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52 pages 1 hour read

Elizabeth Gaskell

Mary Barton: A Tale of Manchester Life

Fiction | Novel | Adult | Published in 1848

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Character Analysis

The Bartons

The plot of Mary Barton primarily focuses on the Barton family, particularly Mary and John Barton, the novel’s protagonists. Mary and John are influenced by wider family members who are mainly absent from the plot such as Mary Barton Sr., Tom, the unnamed younger son who dies during the novel, and Esther. Through these relationships, the novel explores family support networks, duty, and loss, especially in the context of economic hardship.

Mary Barton is a dynamic character who undergoes great change throughout the novel. From early in her life, Mary “​​dwelt upon and enjoyed the idea of some day becoming a lady, and doing all the elegant nothings appertaining to ladyhood” (93), following in the example that she thinks has been set by her aunt Esther. Mary’s character development and moral decision-making revolves around her gradual movement away from this aspiration. Mary finds herself taking risks with the wealthy and handsome Harry Carson, whom she believes wants to marry her and give her and her father a better life. Mary’s hopes and intentions are pure, but she is often guided by her own self-interest and the image of the life she believes she will have in the future. For a while, her self-interest leads her to mistake her feelings for Jem. Mary’s image of a wealthy future is gradually shown to be a sham, as Harry’s intentions are dishonorable, and mirrored by the true experience of Esther, who was seduced and abandoned by a rich man she thought would marry her. Mary loves and marries Jem and is happy, so the novel does give her a conventional positive conclusion. Her dalliance with Harry, however, raises the parallel narrative possibilities that she will be “ruined” by Harry or achieve the status she wishes by marrying him. In doing so, the novel conjures and then rejects the romance narrative of a poor woman who does marry into riches, offering instead a subversively realistic ending.

Everything changes for Mary once she recognizes she is in love with Jem Wilson and that she has treated him cruelly despite his love for her. She recognizes her folly more clearly after Harry is murdered, as the turmoil caused by the murder forces her to understand where her loyalties lie. From here on in the novel, Mary’s actions turn toward doing what is best for others, though she again feels divided loyalty when she learns that her father is responsible for Harry’s murder. Mary finds her courage and risks her safety to prove Jem’s alibi and save him from being sentenced. Due to her selfless choices and her care for others, Mary is rewarded with a happy life and marriage to Jem. Moreover, the novel shows that she is an agent in her own happiness, as her actions directly enable her life with Jem. Her rescue of him reverses another gendered romance character trope.

John Barton is a proud working-class man, alive to the suffering faced by those around him. Though he is less impoverished than many of the other working men in Manchester, he feels greatly for them and joins trades’ unions and the Chartist movement in the hope of effecting change. He is initially hopeful for progress, despite his hatred of the wealthy men who run the mills and subjugate his fellow workers. However, after Parliament refuses to listen to his complaints, Barton tells Mary, “we mun speak to our God to hear us, for man will not hearken” (113), and he loses hope in the ability of workers and owners to work together. Barton falls into despondency, turning to opium and becoming cold toward his family and friends. His bitterness causes him to murder Harry Carson, and his character is a study in radicalization and the balance between righteous action and criminality.

Barton’s turn toward extremism is one of the main focuses of the novel, which Gaskell had initially named John Barton, seeing him as the central. The narrator feels for Barton’s struggles but denounces the loss of his morals, caused by his inability to view the mill owners as fellow humans. Barton is redeemed at the end of the novel once he recognizes that he is like his enemy Carson, whose son he has killed. Barton learns that people struggle regardless of their class, and viewing people as inhuman will not help his cause. This stress on the importance of empathy and forgiveness highlights the moral message of Mary Barton.

The Wilsons

The Wilsons are former neighbors of the Bartons and John’s closest friends. Their patriarch, George Wilson, understands why Barton hates the wealthy mill owners, but he often tries to empathize with them, unlike his friend. After the Carson Mill where he works burns down, Wilson tells Barton, “Mr. Carson spoke to me after th’ fire, and says he, ‘I shall ha’ to retrench, and be very careful in my expenditure during these bad times, I assure ye;’ so yo see th’ masters suffer too’” (76). He goes to great lengths to help his fellow workers who are worse off than his family, such as the Davenports. His sudden and untimely death early in the novel indicates the gritty realism of its message, and a refutation of the comfortable morality/reward paradigm of conventional fiction.

Jane Wilson is a good friend to John Barton’s wife before the latter’s death and becomes a confidant to her daughter despite their turbulent relationship. Jane worked at a cotton mill, where she was permanently injured shortly before her marriage, something that affects her physically and emotionally for the rest of the novel. She characterizes the damage caused to individuals and families by the exploitation of industry. She is particularly attached to her son Jem after the consecutive deaths of her twin sons, and she tries to keep him close to her despite his growing attachment to Mary Barton. Jane is shown accompanying Jem and Mary to Canada, giving her a new life and proximity to her son and family. She therefore becomes a symbol of hope. Jane and her sister-in-law Alice help to take care of one another through numerous hardships. Through these women and their bond, the novel explores women’s contributions within deprived communities, often overlooked.

