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Drona is the son of the sage Bharadwaja. His birth was miraculous and unusual. While watching an apsara, his father’s seed fell into a vessel from which Drona then emerged (drona is the Sanskrit word for “vessel”). Later, after marrying Kripi, sister of Kripa (the royal preceptor of the Kuru kingdom), Drona has a son named Ashwatthama.
Seeking means to support his family, Drona approaches his childhood friend Drupada, now the king of Panchala, to ask for assistance. However, Drupada dismisses him, claiming that friendship can only exist between equals. Humiliated by this rejection, Drona vows to avenge the insult.
However, Bhishma, the grandsire of the Kuru dynasty, appoints Drona as the princes’ instructor, recognizing Drona’s unparalleled expertise. Under Drona’s guidance, the princes—both the Pandavas and the Kauravas—become highly skilled warriors. Arjuna, one of the Pandavas, stands out for his exceptional dedication and talent in archery, which earns Drona a special favor.
A notable episode involves Ekalavya, a prince of the Nishada tribe. Denied formal instruction due to his social status, Ekalavya crafts a clay image of Drona and teaches himself archery, eventually surpassing many of Drona’s students. When Drona learns of this, he asks Ekalavya for his right thumb as a teacher’s fee. Ekalavya complies, sacrificing his prowess to honor Drona.
To showcase the princes’ skills, a grand exhibition is organized. During this event, Karna, a warrior of exceptional ability and unknown lineage, challenges Arjuna. When questioned about his heritage, Duryodhana, the eldest Kaurava, quickly crowns Karna as the king of Anga to legitimize him. This act cements a strong bond between Karna and Duryodhana, intensifying the rivalry with the Pandavas.
Drona asks his students to capture King Drupada. The Kauravas attempt first but fail. The Pandavas, led by Arjuna and the immensely strong Bhima, defeat Drupada. Drona takes half of Drupada’s kingdom but spares his life, reminding him of their past friendship. Drupada, humiliated, resolves to have a son capable of defeating Drona.
King Dhritarashtra, the blind ruler of Hastinapura and father of the Kauravas, appoints Yudhishthira—the eldest of the Pandavas—as his heir due to his virtues like honesty, patience, and benevolence. However, Yudhishthira’s growing popularity and the exceptional skills of his brothers, especially Bhima and Arjuna, cause Dhritarashtra to feel anxious about his own sons’ prospects.
Bhima, trained by Sankarshana (an avatar of Balarama, Krishna’s elder brother), becomes formidable in wielding the sword and mace. Arjuna distinguishes himself even more in archery, mastering various divine arrows and missiles with unique capabilities.
Worried about the Pandavas overshadowing his sons, Dhritarashtra seeks counsel from his minister Kanika, an expert in political strategy. Kanika advises the king on the realities of governance and power. He contends that a ruler must sometimes employ cunning, deception, and even ruthless tactics to eliminate threats and secure the kingdom.
To illustrate his point, Kanika narrates the parable of a clever jackal who manipulates his more powerful companions—a tiger, a mouse, a wolf, and a mongoose—to eliminate one another, ultimately claiming a deer for himself. This story demonstrates how intelligence and manipulation can overcome stronger adversaries.
Kanika urges Dhritarashtra to adopt similar strategies against the Pandavas, suggesting that open conflict is unwise due to their strength and popularity. He recommends instead undermining them subtly through tactics like sowing discord, exploiting weaknesses, and feigning friendship to achieve their downfall.
The rivalry between the Pandavas and the Kauravas intensifies. Duryodhana, the eldest Kaurava prince and son of King Dhritarashtra, continues his previous envy of and enmity toward the Pandavas, especially Bhima and Arjuna, due to their exceptional strength and archery skills. Alarmed by the citizens’ support for Yudhishthira as the rightful heir to the throne, Duryodhana conspires with his brother Duhsasana and close ally Karna to eliminate the Pandavas.
They persuade Dhritarashtra to send the Pandavas to a grand festival honoring Pasupati (an epithet of the god Shiva) in the town of Varanavata. Secretly, Duryodhana has instructed his trusted minister Purochana to build a lavish palace in Varanavata, constructed of highly flammable materials like lac, hemp, and clarified butter (ghee). The plan is to burn the Pandavas alive.
