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49 pages 1 hour read

Riley Sager

Lock Every Door: A Novel

Fiction | Novel | Adult | Published in 2019

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Parts 4-5Chapter Summaries & Analyses

Part 4: “Three Days Earlier”-Part 5: “Two Days Earlier”

Part 4, Chapter 21 Summary

Jules wakes to an unsettling sound in her apartment. She forces herself to investigate, but the sound stops. Chloe calls to check on Jules after hearing about the fire, which started in Mr. Leonard’s apartment after he dropped a potholder on the stove due to heart palpitations. Jules and Chloe discuss the incident and corresponding newspaper coverage. They discuss the articles Chloe sent, and Jules informs Chloe what happened with Ingrid. Chloe urges her to let it go because finding Ingrid “won’t bring Jane back” (163). She reminds Jules that she can stay with her whenever she wants and promises to keep her phone on while she and her boyfriend are in Vermont for the weekend.

Part 4, Chapter 22 Summary

Greta stops at Jules’s apartment to thank her for her help during the fire and invite her to lunch. Jules guesses that Greta is lonely and accompanies her to a nearby restaurant. Over lunch, Greta agrees to answer Jules’s questions. She confirms some stories about the Bartholomew, including those about servants’ deaths during the 1918 influenza epidemic and Dr. Bartholomew’s death by suicide.

Greta asks about Jules’s response to the smoke during the fire, and Jules confides about her parents’ deaths. When her mother was diagnosed with non-Hodgkin’s lymphoma, her father couldn’t provide for the family and care for his sick wife. He committed arson, burning down the house and killing them both. Jules’s father left her his car, three keys, and two insurance policies. Greta expresses sympathy for Jules’s story and recommends she look for Ingrid at the local shelters.

Part 4, Chapter 23 Summary

Jules looks for Ingrid at the YMCA, where she meets a woman named Bobbie who promises to keep her eye out for Ingrid.

Part 4, Chapter 24 Summary

Andrew is in the lobby when Jules returns to the Bartholomew. He tries to apologize to Jules, then asks her for rent money. Nick appears, and Jules kisses him to deter Andrew. They go to Nick’s apartment, where Nick asks about Jules’s search for Ingrid. Jules considers telling him about Ingrid’s gun and note, but doesn’t. Nick promises to help her again if Andrew returns. Jules returns to her apartment, happy.

Part 4, Chapter 25 Summary

Jules returns to the Bartholomew after checking the local hospitals for Ingrid. In the lobby, Charlie gives her a bouquet of flowers from Marianne in thanks for saving Rufus. Jules asks Charlie about Ingrid, but he corroborates Leslie’s story that he was in the basement when Ingrid left. However, he encourages Jules’s efforts.

Part 4, Chapter 26 Summary

Jules knocks on Marianne’s door to thank her for the flowers. She asks Marianne about Ingrid, but Marianne doesn’t have any information. When Jules gets pushy, Marianne tells Jules to “stop asking questions” (190). Leslie overhears the conversation and reprimands Jules for bothering the tenants.

Part 4, Chapter 27 Summary

Nick agrees to help Jules search Ingrid’s apartment. In 12A, he lowers Jules into 11A on the dumbwaiter. The only thing Jules finds is Ingrid’s copy of Heart of a Dreamer with a personalized note from Greta in the front cover. Nick texts her that Leslie is coming and Jules ducks under the bed.

Part 4, Chapter 28 Summary

Jules lies under the bed listening to Leslie give the prospective new sitter a tour. After they leave, Jules exits through the door and meets Nick back in his apartment. They kiss and have sex.

Part 4, Interlude Summary: “Now”

Jules continues her story to Dr. Wagner, trying to stay calm so he takes her seriously. She admits believing several people were recently murdered at the Bartholomew.

Part 5, Chapter 29 Summary

Jules wakes up in Nick’s bed and hurries back to her apartment. She doesn’t want Leslie to find out she spent the night away from 12A. Nick urges her to stay, asking what she found in 11A. Jules insists they’ll talk later and leaves. Back in 12A, she accidentally drops her keys down the grate. She unscrews it and digs around, discovering someone’s phone inside, too. The phone’s background image is a picture of Erica Mitchell, the same woman on the missing poster she saw by the grocery store.

Part 5, Chapter 30 Summary

Jules brings a missing poster back to 12A and studies Erica’s photo. She calls the number on the flier and Dylan picks up. When she mentions Erica, he hangs up. Via text, they agree to meet at the Museum of Natural History to talk in private.

Part 5, Chapter 31 Summary

Jules meets Dylan, who reveals that he and Erica were dating before she disappeared. Neither he nor Erica have family and both needed the money from the sitting job. Jules and Dylan realize the similarities between their stories. Dylan says that another apartment sitter disappeared last year and theorizes that there’s a serial killer in the building. Jules and Dylan make a plan. Jules hires Zeke to hack into Erica’s phone, though she can’t afford the fee.

Part 5, Chapter 32 Summary

Jules and Dylan find a private spot to scroll through Erica’s information after Zeke hacks the phone. They find a series of worried messages from her friends and a video of Erica sitting alone in fear and panicking when an intruder enters her apartment.

Part 5, Chapter 33 Summary

Jules repeatedly watches Erica’s video to determine who entered her apartment. Greta comes for a visit, interrupting her. Greta starts reminiscing about when she lived in 12A. She and Jules discuss Heart of a Dreamer, the strange wallpaper, and Greta’s relationship with Erica. Greta says she didn’t really know Erica, but after Greta leaves, Jules recalls Erica’s signed copy of Heart of a Dreamer.

