ruins of her old home in District 12. The entire district has been leveled in a firebombing attack by the Capitol. Katniss’s best friend from District 12, Gale Hawthorne, watches her from a nearby hovercraft, communicating via earpiece. Appearing in her old district puts Katniss at risk of being spotted by the Capitol, but she insisted on coming to see the destruction for herself.
Katniss struggles to remember the events that led to the bombing. She is suffering from the lingering effects of a concussion sustained during the Quarter Quell and the repercussions of the near-constant trauma she has suffered since the 74th Hunger Games. To ground herself, she makes a list of truths she knows. She competed in the Hunger Games and escaped; President Coriolanus Snow and the Capitol hate her; her friend Peeta Mellark has been imprisoned by the Capitol and is likely dead.
Katniss blames herself for the destruction of District 12. During the Quarter Quell, she shot an arrow into the force field surrounding the arena, allowing rebel forces to rescue her and the remaining competitors. Moments after the event was televised, bombs fell on District 12. Gale saved many people, including Katniss’s sister Prim and their mother. The survivors were brought to District 13, an underground society that the Capitol falsely claims to have destroyed in the First Rebellion. The residents of District 13 receive education and military training; anyone above 14 years old is enrolled in the rebel army.
Though she’s grateful for District 13’s hospitality, Katniss feels used by its leadership. The president of District 13, Alma Coin, wants her to become the face of the revolution, giving speeches and touring the districts to rally support for their cause. They refer to this role as The Mockingjay after the mockingjay pin Katniss wore in her first Hunger Games, which has since become a symbol of resistance. Katniss, whose actions were largely controlled by the Capitol during the Hunger Games, balks at the idea of once again following a script.
In her childhood bedroom, Katniss is startled to find Prim’s old cat Buttercup. She scoops him up to bring him back to Prim in District 13. Noticing a sickly-sweet smell, Katniss turns to find a fresh white rose on her dresser. Katniss knows immediately that President Snow left the rose as a reminder that he is always watching.
On the journey back, Katniss catalogs the history of District 13. The district was once the center of weapons manufacture for the Capitol. Seventy-five years ago, District 13 rose up against the Capitol, leading a nationwide insurrection known as the First Rebellion. When it became clear that the rebels would lose, District 13 aimed nuclear weapons at the Capitol and demanded to be spared. They struck up a truce, and District 13 moved entirely underground, allowing the Capitol to pretend the district was destroyed.
Under Coin’s direction, the residents of District 13 adhere to a strict routine of scheduled activities and rations. Before dinner, Gale and Katniss are summoned to a meeting in the rebel Command center.
In Command, Katniss finds Coin waiting along with Plutarch Heavensbee, a former Head Gamemaker who has been covertly allied with the rebels for years. Everyone is watching footage of Peeta being interviewed by Caesar Flickerman. Katniss is relieved to see that Peeta looks healthy.
Peeta recounts the events of the Quarter Quell. As part of a strategy to gain public sympathy, he and Katniss have been masquerading as husband and wife. Peeta also fabricated the story that Katniss is pregnant with his child.
Peeta tells Caesar that neither he nor Katniss knew about the rebels’ plan until the moment of their rescue. This is true; they were not informed, so they wouldn’t endanger the cause if captured. This decision was made by Haymitch Abernathy, a former District 12 victor who mentored Katniss and Peeta for the Hunger Games. Haymitch suffers from alcohol addiction and is currently isolated by District 13’s leadership to undergo forced withdrawal.
When asked if he wants to say anything to the rebels, Peeta calls for a ceasefire between the Districts and the Capitol. He argues that continued warfare will destroy humanity entirely. Overwhelmed, Katniss leaves the room and hides in a supply closet. She is soon joined by Gale, who tells her that Peeta is trying to protect her to the detriment of the rebellion. A ceasefire now would restore the old status quo, returning the districts to the control of the Capitol and continuing the Hunger Games indefinitely. With this in mind, Katniss decides, “I’m going to be the Mockingjay” (29).