The counselor Vidura (whose name means “wise”), uncle to the Pandavas and Kauravas, suspects the Kauravas’ malicious intent. He warns Yudhishthira in coded language, advising caution. Upon arriving in Varanavata, the Pandavas investigate the palace and confirm its dangerous design. They secretly engage a miner sent by Vidura to dig an underground tunnel as an escape route.
After months of pretending ignorance and attending public events to avoid raising suspicion, the Pandavas decide to act. One night, they host a feast. When a Nishada woman (a member of a forest-dwelling tribal community) and her five sons inadvertently fall asleep in the palace, Bhima sets fire to it, and the Pandavas escape through the tunnel with their own mother Kunti. Tragically, Purochana and the Nishada family perish in the blaze, leading everyone to believe that all the Pandavas have died.
The citizens of Varanavata and Kuru elders mourn the supposed loss of the Pandavas. King Dhritarashtra feigns sorrow, while Vidura, aware of the truth, remains composed. The Pandavas cross the Ganges River with the help of a boat arranged by Vidura and decide to stay hidden to protect themselves from future threats.
Exhausted and thirsty after escaping the burning palace at Varanavata, the Pandavas, along with their mother Kunti, reach a dense forest and rest under a banyan tree. Bhima finds water and then stands guard while his family sleeps.
Nearby resides a rakshasa named Hidimva, a malevolent, flesh-eating demon with a terrifying, monstrous appearance. Hidimva senses the presence of humans and commands his shape-changing sister, also named Hidimva, to kill the Pandavas for their flesh. Upon seeing Bhima’s strength and noble bearing, the female Hidimva falls in love with him and defies her brother’s orders.
Enraged by his sister’s betrayal, the male Hidimva confronts Bhima, leading to a battle. Despite the rakshasa’s formidable powers, Bhima overpowers and kills him. The commotion awakens the other Pandavas, who witness Bhima’s victory.
After the battle, the female Hidimva expresses her desire to marry Bhima. Initially hesitant due to distrust, Bhima is persuaded by Yudhishthira, who values compassion and understands her genuine love. The brothers consent to the marriage on the condition that Bhima return to his family each evening. The female Hidimva and Bhima spend time together, and she soon gives birth to their son, Ghatotkacha. Due to his rakshasa heritage, Ghatotkacha grows to adulthood immediately and inherits great strength and magical abilities.
Ghatotkacha becomes a devoted ally to the Pandavas. Hidimva bids them farewell, and both she and Ghatotkacha depart, with the latter vowing to assist his father and uncles in the future.
The Pandavas continue their exile by wandering through various regions, including the lands of the Matsyas, Trigartas, Panchalas, and Kichakas. Disguised as ascetics, they study the Vedas (sacred scriptures) and Vedangas (auxiliary studies to preserve the Vedas), honing their knowledge and skills.
During their journey, they encounter their grandfather Vyasa, who comforts them and guides them to the town of Ekachakra, advising them to live there discreetly. Taken in by a kindly brahmana (a member of the priestly class), the Pandavas lead a humble life, begging for alms and sharing their earnings with their host.
One day, Kunti and Bhima overhear the brahmana and his family lamenting. Upon inquiring, they learn about a fearsome rakshasa named Vaka who terrorizes Ekachakra. Vaka demands that each household deliver to him a cartload of food—rice, two buffaloes, and a human being—which he then consumes. The brahmana’s family is next in line, and they are distraught at the prospect of sacrificing a family member.
Moved by compassion, Kunti offers Bhima’s assistance, assuring the brahmana that her son possesses extraordinary strength and can handle the rakshasa. Despite initial reluctance due to the ethics of endangering a guest, the brahmana eventually agrees. Bhima sets out with the rest of the food, consuming it himself to provoke Vaka. When the enraged demon confronts him, a battle ensues. Bhima kills Vaka by breaking his back, freeing the town from the rakshasa’s terror.
The townspeople discover Vaka’s lifeless body and are astonished by the mysterious savior. The brahmana, keeping the Pandavas’ identity concealed, attributes the deed to a powerful brahmana skilled in mantras.
