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In the opening chapters of Les Misérables, the narrator describes Bishop Myriel's complete dedication to charity. The bishop gives up everything he possibly can to help the poor, save for one indulgence: a set of silver cutlery and a pair of silver candlesticks. When he welcomes the ex-convict Valjean into his home, Valjean repays the bishop's kindness by stealing the silver cutlery. The police apprehend Valjean and drag him back to the bishop's house, but the bishop surprises everyone by explaining that the silverware was a gift. He insists that Valjean take the pair of candlesticks as well. Valjean is shocked by this act of mercy. After being ostracized by society and beginning to believe that society's condemnation of him was just, Valjean is treated with genuine respect and affection by a man he has wronged. This act of forgiveness and the bishop’s request that Valjean use the silverware to become a better man change Valjean's life. He sells the cutlery to fund his change, but he cannot bring himself to sell the candlesticks. To Valjean, the candlesticks symbolize that he is never beyond redemption. Even in his darkest moments, when he is furthest from God's grace, the candlesticks remind him of the bishop's kindness.
In effect, the candlesticks are an investment by the bishop. He opposes the majority view of society that Valjean is beyond redemption. No other person in Digne will take Valjean into his home, a symbolic illustration of the way the whole of France treats people who have been released from prison. The bishop counteracts this belief and spends what little wealth he has left by betting on Valjean's capacity for goodness. While no one else recognizes the humanity hidden within the former convict, the bishop believes that everyone is deserving of a chance at redemption. The gift of the candlesticks is a symbolic demonstration of this gamble.
Valjean understands the bishop's investment. He keeps the candlesticks with him throughout his life and their presence and symbolism help him make certain decisions, such as revealing himself to the court and not allowing an innocent man to be sent to prison on his behalf. The mere presence of the candlesticks acts as a spiritual guide, dragging Valjean through difficult moral decisions. At the time of his death, Valjean places lit candles in the candlesticks. He has spent so long trying to justify the bishop's investment in him, that he is still lighted by the glow of the bishop's actions. As he lays dying, bathed in the glow of the candles, he looks back on his life and evaluates whether he satisfied his promise to the generous bishop. Valjean finally accepts that he has achieved redemption. He dies, still lit by the glow of the candles, symbolically moving permanently into God's grace.
When Valjean is released from prison, he is given a yellow passport which marks him as a former convict. He travels through France, eventually arriving at the town of Digne. During his travels, he is required to visit a town hall on arriving in a new place and present his yellow passport to the authorities. As soon as he does so, he is turned into a social pariah. No businesses want to serve him, meaning that he cannot stay or even eat at a tavern or inn. Though Valjean has served his time in prison, the yellow passport symbolizes the social condemnation attached to former convicts. Valjean is bureaucratically damned; no one will help him because his paperwork is not correct. In a legal sense, his character is reformed, and, in a moral sense, he is a good man, but this does not matter. The content of a person's character does not matter in an unfair society—only the contents of their paperwork matter. Valjean's paperwork symbolizes the absurd moral foundation on which 19th century French society is built, if a good man like Valjean is forced into a desperate situation because he cannot escape the mistakes of his past. The yellow passport essentially brands him as a pariah and prejudges him before he arrives in any town, further driving him to the fringes of society.
Fantine is similarly betrayed by paperwork. After leaving Cosette with the Thénardier family, she wishes to communicate with them. However, she lacks the ability to write, so she relies on a scribe to write letters to the Thénardier family to check up on Cosette. This scribe then gossips, telling everyone in the town that Fantine has a child born out of wedlock. This rumor leads to Fantine losing her job. Like Valjean being forced into increasingly desperate situations because his paperwork marks him as an ex-convict, Fantine's reliance on others to help her with paperwork and letters exposes her to social scrutiny. Eventually, after selling her teeth and her hair, she is forced to register as a sex worker. Fantine's betrayal by paperwork reveals how working-class people's lack of access to education sets them up to fail. Her relationship to bureaucracy and paperwork symbolizes the inherent unfairness of the society which forces people into criminal behavior then castigates them for doing so.
At the end of the novel, Marius and Cosette get married. The marriage requires paperwork, with many mysteries still surrounding Valjean and Cosette’s pasts. Since Cosette has a large sum of money, this paperwork is not difficult to forge; everyone is willing to make the paperwork available for the rich in a way they would not if she were poor. The willingness of everyone involved to make the situation work, regardless of the technical legality of the paperwork, symbolizes how the rich and the poor live by two very different sets of rules. If Valjean or Fantine were as privileged, then they may not have been forced into their desperate positions. If they were in a privileged position, possessing a large amount of money, their passport or their letters would not have been a problem. Similarly, Marius proposes to deal with Valjean's past by purchasing him a pardon or forging his identity papers. The availability of forged paperwork and the willingness to turn a blind eye demonstrates a fundamental unfairness in society. For rich men like Marius and Monsieur Gillenormand, this approach is a matter of course. For the people from a poor background, however, it is a grim reminder that the world is not fair. The treatment of paperwork symbolizes the way in which wealth and privilege force the poor and helpless into living by a different set of rules.
In Parts 4 and 5 of Les Misérables, the citizens of Paris mount a brief and failed revolt against the monarchy and the oppressive government that has abandoned them to poverty and suffering. As the narrator explains, Paris has a long history of revolutions and social uprisings. A timeworn tactic involves building temporary barricades across Paris's thin streets to assert control over certain geographic areas. The Friends of the ABC lead in the creation of one of these barricades, and the barricade itself becomes an important symbol in the novel. It is a physical division between the royalist forces and the revolutionaries, creating a clear distinction between the two groups. The people of Paris are defined by their physical relationship to this symbol of the uprising, in that anyone behind it is an ally of the revolutionary cause, and anyone opposing the barrier is a defender of the status quo. In the context of the novel, those behind the barricade are the brave heroes, even if they are very different people from different backgrounds. They are united by their physical relation to the barricade and the revolutionary ideals that it symbolizes.
The barricade also symbolizes why and how the revolutionaries are fighting. It is constructed from the detritus of the people's everyday lives; the cheap furniture and carts they use to make their home and their business become their only means of defending against the soldiers. They turn their meager possessions into their defense and their rebuke of the contemporary social order, literally throwing everything they have into a defiant act. The barricade symbolizes their desperation, as these people have so little left to give that they are willing to give everything they have. In this context, the actions of men like Mabeuf are better understood. The former church warden has been abandoned by the state, and he sees no way to do anything other than sink further into poverty and misery. Like many others, he is radicalized by desperation and forced to act because the only other choice is to starve to death.
The revolution is not successful. The soldiers use their greater numbers and resources to eventually overpower and destroy the barricade. In this sense, the collapse of the barricade is a symbol of the collapse of the revolution. However, the knowledge lives on. This barricade is not the first, nor will it be the last, just as this uprising is neither the first nor the last uprising. Importantly, the institutional knowledge of how the barricade is built lingers in the working-class community, providing them with one of the tools they can use to fight back against their oppressors. The enduring power of the barricades as a symbol of social revolt symbolizes the preservation of knowledge in marginalized communities. Even if the revolutionaries fail and the barricade falls, similar barricades will be built again in the future as part of similar revolutions. The barricade is a symbol of defiance, and it endures, even after the collapse of the actual barricade. In this sense, the barricade represents the way in which the fight against inequality continues, even after temporary setbacks.