Jem is the principal Wilson of Mary Barton, though he is mainly characterized by his deep love for Mary. Mary and Jem grew up together, but she was always cold to him. Jem silently loves her: “He did not dare to look to any end of all this; the present, so that he saw her, touched the hem of her garment, was enough. Surely, in time, such deep love would beget love” (49).

The novel shows that he is humble in his expectations, at least in the beginning. Jem accidentally confesses his love for Mary at an untimely moment, leading her to pull even further away from him. Her rejection changes Jem’s personality, as he instantly turns on her after she refuses his proposal. He is shown giving in to jealousy, violence, and hatred, leading people to believe he is responsible for Harry Carson’s murder. Yet throughout this time, he stays true to Mary, selflessly refusing to reveal that John Barton is the murderer. In contrast to characters like Harry, Carson, and Barton, Jem is presented as an honest, moral, and hardworking man and is rewarded at the end of the novel for his good character.

Margaret Jennings and Job Legh

Margaret Jennings and her grandfather Job Legh are neighbors of Alice Wilson and come to be acquainted with the Bartons through her. Both members of the family work to support one another—Margaret as a seamstress and Job as a mill worker—and their mutual dedication and support makes them role models. As an intergenerational man-woman pair, they are a subtle contrast to John and Mary, presenting a more gently loving model of family life. Margaret is primarily characterized by her kindness and goodness and quickly becomes friends with Mary. She is a moral influence on Mary, making her consider things in a more selfless light when Mary veers toward her own destructive self-interests. Margaret’s loss of vision gives her character’s wisdom a folkloric seer-like quality, and her inner worth is represented by her naturally beautiful singing voice, which enables her to make a successful alternative career. Mary encourages Margaret in this, showing the mutual value of their friendship.

Like Margaret, Job presented as someone with depths beyond his humble appearance. The narrator describes him as a man of science whose interests go far beyond his work at the mills. After the sudden death of his daughter, Job raised Margaret on his own and cares for her deeply, though Margaret knows he is often undemonstrative. Though Job is a mill worker and union member, he often disagrees with more vocal members like Barton, and the two become friends while debating these topics. Gaskell presents Job as a sensible, intelligent, and moral man who cares deeply for the struggles of others but does not, like Barton, turn toward extremism. Though he bases his beliefs on factual evidence, he is also led by empathy and helps build consensus between polarized characters like Carson and Barton. Margaret and Job are the most morally pure characters of Mary Barton, and they both are rewarded with happy endings for their goodness toward others.

The Carsons

The Carsons are a wealthy family who serve as a contrast to the novel’s other families. John Carson is one of the most prominent mill owners in Manchester, the employer of many characters in Mary Barton. Though he comes from a working-class family, the industrialization of his community has caused him to lose touch with his earlier experiences, leading him to look down upon many of his workers. He married a factory worker but they have raised their children to be selfish and frivolous. When Carson Mill burns down, the Carsons use the time while the mill is being rebuilt to enjoy their leisure and one another’s company without considering how it will impact their employees. They have become disassociated from the community of their workers, as shown by the episode of Davenport. Their actions show a lack of urgency and care for the man and his family. Harry’s five shillings of loose change are contrasted with the five shillings Barton raises by pawning belongings. The splendor of the Carson house is a foil to the Davenports’ squalid living conditions.

The Carsons have three educated daughters, mocked by the narrator for wasting their advantages on frivolous things like flowers and gossip. As foils to Mary and Margaret, they encourage the reader to consider how the poorer women would have benefitted from similar privileges. The only son, Harry Carson, is cruel and careless, antagonizing the workers of the mill and playing a key part in prolonging their strike. Harry is revealed to have dishonorable intentions towards Mary, happy to ruin her reputation for his own amusement. He terrorizes her after she rejects him and makes fun of Jem once he learns that Jem has also been rejected. Harry’s disdain for the mill workers leads directly to the conspiracy of his murder and catalyzes a gradual reawakening of compassion in his father. Carson becomes obsessed with bringing his son’s murderer to justice until Barton admits that he is the murderer. Once he is begged for forgiveness, Carson begins to see things from Barton’s point of view and empathizes with him, leaning into his morals rather than his rage when he forgives the dying man. Though he is cold throughout the novel, Carson’s meetings with Barton, Job, and Jem make him reconsider his role as a mill owner, and from that moment he works to cause others as little suffering as possible.

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