43 pages • 1 hour read
Bret Easton EllisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Later, Clay reluctantly attends a New Year’s Eve party at Kim’s new house, where he meets a very pale man named Spit who is the drummer in the band Fear (a real band in the 1980s LA punk scene). He and Muriel are having an argument when the discussion turns to Kim’s parents—who are in England—and later to who Kim is dating. She confirms rumors that she is dating an actor, but the friends question why he wasn’t at a previous party. Famous actors and producers visit the party and are talking to Kim when Spit interrupts and explains that Muriel, in anger at him, locked herself in the bathroom. When Muriel finally lets Blair, Kim, and Clay in, they find her injecting drugs with needles, and the party photographer enters and takes pictures. Blair wishes Clay a Happy New Year.
After the party ends early, Clay goes home and watches a religious television program, specifically one in which two preachers claim that Led Zeppelin albums are evocative of the devil. Rip calls Clay and tells him that Julian wants to see him at the Chinese Theater, but he doesn’t know why. Clay goes to meet him, but Julian never shows up. The next day, Blair calls Clay and tells him that Julian wants to see him but doesn’t say where he is. He suggests only that Clay try his home in Bel Air.
When Clay goes to Julian’s home in Bel Air, he is not there, but a blond-haired, tan man in a swimsuit who is in the yard lifting weights asks if Clay wants a Quaalude. There is also a woman watching television outdoors at a pool who does not know where Julian is but tells Clay that Julian owes her money for cocaine. On the way to his car, Clay finally runs into Julian, who suggests that they go to a restaurant in Sherman Oaks, where Julian asks Clay for cash for an abortion. Clay agrees but wonders what the money is really for. Rip later calls Clay and asks if he has seen Julian, and when Clay lies and says that he hasn’t, Rip then asks which drugs he wants.
Clay goes to a record store where he sees Spit but does not speak to him. He later sees Alana, Kim, and a strange but gregarious rockabilly music fan named Ben at the record store, and they go get sushi in Studio City.
Later, Clay goes to Kim’s house and sees Blair. They discuss going to a movie while a dog eats a cigarette off the floor.
Clay goes with Kim and Blair to a gruesome movie about teenage girls being murdered. There they run into a very blonde and tan couple, Lene and Troy, whom Kim wants to avoid. The couple tells them that they were on MV3, and asks if they saw them. Blair and Kim say that they haven’t, although they, in fact, were aware of the couple’s appearance.
Later, Clay goes out drinking with Blair and Kim using Blair’s fake ID, and Kim drinks heavily while they make fun of the couple they just saw.
The following day, Trent calls Clay and apathetically explains that he is bummed out about the fact that he suspects that a girl he likes is seeing someone else. The two decide to go to a movie and smoke joints in the theater. Leaving the movie, they see a girl named Ronette, whom Trent knows. Ronette suggests that they go rollerblading, but the security guard explains that it is not allowed.
Trent falls asleep in Clay’s car, while Ronette explains that she dropped out of school to become a hairdresser and also sings backup vocals. Clay drops her off and Trent offers Clay another joint. The next day, Clay brings Julian the requested money in an envelope. Julian barely converses with him and sits watching MTV. The following day, Rip calls Clay and suggests that the two meet for lunch. While waiting for him, Clay drinks three glasses of wine, and Rip asks if he wants drugs. A woman at the cafe across the street faints from the heat, and a few people rush to her side before an ambulance arrives. Rip asks Clay what he remembers from the previous summer, which includes various isolated memories such as listening to the B-52s, seeing a lot of men dressed as women, and meeting a lot of English men, one of whom he thinks that Blair slept with.
Some time later, Clay, Blair, and Kim are looking for a club to go to, first in search of a particular DJ. They don’t go to the intended club, The Palace, because Kim sees Lene outside. Eventually settling on The Edge, Clay finds himself snorting cocaine in the bathroom with another friend, Lindsay. In the club, Clay watches a girl attempt to converse with the bartender. Clay realizes he will be home for only two more weeks.
On the subsequent day, Clay visits Trent’s apartment and finds Rip—who, in Julian’s absence, has become Clay’s dealer—there. While Trent is in his room, Clay makes conversation with Trent’s roommate, Chris, who tells Trent that he thinks he is enrolled in UCLA but can’t remember if he registered for classes. Clay also sees Atiff, a freshman at UCLA, who complains about losing his Louis Vuitton luggage on a flight back from Italy. Clay stares at Trent’s Jacuzzi and then happens upon another kid named Alan, who, according to Chris, has been passed out in Chris’s room due to mono. Rip explains that he was offered $600 recently to escort a man to Laguna. Clay has a flashback within his dreams of walking home as a child and staring at the colors of the sky. He admits that when he was younger, he would take Valium to fall asleep to come down from his cocaine use.
On a rainy night back in the present, Clay occasionally gets phone calls on which no one on the other line speaks, even though he waits three minutes. Clay wonders how many days he has been home. Clay’s psychiatrist tells him that he is writing a screenplay, and asks if Clay will help, since he encourages Clay to be less passive.
Clay meets Trent and Blair at Spago, a famous LA restaurant. Trent complains that he has to spend the following day with his mom at their home in Palm Springs to watch the gardeners plant cacti. He decides it might be worth going since he knows a cocaine dealer there. Trent tells Clay that there are people doing cocaine in the bathroom. Clay suggests that Trent join them, which leads the two to bicker about who each one is having sex with. During the argument, Blair goes to the bathroom, and Clay claims that he and Blair are not together. Trent says that he needs to tell Blair that. She returns from the restroom and asks what they were talking about. She seems to be in a good mood, which makes Clay think that she did cocaine in the bathroom.