Part 5, Chapter 34 Summary

Jules doesn’t think Greta is being honest with her. After she leaves, Jules reviews Erica’s messages, reads more articles about the Bartholomew, and texts Ingrid again. Ingrid finally responds, saying she went to Pennsylvania for a waitressing job. Suspicious, Jules asks Ingrid what Jules’s nickname is. Ingrid’s answer convinces Jules that someone other than Ingrid is texting her, likely Nick, the only one who knows that Jules is not a nickname, but her given name.

Part 5, Chapter 35 Summary

Nick knocks on Jules’s door. When she doesn’t answer, he stands outside, giving a lengthy apology for the night before. He leaves.

Part 5, Chapter 36 Summary

Jules goes to the park, unsure what to do. She texts Chloe that she might be in danger, but Chloe doesn’t have service. Jules tries Dylan next, but he doesn’t respond either. Back in 12A, Jules sits with Erica’s phone and Ingrid’s gun, watching the wallpaper.

Part 5, Interlude Summary: “Now”

Dr. Wagner questions Jules’s theory about the murders. Bernard and the nurse enter. Their odd behavior makes Jules realize she’s in danger. She begs to call Chloe, but Bernard and the nurse sedate her.

Parts 4-5 Analysis

Parts 4 and 5 develop the novel’s themes concerning the Psychological Effects of Isolation and Loneliness, Wealthy–Vulnerable Power Dynamics, and the Pursuit of Truth in a World of Deception. While Jules’s brief stint at the Bartholomew initially promised hope and security, the intensifying events of Parts 4 and 5 begin to prove Chloe’s suspicion “that it’s all probably too good to be true” correct (183). The novel’s powerful and wealthy antagonists augment Jules’s vulnerability by isolating her, using the promise of financial security to manipulate her. As Jules’s isolation grows, her grip on reality seems to falter.

The more devoted Jules becomes to solving the mystery of Ingrid’s disappearance, the more questions she encounters. Throughout this section, Jules discusses Ingrid with numerous characters, including Greta, Bobbie, Marianne, Dylan, Charlie, and Nick. Though conversing with and pestering the Bartholomew residents is against the rules, Jules’s isolation, loneliness, and past trauma lead her to break these rules to uncover the truth. In the narrative present, Jules’s financial, vocational, and social standings are tenuous. She has few connections, no job prospects, and no one to rely upon for guidance. Her repeated defiance of the Bartholomew’s policies suggests that her isolation makes her more willing to protect the few friends she has. Jules’s inability to find Ingrid augments her loneliness and alienation, compounding their psychological effects.

Although several of the Bartholomew’s residents initially entertain Jules’s questions, the more she pesters them about Ingrid, the less helpful they become, posing active barriers to the truth. Their disproportionate wealth and power illustrate their unbalanced influence compared to Jules. The Bartholomew becomes increasingly hostile, further isolating her. Meanwhile, Jules’s repeated attempts to reach out to friends and acquaintances fail, and loneliness “settles over [her] like a shroud” (260). With Chloe away in Vermont, she has no support system or community to help her, leaving her vulnerable to manipulation by the Bartholomew’s wealthy residents. Nick, in particular, reveals himself as a classic psychological thriller archetype: the intimate who ultimately proves to be the villain. Sager sets up this revelation in Chapter 36, when Jules surmises that Nick has Ingrid’s phone and is behind the multiple sitter disappearances.

The author suggests that Jules’s childhood trauma informs her pursuit of the truth about Ingrid’s disappearance because she is well-acquainted with its potential fallout. Jules proves incapable of separating her sister’s disappearance from Ingrid’s. In Chapter 21, Chloe describes this connection, urging Jules to drop the matter because “[f]inding Ingrid won’t bring Jane back” (163). Jules, however, cannot drop the matter because finding Ingrid will mean “there’s one less lost girl in the world. One less person who vanished into thin air, never to be seen again” (163). Conflating the two incidents complicates Jules’s ability to distinguish between truth and deception, fiction and reality. Furthermore, Jules’s growing investment in the mystery conveys her simultaneous desire to save and defend herself in a deceptive world.

The “Now” sections of the excerpt depict Jules in a state of mounting psychological confusion and physical danger while simultaneously increasing the narrative tension. Peppered throughout the narrative, these sections present Jules in an unfamiliar medical facility after escaping the Bartholomew. Jules initially believes that this place is safe and its occupants trustworthy. However, the “Now” sections bookending Parts 4 and 5 suggest that this is not the case, building suspense. This is a common technique in psychological thrillers. In Chapter 28, “Now,” for example, Jules stops telling her story to Dr. Wagner because she is “starting to sound crazy” and “absolutely cannot sound crazy” (206). Jules’s use of the word “crazy” in this context suggests that she has absorbed social stigmas regarding the trustworthiness of people experiencing mental illness. She needs her attendants to believe her in order to save herself and to protect her friends but knows that she was in a psychologically tenuous state before fleeing the Bartholomew. In Chapter 36, “Now,” Bernard and his companions sedate Jules immediately after she confides her theory about the building, leaving Jules helpless at the close of Part 5. Her powerlessness in this scene augments the narrative tension and increases the mystery in anticipation of the novel’s climax.

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