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56 pages 1 hour read

Jennifer A. Nielsen

Mark of the Thief

Fiction | Novel | Middle Grade | Published in 2015

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Character Analysis

Nicolas Calva (Nic)

Nic, the central protagonist, drives the plot forward and narrates the story in first person. At the beginning of the book, he is a teenager enslaved in the mines outside of Rome. When his enslaver, Sal, forces him inside a cavern to search for Julius Caesar’s lost treasures, he ends up stealing a bulla—an ancient amulet filled with the goddess Diana’s power. With magic suddenly at his fingertips, Nic becomes determined to find freedom, and the story follows his hero’s journey as he learns what it means to be free in both body and mind.

From the very beginning, Nic is established as a kind-hearted and protective person. He saves the life of Sal, despite his cruelty, and he tries to protect his younger sister, Livia, for whom he feels responsible since their mother was sold away. Nic also befriends and saves Caela, the griffin he meets in the cave, even though she initially attacks him. However, while Nic is generally a person concerned with morals and the well-being of others—regardless of his thievery—he struggles to control his emotions. An early glimpse of his temper reveals this after Felix shackles him in the caravan and Nic’s frustration leads to a dent in the wall. As the story progresses, Nic continues to struggle with his emotions, which is an important part of his character arc. The complex relationships he has with the book’s other characters both help and hinder his growth in this regard.

Felix is loyal to Tacitus, and this loyalty provokes him to sacrifice Nic to the games. Nic manages to escape, but when an infection threatens his life, it is Aurelia who saves him. However, she needs money to find her way back to her father. The bounty on his head provides her with that opportunity, and though she ultimately does not take it, her decision to stay close to Nic and guide him fuels his confidence. Over time, attempting to understand complex emotions and the people who have them helps Nic learn to control his own emotions, and thus, his magic.

Unwittingly, Nic becomes a pawn in Valerius’s plans for safeguarding the empire and Radulf’s plans for destroying it, since he possesses the bulla that would give either the power to achieve those ends. However, despite being a pawn in others’ games, Nic develops a strong sense of self and agency by the end of the novel. He gains the admiration of the Roman people for his conduct in the arena, and by removing the gems and stripping the bulla of its power, he sets the stage for the plot of the next book.

General Radulf

Radulf not only exemplifies the promise of Rome that Felix mentions to Nic, but also embodies its worst qualities. Regarding the former, Radulf shows how an enslaved person from a conquered land can rise within Rome’s social ranks. Using his prowess in the arena, Radulf became an undefeated gladiator whose victories endeared him to the people, and he used this influence to become both free and powerful. However, Radulf’s cruelty and lust for power also exemplify the worst side of the Roman Empire—exploitation, brutality, and power at any cost.

On this level, Radulf is a traditional villain whose relentless desire for revenge against the empire corrupts him and destroys his relationship with his family. At the same time, the novel has established that people’s experiences shape their self-perception and reactions. Radulf’s tragic backstory includes the conquest of his land by Rome, the loss of his family, the enslavement he endured for years, and the risks he took in the games as a gladiator. As a result, he is a villain with whom the audience can empathize. Opposing Nic throughout the novel highlights the two characters’ similarities as well as their differences: The two have similar backgrounds and trajectories, and yet the way they physically and mentally respond to hardship drastically differs. Unlike Nic, Radulf’s desire for power greatly outweighs his desire for justice. Still, the narrative door remains open for more of Radulf’s story to unfold—for him to experience growth or to remain a static villain.

Aurelia

Like Nic, Aurelia is a round character with complex motivations who struggles to do the right thing even when it means not achieving her own goals. When she first enters the narrative, she is antagonistic with Nic. Felix sets her as his guard and warns her that Nic might be dangerous, which sets the tone of their relationship. She keeps her distance and is quick to judge him. Privately, she has her own agenda to reunite with the father who abandoned her—the high-ranking Horatio—and discovering Nic wounded and vulnerable in the sewers under Rome offers an opportunity to enter Horatio’s orbit. She claims to want the reward money, but her true motive is proximity to her father.

As she later tells Nic, however, Aurelia cares about more than just improving her own station in life. When Nic meets her in the sewers, he discovers that she is sheltering children vulnerable to enslavement, and she later becomes a mentor for Nic. Through his conversations with her, Nic gains in skill and confidence. It is Aurelia who discovers the connection between the bulla’s power and the goddess Diana, and it is Aurelia who urges Nic to see himself as more than his circumstances. When Nic is trapped in the arena, Aurelia comes to his aid and stands beside him. Though they are separated at the end of the narrative, she has proven herself his friend and champion through the choices she makes when the risk to her is greatest.

Valerius

Valerius is a high-ranking senator invested in the survival of the Roman Empire and benefits from its system of exploitation. However, when he first appears in the novel, his intentions remain concealed. He offers to help Nic, warning him about the danger of his mark and the bulla, and attempts to purchase him away from the mines. When Nic is trapped in the temple of Julius Caesar, he sends Crispus to sneak them out, and he treats Nic with kindness at his home, providing him with the best of everything he has to offer.

His character is revealed only gradually and subtly. The damage to the burned homes does not concern Valerius, but his lack of concern greatly disturbs Nic. Valerius also becomes verbally abusive to Aurelia when she challenges him. His plot for Horatio is the final straw that indicates to Nic where Valerius’s true loyalties lie and how far he is willing to go to achieve them. Despite his subtly villainous nature, Valerius is not purposefully setting Nic up to die; he simply does not care who is hurt, as long as he accomplishes his goals.

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