Katniss returns to her living quarters and tells her family about her acceptance of the Mockingjay role. She tries to sleep but is haunted by the worry that Peeta will be executed if the rebels win the war. Prim comforts her by pointing out that the Mockingjay’s importance to the cause means that Katniss can ask for almost anything she wants.
The following day, Katniss presents Coin and Plutarch with a list of demands in exchange for her compliance as the Mockingjay. Among them are the freedom to hunt aboveground with Gale, the guarantee that Peeta will be pardoned for his interview if the rebels win the war, immunity for the other captured tributes, and the exclusive right to kill Snow herself. Coin reluctantly concedes.
Plutarch and his assistant Fulvia outline a plan to film a series of propaganda videos, or “propos,” featuring Katniss as the Mockingjay. Beetee Lanier, a tech-savvy victor from District 3, has hacked into Panem’s broadcast system. He will air the propos across Panem in the hopes of boosting the rebels’ morale. Plutarch shows Katniss the splendid Mockingjay costume designed by her late stylist and friend, Cinna.
Fulvia and Plutarch escort Katniss and Gale down several floors to a door marked 3908. An armed District 13 guard tries to turn them away, but Katniss slips past him and throws open the door to a filthy dungeon, where her old prep team, the stylists and makeup artists who managed her appearance during the games, are shackled to the wall.
Katniss’s team is almost unrecognizable without their usual flamboyant fashion and heavy makeup. They have been neglected and starved. Katniss confronts the guard, who tells her that Cinna requested her original prep team be brought to District 13. They were thrown into a cell after being caught stealing bread. Katniss demands the release of her team. They are brought to the hospital to be cared for by Katniss’s mother, who works as a nurse. She confirms that they have no serious injuries but is shocked to learn that District 13 practices the kind of brutal punishment she expects from the Capitol.
Katniss believes that Coin punished her prep team as a warning against disobedience and to send the message that “a Capitol pedigree is no protection” in District 13 (47). She takes this as a threat to everyone, including herself.
Katniss and Gale are released to hunt in the woods around District 13. When they are alone, Gale asks why Katniss cares about the torture of her prep team. She responds that she cares about anyone abused for a minor crime like stealing bread.
Katniss and Gale return to District 13 to attend the assembly, where Coin will announce Katniss’s acceptance of the Mockingjay role. On the way, she runs into Finnick Odair, a fellow Quarter Quell survivor from District 4. Finnick asks Katniss to add his girlfriend Annie Cresta’s name to the immunity list. Annie is mentally ill and may unintentionally say something dangerous. Moments before Coin begins her speech, Katniss tacks Annie’s name onto the list.
Coin announces that Katniss has agreed to be the Mockingjay in exchange for the guaranteed safety of Peeta and the other victors, which stirs anger in the crowd. Coin continues, stating that if Katniss deviates from the terms of her contract, immunity will be revoked. Katniss interprets this to mean, “I step out of line and we’re all dead” (52).
In the wake of Coin’s announcement, Katniss again resents being used as a game piece. First, it was the Gamemakers in the Capitol, then Snow, and now Coin. She and Gale argue about whether Coin’s speech contained a veiled threat.
The following morning, Katniss reluctantly allows her prep team to make her over in preparation for her propos, then heads down to the Special Defense level with Gale. There, Beetee shows them the new weapons he’s been developing. For Katniss, he’s designed a special voice-activated bow and a clutch of explosive and incendiary arrows.
Katniss returns to the higher levels, where her prep team finishes her hair and makeup. She’s then ushered out onto a stage and posed with her bow and arrow. Fulvia feeds Katniss her line: “People of Panem, we fight, we dare, we end our hunger for justice!” (62). Despite her misgivings, Katniss shouts the line with as much conviction as she can muster. Afterward, there is silence until Haymitch’s voice comes over the intercom, laughingly declaring that Katniss will kill the revolution.
Mockingjay begins during the civil war between Panem’s districts and its Capitol. Against the backdrop of a war-torn nation, Suzanne Collins explores how Katniss has been affected by surviving two Hunger Games. At 17, Katniss is nearing the threshold of young adulthood, but her experiences in the games have forced her to mature quickly. Her coming-of-age journey therefore focuses less on her ability to handle adult situations and more on her self-discovery.