The Pandavas continue living incognito in the town of Ekachakra, devoting themselves to the study of the Vedas. A visiting brahmana shares stories about King Drupada of Panchala, his desire for vengeance against Drona (the Pandavas’ former teacher), and the miraculous births of Drupada’s children: his son, Dhrishtadyumna, and his daughter, Draupadi.
Intrigued by these tales, the Pandavas decide to travel to Panchala. Before they depart, Vyasa visits them. He reveals that Draupadi is destined to become their shared wife due to a boon granted by Lord Shiva, who granted a maiden’s wish in a previous life to have a husband five times.
On their journey, the Pandavas reach the Ganges River. Arjuna leads them with a torch to guard against wild animals. They encounter a gandharva (celestial musician) named Angaraparna, who is bathing with his wives. Offended by their intrusion during twilight—a time reserved for celestial beings—Angaraparna challenges them. Arjuna defeats him using divine weapons.
Impressed, Angaraparna gifts Arjuna the knowledge of the Chakshushi Vidya (a mantra containing the true knowledge of visions and illusions) and advises them on the importance of having a brahmana priest as a guide. Angaraparna narrates the story of Tapati, daughter of the sun god Surya, who married King Samvarana, an ancestor of the Pandavas. He intends for the tale to underscore the significance of priestly counsel; in the story, the sage Vasishtha facilitates the union.
Angaraparna narrates more stories about Vasishtha, a rishi (enlightened person) revered for his immense wisdom and asceticism.
The first tale begins with King Kalmashapada of the Ikshvaku dynasty, who, while hunting, encounters Saktri, the eldest son of Vasishtha. A dispute over the right of way leads the enraged king to disrespect Saktri. In retaliation, Saktri curses the king to become a rakshasa. Under the influence of this curse and manipulated by rival sage Viswamitra, Kalmashapada becomes a cannibalistic demon, causing destruction and even killing Saktri and his brothers.
Grieving the loss of his sons, Vasishtha attempts to die by suicide but fails due to his divine nature. Meanwhile, Saktri’s widow gives birth to Parasara, who grows up under Vasishtha’s care. Learning of his father’s fate, Parasara vows to annihilate all rakshasas. Vasishtha intervenes, advising him against mass slaughter. Parasara heeds his grandfather’s counsel; he performs a sacrifice to eliminate many but not all rakshasas, channeling his anger into a controlled act.
Another story is about the rivalry between Vasishtha and King Viswamitra. Viswamitra desires Vasishtha’s divine cow, Nandini, who is capable of granting any wish. When Vasishtha refuses, Viswamitra attempts to seize the cow by force. Nandini summons supernatural allies to defeat Viswamitra’s army, showcasing the superior spiritual power of Vasishtha over Viswamitra’s martial prowess. Humbled, Viswamitra renounces his kingship to become a sage, seeking spiritual strength through penance.
The Pandavas seek a worthy brahmana to guide them. Angaraparna recommends Dhaumya, who accepts the role by bestowing the Pandavas with celestial horses and affirming their sovereignty.
The Pandavas journey to Panchala, ruled by King Drupada. There, Draupadi, Drupada’s exceptionally beautiful and intelligent daughter, is about to participate in the swayamvara (a ceremony where a princess selects her husband). The swayamvara features an extraordinary challenge: stringing a massive bow and shooting an arrow to hit a designated target.
Numerous kshatriya (warrior class) princes fail to string the bow. Karna, a renowned warrior allied with the Kauravas (the Pandavas’ rivals), succeeds, but Draupadi rejects him, stating that as a suta (charioteer caste), Karna is too lowly for her. Arjuna, disguised as a brahmana, then effortlessly strings the bow and successfully hits the target, winning Draupadi’s hand.
Upon Arjuna’s victory, Yudhishthira, influenced by their mother Kunti’s inadvertent command, declares Draupadi as the shared wife of all five Pandavas, fulfilling a divine destiny. This polyandrous marriage angers the Kauravas, particularly Duryodhana and Karna, who vow to undermine the Pandavas.
