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57 pages 1 hour read

Leigh Bardugo

King of Scars

Fiction | Novel | YA | Published in 2019

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Chapters 15-19Chapter Summaries & Analyses

Chapter 15 Summary: “Nikolai”

Nikolai hears a screech above them. A swarm of bees, forming the shape of a woman, flies toward the skiff. A massive grotesque form follows, shape shifting between man and animal. Above them a dragon circles. The skiff crashes and rolls over as they try to escape. An army of sand soldiers surround Nikolai, Zoya, and Yuri. The dragon swoops, and Zoya fights back, throwing up a wall of icy wind. The dragon’s fire surrounds her, knocking her to the ground, and she screams as she realizes her silver cuff amplifier is shattered. A woman emerges from the bees and commands the dragon to back off; he obeys, transforming into a man. When the two figures call each other Elizaveta and Juris, Nikolai remembers stories of the Saints; Sankta Lizabeta, “martyred in a field of roses” (265), and Sankt Juris who “slew the dragon” (265). The Saints take the trio to their sand palace to explain everything.

Chapter 16 Summary: “Isaak”

Chapter 16 introduces Captain Isaak Andreyev, who was summoned before the Grisha Triumvirate two days ago and was told the king and Zoya are missing. As long as Nikolai is without an heir, they told Isaak, “[I]t is essential that no one discover [Ravka is] without a ruler until the king can be found or a strategy put into place” (270). Nikolai thus set up a contingency plan should something like this happen—and he chose Isaak to play the role of king in his stead. They need Isaak to pretend to be Nikolai at the party to avoid scandal and unrest. Now, as part of the scheme, Isaak sits as Genya transforms him to resemble Nikolai.

Isaak thinks about everything that led to this point in his life: His time serving in the army under Nikolai Lantsov; his discharge from the army after the war; his love of languages; his placement as a palace guard and translator. As part of Nikolai’s plan, Isaak also learns about such kingly political matters as deportment and takes elocution lessons to learn to speak like Nikolai. Genya doubts their ruse will work; she doesn’t believe that Isaak can pass for the king because his mannerisms are too different. To Genya’s surprise, however, Isaak performs an arrogant drawl, mimicking Nikolai’s voice perfectly.

Chapter 17 Summary: “Nikolai”

The sand carries Nikolai, Zoya, and Yuri to the Saints’ palace while Juris, in dragon form, flies alongside, and the shifting grotesque form and Elizaveta follow. Once inside the palace, Nikolai asks for an explanation, and Elizaveta explains that they each died and were reborn in this state. The grotesque mass introduces himself as Grigori, the Saint who was torn apart by bears. He explains that they are in a version of the Shadow Fold. Elizaveta further clarifies that they were trapped there when “the Darkling tampered with the natural order of the world” (279). They cannot leave, and they cannot take physical form outside the Fold; they will only be free when the Darkling and his power dies. While the physical body of the Darkling perished, his power lives on in Nikolai, so they created the miracles throughout Ravka to lure Nikolai to the Fold. He must summon the monster and kill it with the thorn wood to free himself and the Saints. Once free, the Saints will return to mortal form to live one final lifetime before permanently dying. Nikolai agrees to the obisbaya ritual.

Chapter 18 Summary: “Nina”

After Leoni falls asleep, Nina sneaks out, following the Springmaidens who load a cart with packages. She hurries to the dining hall and finds Hanne’s hidden uniform under a loose floor tile. She reaches the factory in time to see the cart enter the gates—and once the last Springmaiden enters and the gates close, Nina approaches the guard, claiming she fell behind. He lets her in when she starts crying.

The whispers in her head guide her toward the abandoned east wing. She hears the high-pitched wail of a baby. A Springmaiden appears with a lantern, and Nina, hiding in the shadows, follows her. She enters a dormitory with women and girls laying in narrow beds. Babies in bassinets line the far wall. Nina watches a pregnant girl pace the room. The Wellmother pushes a cart of syringes into the room, and the Springmaidens inject the women with the orange liquid. Nina doesn’t recognize this drug. It isn’t parem, but it could be what’s poisoning the river. Nina recognizes the mother and daughter from the docks whom Birgir pulled from the ship. He sent them here. Nina remembers, “girls go missing from Kejerut” (293). These are Grisha women who are captured, drugged, and impregnated. Nina must help them.