At the next club they go to, called After Hours, a 16-year-old blonde flirts with Clay. He ends up going home to sleep with her at her parents’ house, and when he goes back out to his car, there is a note in Blair’s handwriting asking if he had fun.
At the psychiatrist’s office again, Clay is sneezing blood because of his cocaine use. He also begins to cry, but the psychiatrist assures him that he will be fine and tells him not to be so mundane.
Clay flashes back to a memory from his grandfather’s birthday in Palm Springs: His father drank too much, and, when a cousin read about a plane crash, he announced that such would be his preferred way to die.
Back in the present, Clay visits Trent. Then, he goes to Rip’s house, where they make plans to visit a 40-year-old man named Dead in Malibu to buy cocaine. When they meet Dead, he explains that the high schooler who bought drugs from him was recently shot by a narc. The three go to an arcade in Westwood, where they spend two hours before the man at the ticket booth tells Trent that he cannot make change for his one-hundred-dollar bills, at which point they leave to go finish their cocaine.
Later, Clay goes to a party that Blair’s father is hosting to celebrate the film premier of an Australian actor whom he wants to appear in one of his films. Several famous actors attend, including one female actor who has just left the Golden Globe Awards, where her husband lost, and needs a drink. Clay talks with a film student while Blair, Alana, and Kim join them, but Blair ignores Clay.
Blair suggests a good-looking actor named Marco Ferraro for the role in her dad’s new movie, Beastman. Her dad promises to cast him or Sting in one of his movies for her soon. Blair remains demonstrably angry with Clay.
Clay calls Blair to apologize for sleeping with someone else, but she hangs up on him. After calling Rip and visiting Trent’s apartments, Clay still cannot locate Julian. At a party at Kim’s house, Clay meets a young man who knows Julian, but his advice that Julian may be in Aspen leads Clay nowhere.
These chapters introduce the themes of the variable nature of human perspective, the disconnectedness of family, and the objectification of human bodies. For the first time in the novel, the protagonist Clay maintains that he does not consider his relationship with Blair to be serious or enduring. Clay remains detached; his decision to disavow his relationship with Blair demonstrates the way that Clay has disconnected emotionally from others, just as those around him (Trent, Blair, Alana, et al.) have already disconnected from each other. At the beginning of the novel, Clay is bothered by Blair’s comment that people are afraid to merge on freeways. His otherwise inexplicable reaction to these lines demonstrates that, having just arrived back in LA from New Hampshire, Clay is at least interested in searching for something. The act of merging demonstrates an interest in willfully taking action to go somewhere with a purpose and being aware of others as one moves forward with them on a journey, so Clay’s being bothered by this comment might also be evidence of his latent ambition and need to feel that he shares a common purpose with others. On the surface, Clay’s reaction also, of course, is due to the demonstration of Blair’s insipid character.
When Clay resolves to reject a meaningful relationship with Blair, his decision marks a transition in his character from a discerning, purpose-driven individual—at least at heart—to an apathetic character like his peers.
This section also depicts one of the most jarring scenes in the first half of the novel: A woman collapses from the heat, and neither Rip nor Clay reacts. Clay himself narrates, “There are people standing over the old woman and an ambulance comes, but most of the people in La Scala don’t seem to notice” (95). Clay and Rip continue their conversation about drugs and memories from the previous summer immediately after this happens. The old woman who faints represents the most fragile and vulnerable category of people, yet Clay and Rip nevertheless exhibit no sympathy for this character. However, although critics are often quick to dismiss Clay as a complete hedonist, his commentary that people take no notice suggests that within Clay lies at least a vestige of human empathy.
The flashback episode within this section, in which Clay remembers conversations with his extended family, demonstrates the similarities between Clay’s behavior that the reader has seen thus far and his family’s disconnected, dispassionate behavior. Clay’s father’s comment regarding his preference to die in a plane crash reveals to the reader that Clay is the proverbial apple that hasn’t fallen far from the tree. Thus, to some extent, the reader can predict that Clay will not achieve a meaningful relationship with his girlfriend or his family, just as his father has no intimacy with his own family.
These chapters also reassert the book’s consistent obsession with beauty and aesthetics, specifically in the section that takes place at Blair’s father’s home. He mentions that he is “trying to get the actor to star in a new film he’s producing, some thirty-million-dollar science fiction adventure film called Star Raiders. But the Australian actor’s price is too high” (117). This commentary highlights the contrast between the financial means of the college students’ families and the extreme suffering of the maid, for example, whose family was killed in her homeland. It also reveals the costs and commensurate salaries associated with the film industry. Also at the party is Blair’s father’s boyfriend, Jared. For the lead role in Blair’s father’s upcoming film, Jared suggests “no great actors. Just some guy whose ass looks as good as his face” (121). This casual comment points out that both men and women are objectified sexually. The film industry as it appears in this section is driven by appearance and money. Alcoholism is also presented as part of the high-budget film culture of LA. One actress arrives from the Golden Globe awards and orders the bartender to “get me a vodka collins before I collapse” (119). Almost all the party guests drink heavily, as though they cannot function without alcohol.
Finally, these sections reveal the prolonged nature of Julian’s absence. Although Julian is introduced only casually as a thin, good-looking friend of Clay’s, this section foreshadows his larger role in the second half of the novel.
By Bret Easton Ellis