Vyasa explains the divine origins of Draupadi and the Pandavas, emphasizing their celestial heritage and the righteousness of their union. The chapter concludes with rising tensions as the Kauravas, feeling threatened, again plot against the Pandavas.
The Importance of Dharma remains a central pillar throughout these chapters, guiding characters’ actions and decisions. Drona’s experience in Chapter 6 exemplifies the struggle between personal grievances and one’s duty. After he is humiliated by his childhood friend Drupada, Drona’s quest for vengeance leads him to become the martial teacher of the Kuru princes. His actions raise questions about the righteousness of seeking revenge versus fulfilling one’s responsibilities as a teacher and mentor. While he imparts unparalleled skills to his students, highlighting the importance of the guru in ancient Indian culture, he also uses them as instruments to settle personal scores, blurring the line of his dharma and setting in motion future karma that can be seen as both good and bad.
Similarly, the episode with Ekalavya highlights ancient Indian social structures and the ethical complexities within them. Ekalavya’s dedication to mastering archery without formal instruction speaks to his personal dharma of self-improvement and respect for his perceived teacher. However, Drona’s demand for Ekalavya’s thumb—effectively crippling his archery skills—raises moral questions about the obligations of a teacher and the justness of enforcing societal hierarchies. Drona’s adherence to the norms of caste over the merit of Ekalavya’s devotion reflects the tension between societal dharma and personal ethics.
Within the text, narrative emerges as a means of conveying wisdom, cautionary tales, moral guidance, and even manipulation—a range of teachings that emphasizes The Power of Storytelling. The minister Kanika advises King Dhritarashtra through the parable of the clever jackal. This story serves as strategic counsel and a reflection of Kanika’s own worldview—that cunning and manipulation are essential tools for maintaining power. The use of storytelling here speaks to its ability to influence decisions and shape perspectives, illustrating how narratives can be wielded to justify actions that might otherwise be considered unethical.
In contrast, the gandharva, or celestial musician, Angaraparna relates several stories to the Pandava brothers, providing historical context and lessons to guide them on their journey. The story of Tapati emphasizes the significance of priestly guidance and the interplay between mortal desires and divine will. Vasishtha’s story, involving curses and transformations, reflects on the consequences of anger and the importance of restraint, reinforcing the idea that sages and stories serve as moral compasses for those who heed them. In one story about Vasishtha, the sage counsels his grandson, who is bent on annihilating rakshasas as vengeance for his father’s death, to practice moderation and mercy rather than blind rage; in another, he demonstrates the superior power of spirituality to martial abilities. These morality tales serve as lessons in humility and piety for the Pandavas—qualities that differentiate them from their rivals.
Moral dilemmas are pervasive, presenting characters with challenging choices that test their principles. Dhritarashtra’s internal conflict over his sons’ schemes against the Pandavas exemplifies this. As a king and a father, he grapples with his duty to uphold justice and lead and his paternal affection for Duryodhana. To fulfill the dharma of kingship, he names his nephew Yudhishthira as his heir—it is clear that this upstanding and valorous young man is the best candidate for ruling. However, after this noble action, Dhritarashtra is jealous on his sons’ behalf. His inability to reprimand his sons’ wrongdoing contributes to the escalating tension, highlighting how personal attachments can impede one’s duty to righteousness.
The Pandavas face several quandaries during their exile, suggesting The Pervasiveness of Moral Dilemmas. Bhima’s encounter with the rakshasa Hidimva and subsequent marriage to Hidimva’s sister present a conflict between societal norms and compassion. Accepting a rakshasa as an ally and family member challenges traditional prejudices, showcasing the Pandavas’ willingness to look beyond conventions in adherence to a higher moral code rooted in empathy and honor.
The swayamvara of Draupadi also introduces complex layers of moral conflict. Arjuna’s success in winning Draupadi’s hand, followed by the unexpected turn of her becoming the shared wife of all five Pandavas, challenges the societal norms of the time and raises ethical questions. This arrangement, while divinely ordained, forces the characters to navigate the intricacies of duty to family, adherence to divine will, and respect for societal expectations. The Kauravas’ outrage and ensuing plots against the Pandavas further emphasize how personal desires and interpretations of dharma can lead to moral corruption when clouded by jealousy and ambition.
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