Though the Hunger Games series rarely discusses mental health directly, Katniss’s trauma from the first two games is evident in Chapter 1 of Mockingjay. She isn’t given an official diagnosis beyond “mental derangement” but appears to be suffering from post-traumatic stress disorder from the Hunger Games. As part of the 74th Hunger Games and the Quarter Quell, Katniss was forced to watch her friends die and kill other tributes. She experiences lingering symptoms, including hallucinations, traumatic flashbacks, and anxiety. She also struggles with immense guilt over the people she has killed, both directly and indirectly. Collins continues the recurring motif of Katniss as “the girl who was on fire” (7). Katniss worries that in sparking a rebellion, she has “set something in motion [she has] no ability to control” (7), suggesting that the war will have effects she can’t yet predict.
As Katniss frets about the fate of her friend and confidant Peeta, Collins introduces the theme of Love in Wartime. Katniss’s suffering is worsened by the fact that Peeta is imprisoned in the Capitol. Having survived the same two Hunger Games as Katniss, Peeta is one of the only people who can understand her trauma and guilt. Though their relationship is complicated because they have had to pretend to be in love in the past, they care deeply about one another. Katniss’s love for Peeta is both a source of strength and anxiety for her in these early chapters. As long as Snow is holding him, Peeta’s status is unknown, which motivates Katniss in the effort against the Capitol.
At the novel’s start, Katniss instinctively trusts the rebels, who are positioned as the de facto good guys because they are fighting against the notoriously evil Capitol. District 13 runs like a “well-oiled machine” under Coin, who promises a better future if the rebels win the war. Katniss initially appreciates the efficiency of the district, but the brutal treatment of her prep team makes her recognize the overlap in the control tactics used by the rebels and the Capitol. This realization establishes the theme of Revolution and Cycles of Oppression. Coin’s willingness to torture people who have little to do with the war foreshadows the possibility that she would be a less-than-ideal leader if the rebels win the war. This foreshadowing is strengthened by how she holds the execution of Peeta and the other tributes over Katniss’s head. Coin seems to only care about Katniss insofar as she can help the war effort, evincing little compassion for the traumatized 17-year-old.
While she doubts some of the rebels’ tactics, Katniss doesn’t question the necessity of the war. The Capitol’s incessant calls for a ceasefire only highlight that if the war ends now, everything will return to how it was. Just as the Capitol saw the violence of the Hunger Games as necessary to uphold their power, the rebels see the violence of a civil war as necessary to overturn Panem’s dictatorship.
Another key theme in these chapters is The Power and Danger of Propaganda. The Capitol and the rebels use propaganda to bolster their side of the war. The Capitol uses Peeta as a mouthpiece to encourage surrender, attempting to appeal to Katniss’s sympathy. Meanwhile, the rebel TV crew films videos literally named “propaganda spots,” meant to raise morale among the fighting rebels. It’s easy to construe the Capitol’s propaganda as bad and the rebels’ as good, but Collins will go on to develop the idea that all propaganda has the potential to do harm.
Having been used as a literal game piece by the Capitol, Katniss is especially conscious of feeling like a pawn in someone else’s game, and her propaganda role as Mockingjay makes her a powerful tool of messaging that she is not completely in control of. Becoming the Mockingjay, with the attendant costume and scripts, is a worrying callback to the way she was forced to act out a false story for the entertainment of Panem. She worries that working for Coin will leave her open for further manipulation. After Coin announces, Katniss despairs at the long list of people who have exploited her: first the Capitol’s Gamemakers, then Snow, and now Coin. She muses: “President Snow [tried] to use me to put out the flames of the rebellion, only to have my every move become inflammatory” (54), again reflecting her feeling that the repercussions of her actions are often out of her control. Her struggle for agency will be an important element of her coming-of-age journey throughout the novel.
By Suzanne Collins
Action & Adventure
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Challenging Authority
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Guilt
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Power
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Revenge
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Romance
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Truth & Lies
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War
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