45 pages • 1 hour read
Rumaan AlamA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Rose bakes the cake while the adults talk. Amanda insists that they should fill the bathtubs. The narration reveals that she’s correct—if the power goes out, so does water pressure, and people in the city are already starting to feel the effects of dehydration. Amanda and Clay discuss whether they should go home, and G. H. suggests that they should go into town. G. H. and Clay plan to go in the morning, though Amanda still feels they should return to the city.
Amanda cleans up Archie, then Clay takes him into the living room and dresses him. Ruth and G. H.’s parental instincts kick in; Ruth helps with Archie while G. H. helps Rose decorate the cake. Amanda takes the soiled sheets into the shower to rinse them and feels rage at her powerlessness. Ruth arrives and helps, extending her offer to combine their laundry.
Ruth makes another offer to Amanda as well—that her family should stay at the house indefinitely—but Amanda is not moved. She still wants to go home or get Archie to a doctor, and she still has the lingering feeling that she shouldn’t trust Ruth.
Ruth indulges the idea that illness might be spreading through the house, and they both admit to their fear. Amanda asks Ruth to comfort her, and Ruth tells her she can’t—she’s not that kind of person. She repeats her offer that the family can stay, and reminds Amanda that she has her family here with her, and they’re safe, which is more than Ruth has.
The household has an evening of relative calm, despite their circumstances. They have a relaxed dinner and dessert, and the conversation turns to other vacations they’ve had. For Amanda and Clay, Disney, and for Ruth and G. H., Paris. The two couples sit drinking contentedly until their anxieties re-emerge. Clay asks G. H. to draw him a map back to New York, and G. H. says he will drive with them into town, where they can find their own way. Clay and Amanda have seemingly settled on returning to the city, and G. H. and Ruth will stay at the house.
G. H. says that he will make sure that he gives Clay the money he promised, then Ruth encourages them to enjoy their last night of vacation. Reluctant, Amanda decides to go pack. Clay joins her; he knows she is adamant about leaving tomorrow. She reveals that she is unreasonably angry at G. H. and Ruth for bringing the world into this house. She is overcome with anger and fear but realizes there is nothing to do about it; lacking any other course of action but to enjoy the moment, she and Clay have sex.
Amanda gets into the hot tub while Clay fixes drinks. G. H. comes out to use the hot tub, and Amanda invites him in despite her nudity. G. H. confesses that he always thought of himself as sophisticated and prepared, but nothing has prepared him for this. Inside, Ruth lies on the bed and thinks of her grandchildren while Clay fixes drinks and the children sleep.
G. H. tells Amanda he saw this coming in the markets; Clay joins them, and they keep discussing this, as G. H. says, “It’s not the end of the world […] It’s a market event” (178).
They hear a splash from the pool, so they investigate and find a flamingo beating its wings against the water. Already stunned, as their eyes adjust to the dark, they see that there is a whole flock of flamingos in the pool and yard. The flamingos lift off and rise into the night, leaving the three of them shocked.
Back inside, Clay makes another round of drinks while G. H. raids the fridge. They discuss where the flamingos came from; it could be from a zoo, or a rich person’s private menagerie. Ruth joins them and believes them instantly, though the why of the birds’ arrival continues to elude them. They all admit that they are adults that know nothing without access to the internet.
Ruth makes her offer for them to stay again, and Clay suggests that they could stay and move downstairs so Ruth and G. H. could have their house back. They go quiet, and noise breaks out several times, secret American planes off “to do unspeakable things” (185). All of them but Ruth scream—she doesn’t see the point—and the children rush to Amanda as the noise happens one final time.
Amanda and Clay huddle in bed with their children, unable to sleep. They think about the legacy of what their generation is leaving to their children, and Amanda worries about Archie’s illness, whether he will get better, whether they are all sick.
She asks Clay if they should still go in the morning, and Clay doesn’t know. She wants him to say first that they should stay. They know they are safe in the house, but they fall silent without resolving what they’ll do, both aware that they are and are not alone in this situation.
The two couples alternate between rationalization, panic, and denial as Archie grows mysteriously ill. The novel generally stays coy about the specifics of what’s happening, but there is plenty of evidence to suggest that what Archie and others experience is a kind of radiation poisoning. The lack of explanation is intentional, echoing the “Did it matter […]?” (120) dialogue from chapter 21 as well as the character’s own anxiety about not knowing; it is, in effect, trying to recreate the mental state of the characters in the mind of the reader by only providing glimpses of explanation about the outside world.
Lacking information, the characters fall into pretending that everything will go back to normal: For G. H., pretending means thinking about the stock market and how it will respond, and for Clay and Amanda, it’s thinking about how to get back to their normal life in the city and take care of their son. Something begins to shift in Ruth, though: She offers to mix their laundry together, which is unlike her and can reads as her letting go of her frustration at Amanda and Clay perhaps profiling her as a subservient elderly Black woman denied full access to her own home. Matters of race, class, and propriety are becoming less important for the group as it starts to think of itself as a collective unit, culminating in Amanda being unashamed of her nudity in front of G. H. (all of this is, of course, helped along by alcohol, as the characters have been drinking throughout the novel).
The flamingos that they encounter, and then the return of the sound, further puts the lie to their assertions that things will return to normal at the forefront. Clay and Amanda start to really consider the proposition that they should stay. Ruth has invited them repeatedly to stay, and she seems to be the one who truly grasps the situation.
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