47 pages • 1 hour read
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Greg breaks his cardinal rule and spends time with Rachel at school – in front of people. While hanging around Rachel, Greg gets to know the “Upper-Middle-Class Senior Jewish Girl Sub-Clique 2a” (114), which includes Naomi Shapiro and Anna Tuchman, neither of whom Greg particularly cares for but tolerates because they are Rachel’s friends.
Against his better judgment, Greg agrees to have lunch with them in the cafeteria one afternoon, a repulsive condiment-throwing, cheese-slicked room he’s not “set foot in for years” (116), when Madison Hartner joins them at their table. Madison is the “insanely hot girl” whom Greg made cry in the fifth grade with his incessant insults, and his crush on her endures to this day (118). According to Greg, Madison falls into one of two categories of hot girls: she’s not an “Evil Hot Girl,” so she’s a member of the “Hot Girls Who Are Also Sympathetic Good-Hearted People and Will Not Intentionally Destroy Your Life” (119). Greg warns that even though the latter category of girls does not intend to harm you doesn’t mean they won’t. Unsure when, if ever, this opportunity will present itself again, Greg finds a way to make Madison laugh by poking fun at his lunch. He gets on such a roll that he breaks another one of his rules and makes fun of another person, Scott Mayhew, member of the gothy dorks group. Greg risks Scott hating him in return for Madison and Rachel’s laughter. Rachel reveals that Scott has a crush on Anna, then tries to find out more about Greg’s films, which makes him uncomfortable. She apologizes for asking because she knows they’re secret and respects that fact.
Greg summarizes eight of the films that he and Earl have made together. Although Earl gives a stellar performance in Earl, the Wrath of God II, the film suffers from “lack of plot, character development, intelligible dialogue, etc.” (126). They write out a plot for their next endeavor, Ran II, garnering two stars in Greg’s opinion. Apocalypse Later centers around Earl wearing a bandana and cussing a lot. An unexpected ending for Star Peaces occurs when actual police officers show up in response to an old woman’s call about Greg and Earl almost running her over. Hello, Good-Die introduces the filmmakers’ use of sock puppets. Cat-ablanca failed mostly because of the talent. Greg and Earl up their artistic game with 2002. And The Manchurian Cat-idate would have been a success if Cat Stevens could either act or calmly wear clothes.
After making each of their forty-two films together, Earl and Greg burn a copy of the film, one for each of them, then destroy the raw material to ensure no one else can see their films ever. They become co-workers and friends, though neither is adept at making or wanting friends. Earl disappeared for a good portion of middle school, possibly to do drugs, and when he returned and sobered up, “he remained a very solitary person” (131). Greg’s social awkwardness prevented him from forming deep and lasting friendships in middle school so that by the time he reaches high school, he feels he doesn’t want friends, as he’s become so accustomed to not having any.
Earl and Greg eat lunch in Mr. McCarthy’s office. Mr. McCarthy is a young teacher with tattooed forearms and a shaved head, who drinks soup from a thermos, gets excited about facts and research, and will, on occasion, teach barefoot. Greg and Earl eat cookies from Earl’s house and discuss the possibility of an afterlife and whether Rachel will die when Mr. McCarthy enters to replenish his soup, a Vietnamese pho. Since the teacher’s lounge is under maintenance, Mr. McCarthy brings a hot plate to his office to heat up his pho. Earl asks to try it, but Mr. McCarthy declines, stating that rules forbid teachers to give students food, then suggests Earl visit Thuyen’s Saigon Flavor, for a taste of pho on his tab. After Mr. McCarthy exits, both Greg and Earl eat from the pot of soup on the hot plate. Soon after, Greg notices that he feels funny and proceeds to fall down, twice. His altered perceptions disorient his concept of time. He receives a text from Earl alerting him that Mr. McMarthy’s soup contained drugs and that Greg should meet him outside. Earl focuses on finding them food and Greg’s paranoia kicks into high gear. They decide to go to Greg’s house in search of food when they receive a text from Rachel. She starts chemo the next day and wants to know if Greg would like to come over to say goodbye to her hair. In their current state, it takes Greg and Earl a long time to construct a response, but they eventually do, agreeing to go to Rachel’s house instead.
Greg and Earl manage to circumvent Denise, Rachel’s mom, although not without appearing disconcerting as Greg babbles about why they are there to see Rachel. Greg’s amplified awkwardness continues to enrage Earl as they confuse Rachel with their behavior. She interprets it as them not wanting to be there, and because Greg doesn’t want to hurt Rachel’s feelings, he tells her that he and Earl accidentally got high. Greg also wants to protect Mr. McCarthy from losing his job, so he fibs to Rachel about the specifics, telling her that some of the stoners at school forced them both to get high. No one in the room buys the tale, but Rachel is amused, and Earl suggests they all take a walk to get ice cream.
While the array of odd choices of ice cream flavors and toppings consume Greg’s attention, Earl suggests to Rachel that they all watch some of their films. When Greg becomes aware of this suggestion, he begins to panic internally, listing several reasons as to why he objects to this idea and why he feels deeply betrayed by Earl. But because he is still high, Greg cannot vocalize his objection and instead goes along with the plan.
While viewing Batman Versus Spider-Man, Rachel bursts into fits of laughter, which Greg does not trust as an unbiased review of their film. He stews his anger toward Earl for putting them in this situation in the first place.
By hanging out with Rachel at school, Greg breaks his fundamental rule of survival: don’t attach to any one person or group. The more connected to Rachel he feels, the more Greg is willing to risk, even if it’s eating lunch in the cafeteria. His risk soon produces a reward when his crush, Madison Hartner, comes to sit with him and Rachel at their lunch table. This sends Greg into panic mode, an area where his instinct is to tell stories. The story he tells quickly gets out of control when he breaks another basic rule of his survival system by speaking poorly about another student. He establishes a new rule: someone’s potential hate for him is completely worth it if he can make pretty girls laugh.
Earl and Greg have made numerous films together, but all seem to suffer from similar setbacks: because they remake other people’s films, theirs lack personal plot. Parallel to Greg’s unwillingness to connect with people, he has an equal passion for not sharing his creative work with anyone other than Earl. He goes to extremes to ensure no one can see his films without his permission, destroying the original footageand entrusting the only other copies to Earl.
The narrative style often switches to lists, groups of examples, bullet points, or screenwriting format. These constant changes reflect Greg’s need to find order in a world he cannot control. Fate steps in when Greg and Earl inadvertently get high while eating lunch in Mr. McCarthy’s room. They learn of Rachel’s looming chemotherapy appointment and decide to offer her some company. Because Greg’s defenses are down due to the drugs, and because Earl disagrees with how secretive Greg is with their films, Earl suggests they all watch their film, Batman Versus Spider-Man. When Greg catches up with the conversation and understands what he’s just agreed to, he is furious. Even while they view the film, Greg continues to try to explain every frame and distrusts Rachel’s positive reaction to it. He can think of nothing other than his anger towards Earl, which is rooted in his loss of control.
Things are starting to change, both by Greg’s own doing and outside of himself. Some changes Greg is OK with, while others he rages against. Positioning Greg on this pendulum of reactions sets up his emotional journey for the rest of the story. Just as pendulums accelerate before returning to their equilibrium, so too will Greg and his emotions.