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68 pages 2 hours read

Elise Broach

Masterpiece

Fiction | Novel | Middle Grade | Published in 2008

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Character Analysis

Marvin

Marvin the beetle is the main protagonist of Masterpiece, as shown through the limited third-person viewpoint that focuses on him. Marvin is a young beetle, the equivalent of a child in human terms. He lives with Mama and Papa and makes them very proud with his accomplishments. Marvin likes to swim and is the only one of his family that knows how, leading them to trust him with the retrieval of Mrs. Pompaday’s contact lens.

In a lot of ways, Marvin is unlike the other beetles in his family. While the others are very mistrusting of humans, Marvin sees that not all humans are dangerous, leading him to form a friendship with James. Despite his family’s warnings, Marvin is open to exploring new things, including leaving the apartment with James, which his parents are opposed to. Marvin exhibits the virtue fortitude throughout the novel, taking risks and making brave leaps to help James and save Fortitude from theft.

Marvin discovers his talent for drawing when he decides to give James a birthday gift with the pen and ink set. Marvin falls into a trancelike state when he makes art, forgetting about everything but his subject and the paper. Marvin’s newfound abilities lead to a deep appreciation for art that is expanded upon as he navigates the mystery of the stolen Dürer works.

James

James is an observant, shy, and sensitive eleven-year-old boy. He does not seem to have many friends his age, as seen during his birthday party where all the guests are children of Mrs. Pompaday’s clients. When the beetles decide to give James a birthday gift, they settle on a buffalo nickel, knowing that a boy as observant as James will appreciate it. James’s observant quality is key to his ability to communicate with Marvin. Because they cannot speak, James must use his attention to detail to understand Marvin’s small movements and gestures. This eye for detail becomes key to rescuing the Dürer drawings, particularly when James notices Denny’s initials and the Getty logo on the briefcase holding the drawings.

James’s shyness is mostly shown through his interactions with adults, especially those who praise him for Marvin’s work. James tends to blush at this praise and struggles to respond to adults who are new to him, like upon his first meeting with Christina and Denny. However, as James warms up to them, he can better express his thoughts and feelings. At the beginning of the novel, James’s shyness contributes to his inability to connect with other kids. However, at the end, James’s cast and his newfound fame from saving the drawings make him popular at school.

James is sensitive and empathetic. The beetles like James because he is kind and has never shown a desire to hurt or disturb them. James’s empathy is especially apparent with his attitude toward Denny after Denny is discovered to be the thief. Despite the crimes Denny has committed, James hopes Denny doesn’t get caught and face prison time. James knows his dad cares about Denny, and James himself has grown fond of him. James is very sensitive to the relationships of the people around him. He confides in Marvin about his parents’ divorce, wishing they could be a happy family again. James also tells Marvin that he only agreed to sell Marvin’s drawing because it made his mom so proud, but even then, James feels bad about agreeing to sell because he knows it hurt Marvin’s feelings. James’s empathy and sensitivity play a key role in his friendship with Marvin.

Christina Balcony

Christina is characterized by her kind demeanor and her passion for art. She is described as “slim and tidy-looking” (63), with honey blonde hair often tied back in a tight bun and rectangular glasses. Christina is a curator for the drawing department of the Metropolitan Museum of Art. She has a passionate admiration for Albrecht Dürer, often losing herself in the minute details of his work and rambling about his life and art. Christina is enamored by the works her museum displays, treating each with care and attention as she admires them.

Christina’s kindness is what draws Marvin to her. Marvin likes that Christina directs her full attention to James when he speaks, often bending so that she can look James in the eye. Christina is familiar with many famous art thefts, which is why she masterminds the plan to stage the theft of Fortitude. This plan reveals that Christina is cunning in addition to kind, and that she only wishes to retrieve the other Dürer Virtues. Though Marvin initially thinks Christina is in on the theft with Denny, he comes to realize that she isn’t; the hurt she feels when things go wrong is sincere and comes from a place of passion for the works the museum houses.

Karl Terik

Karl is James’s dad and Mrs. Pompaday’s ex-husband. He is an artist who primarily works with paints. Karl is described as a “big man with longish brown hair and a messy scruff of beard” (21). Karl cares a lot about James and gifts James a pen and ink set, despite James not showing any interest in art. In this way, it’s implied that Karl doesn’t have a very good grasp on James’s interests but wants to share his own interests. Karl is so impressed by Marvin’s drawing (thinking it’s James’s) that he takes James to the museum to show him how closely the drawing resembles those of the old masters.

Karl is not afraid to push back when he feels boundaries are being crossed. When Christina pushes for James to visit her office, Karl becomes assertive and protective of the limited time he gets with his son. Karl also shows this protectiveness when James accuses Denny of stealing the drawings, unwilling to believe that Denny could do such a thing since they were close friends. Karl’s concern for his son and his friends comes before anything else, and he makes sure that James knows he’s loved.

Denny

Denny is Karl’s friend from college. He is described as a “rumpled-looking older man” (61). He works as the Curator of Drawings at the Getty Museum in California. Like Christina, he shares a passion for Albrecht Dürer’s works. James, Karl, and Christina all have a fondness for Denny, who seems harmless.

However, Denny has a cunning side, which is revealed when Marvin discovers that Denny is in possession of all four of Dürer’s stolen Virtues. Denny hints at his motivations when he and Christina are talking about art theft with Karl and James, saying that some people steal for the love of the art. Denny is passionate about Dürer and hoards his work for himself. Denny also manipulates Christina, gaining her trust in order to steal Justice and Fortitude. He acts heartbroken along with her after it’s revealed that the real Fortitude is missing. He comforts her and tries to reassure her that it isn’t her fault. Denny’s motivations seem self-serving; he steals the drawings for himself and, once discovered, goes on the run so he doesn’t have to pay for his crimes.

Mrs. Pompaday

Mrs. Pompaday is James’s mother and Karl’s ex-wife. She has a preoccupation with appearances, often putting her son’s needs last when it comes to planning events, parties, and special occasions. The beetles don’t care for Mrs. Pompaday, going as far as to keep a lost earring that one of Mrs. Pompaday’s clients dropped at a party to punish her for the way she treated James that day.

Mrs. Pompaday likes to use people to boost her own status. Despite not being married to Karl anymore, she boasts about his artistic accomplishments to her clients so that she can appear associated with artistic people. She is extremely proud when she learns James is taking art lessons from a professional at the museum. She even pressures James to sell Marvin’s drawing to some of her friends, excited at the recognition James receives for the artwork. Despite James’s reluctance, Mrs. Pompaday puts pressure on James to continue making art, forcing him to find a way out that doesn’t disappoint her. Mrs. Pompaday does not have much character development; the only reason she changes her mind about selling Marvin’s drawing is because she fears James may never draw again after breaking his hand.

 

Mrs. Pompaday’s relationships are based around what others can do to elevate her own status, and not on the mutual love that family and friends give to one another.

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