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It has been two years since Ben’s death, and the war ended shortly after Eugene’s return to university. In the spring Eugene feels a revival of his spirit as he falls back into campus life. Eugene develops a rash on the back of his neck, a genetic trait from the Pentlands, his mother’s side of the family. Insecure about his rash, Eugene “let his hair grow in a great thick mat, partly to hide his sore, and partly because exposing it to the view of the barber touched him with shame and horror” (476). He also obsesses over his somewhat yellowing and decaying teeth, and constantly compares himself to others. Despite his physical imperfections, Eugene has attained a measure of confidence:
“there was in him a health that was greater than they could ever know—something fierce and cruelly wounded, but alive, that did not shrink away from the terrible sunken river of life; something desperate and merciless that looked steadily on the hidden and unspeakable passions that unify the tragic family of this earth” (479).
Eugene is content with the space to do what he enjoys, although he remains convinced that greater happiness awaits him elsewhere and he tires of the world around him. Though he is well-known on his campus, Eugene’s peers ridicule him for his hygiene, which he neglects because he lives in a deeply internal world in which he views himself as a romantic hero.
During these years, Eugene escapes to neighboring towns, staying under famous and literary aliases at local lodgings. Wandering the streets at night, “he would mount swiftly to a door and ring the bell” (486) while pretending to create fictional tales of distress and woe before departing mysteriously into the night; Eugene considers these years “golden years.”
At age 19 Eugene graduates from university with his parents in attendance. Unsure of what he wants to do in the future, Eugene seeks the counsel of one of his professors, Vergil Weldon, and shares various possible plans for this future. When he mentions attending Harvard, Weldon advises him to follow this path, saying, “There you will find yourself” (489). Nostalgic, Eugene takes his time before leaving Pulpit Hill for good.
As Eugene journeys home once again, he contemplates the future of his family. Ben’s death had wrought a certainty: “The great wild pattern of the family had been broken forever” (491). While Gant lingers between life and death, Eliza thrives at 60 years old and has sold multiple properties, including both Gant’s house and business. She uses this money to trade, “buying, selling, laying down options, in an intricate and bewildering web” (492). She is as obsessed with real estate as ever. Gant’s shop has been sold and will be destroyed to build a skyscraper.
Despite her previous claims, Helen continues to care for her father “in constant rhythms of wild energy and depletion, anger, hysteria, weariness and indifference” (492). Helen still has no children and continues to indulge in “medicines with high alcoholic content, homemade wines, and corn whisky” (492). Helen’s bitter resentment toward her mother is aggravated by Eliza’s indifference to Gant, whose “body was a rotten fabric which had thus far miraculously held together” (494). Helen becomes paranoid of her mother’s influence and convinces Gant to create a will in which he grants each of his children $5,000 and names Luke and her husband as executors. These events feed into “this ugly warfare of greed and hatred” (495), which includes Steve’s jealous harassment of Eugene and a subsequent physical altercation between all the brothers. As the family takes sides, Eugene spends his summer flirting and gossiping before being seduced by a married boarder. The relationship turns sour as the woman “became very ugly and bitter, and accused him of betraying, dishonoring, and deserting her” (496). Eventually Eliza ejects the woman from Dixieland.
Eugene does not decide to attend Harvard until a few days before the term starts. Eliza asks Eugene how he will fund his education and rejects Eugene’s request to use his part of the inheritance. She promises, once again, to pay for one year. Before Eugene’s departure, Luke presents him with a document stating that “he had already received the sum of five thousand dollars in consideration of college fees and expenses” (498). Eugene signs the paper immediately.
The day before he departs for Harvard, Eugene says goodbye to Eliza. He struggles to speak honestly and openly with her; despite the silence between them, Eliza “understood, she knew all he felt and wanted to say, her small weak eyes were wet as his with tears, her face was twisted in a painful grimace of sorrow” (500).
As Eugene travels through Altamont for the last time, he comes upon his father’s shop and “saw his father’s name, faded, on the old brick in moonlight. On the stone porch of the shop, the angels held their marble posture” (501). Eugene also sees the mysterious figure of a smoking man “half obscured in shadow” (501). He soon doubtfully recognizes this man as his deceased brother Ben, who claims not to be dead.
As Eugene and Ben speak, Eugene observes one of the marble angels in front of his father’s shop moving. Ben is unmoved by Eugene’s amazement and confusion. Ben confirms what Eugene has already sensed: He will never return to Altamont. Ben asks how long Eugene has felt there is nothing for him in Altamont. Eugene replies, “Always.”
Eugene peeks into Gant’s shop and sees the angels “walking to and fro like huge wound dolls of stone” (503). Eugene informs Ben of their father’s impending death and the plan to demolish his shop to build a skyscraper; Ben is aware of these details. Eugene looks at the Square in front of Gant’s shop and sees multiplied forms of himself and Ben throughout the years. Seeing himself in child form, Eugene calls out only to realize that all the forms have disappeared.
Ben asks Eugene what he seeks. When Eugene says he seeks “an end to hunger,” Ben replies, “There is no happy land. There is no end to hunger” (507). Eugene stays in the Square until morning as “Ben, like a fume of smoke, was melted into dawn” (508). Eugene stands and turns his eyes to the distance.
In his final two years at university Eugene grows tired of his environment and dreams of finding happiness. His greatest joy during this time are trips to small towns where he stays under the aliases of famous writers, performs pranks by ringing random doorbells, and embodies the role of a friendless stranger or the suicidal poet Thomas Chatterton in search of Romantic poet Samuel Taylor Coleridge. Eugene refers to this period as “golden years” filled with an innocent hope that he may one day find Coleridge, who passed in 1834. These escapes provide an outlet for Eugene’s rich imagination.
In Chapter 39 Eugene remarks on “the final disintegration of his family” (492): Eliza sells Gant’s home, which is to become a sanitarium, as well as his shop, which will be torn down to build Altamont’s first skyscraper. The physical foundations of Gant’s life are portioned off to become centers of new ways of living, rendering Gant a relic of the past. His shop was once a place of craftsmanship and artistry; it will now become a place of profit. This focus on profit also infects Eugene’s siblings, who grow paranoid of their mother’s increasing prosperity and draft a will for Gant that ensures each of his children a $5,000 inheritance. Bitter that Eugene is attending Harvard, his siblings demand Eugene renounce his inheritance. Eugene finds freedom from his family’s influence as he signs away his last connection to them, obtaining a release from the burden of their expectations as he prepares to leave Altamont forever to begin a new life at Harvard.
In Chapter 40 Eugene walks through Altamont one last time. He encounters the figure of his deceased brother Ben, who imparts some final wisdom. As Eugene and Ben speak on the porch of their father’s defunct business, Eugene observes one of the stone angels moving its arm. Wolfe blurs the lines of fantasy and reality, of life and death, as Eugene struggles to understand the experience and determine what and who is living or dead. The stone angels, ornaments of death, have accompanied dark thoughts of loneliness, depression, and death throughout the novel, but here they dance and move freely. When Eugene questions this movement, Ben twice replies, “They have a right to, haven’t they?” (504). It is this focus on living that Ben shares with Eugene, who finally concludes, “But in the city of myself, upon the continent of my soul, I shall find the forgotten language, the lost world, a door where I may enter” (508). This is Eugene’s final declaration of “I shall,” which ushers in an era of searching within himself for all that he has longed for in life. With this new resolution in mind, Eugene turns his eyes to the future.