A bell sounds, summoning the Springmaidens to return to the convent. Nina follows close behind. At the gate, the guard asks the Wellmother if the straggler caught up. The Wellmother doesn’t know anything about a straggler. The guard has all the Springmaidens line up for a head count, and Nina sprints away down the hall.

An alarm sounds, and she breaks a window and jumps, tumbling into the forest and running to the convent. Nina makes it back to her room, waking Leoni as she strips and throws her muddy clothes into the trunk. Nina dives into bed just as the door opens and two Springmaidens enter. They spot mud on the floor and search the trunk, finding the muddy Springmaiden dress. The Wellmother appears in the doorway with Hanne in tow. Hanne claims the dress is hers and that Nina was hiding it for her until she could wash it. The Wellmother accepts this story and says she will write Hanne’s father and reconsider Nina giving Hanne language lessons.

Chapter 19 Summary: “Zoya”

After Juris and Grigori depart, Elizaveta waves her hand, and the main room transforms into three separate bedrooms. She lets them rest. Zoya enters her room but leaves moments later to talk to Nikolai to tell him she thinks the ritual is too risky; Nikolai could die, and she doesn’t trust these so-called Saints.

As Zoya protests to Nikolai, Juris appears and takes Zoya to her first lesson. Zoya enquires about his dragon amplifier, and he explains that he and the dragon became one: “When I slew the dragon, I took his form and he took mine” (303). Zoya doesn’t need her amplifier cuff to strengthen her powers. Wanting to share his knowledge with Zoya, Juris tells her about slaying the dragon: They died together and now live eternally together. It’s the same with Grigori and the bear, and Elizaveta and the bees. Juris wants to teach Zoya how to harness all of her power, so he provokes her into a swordfight. Juris encourages Zoya to open the door to her power. She doesn’t need to summon it; “the storm is in [her] bones” (312). With the strength of a hurricane, Zoya shatters Juris’s sword. After her success, she wants to learn more and accepts his help.

Chapters 15-19 Analysis

The second half of King of Scars places Nikolai and Zoya in the palace within the Fold. The chapters grow shorter as the plot quickens, and a theme of transformation intensifies. Chapter 15 introduces three major figures who are not what they first appear: a swarm of bees, a grotesque human-animal shapeshifting form, and a dragon. The narrative then reveals symbolic elements in these figures’ initial appearance as they transform: The bees become a woman whose “golden hair was a buzzing mass of bees that swarmed and clustered around her radiant face” (264), and she is introduced as Elizaveta, better known as Sankta Lizabeta. The assembly of bees suggests purity and queenship while also alluding to veils and hidden faces like those of beekeepers. Elizaveta is queen of this Fold palace but has an aspect of veiled mystery about her. The dragon, too, transforms to reveal a man, and his symbolism of wisdom soon surfaces.

These chapters present rising action that accentuates the trajectories of Nikolai’s and Zoya’s character arcs. For example, while Nikolai’s quest for a cure is already desperate, the dialogue at the palace escalates this sense of urgency. When the three Saints—Elizaveta, Grigori, and Juris—explain how the Darkling created this place and trapped them, and when it comes out that Elizaveta knows how to conduct the obisbaya ritual that brought Nikolai to the Fold in the first place, the pressure mounts. While dangerous, Nikolai agrees to proceed as “they’re the last hope we have” (301).

Zoya’s arc, too, gains dimension in these chapters. When she goes head-to-head with the dragon, she breaks her precious amplifier cuff in the process—but this accident is serendipity; Zoya struggles with feeling helpless, and she learns she can stand without her cuff when Juris, the dragon Saint, later takes her away to train. Without her amplifier, she feels “naked, vulnerable, and utterly wrong” (302)—but Juris teaches that the amplifier was only a hinderance. Additionally, he shares that when he killed the dragon, “I took his form and he took mine. We became one” (303). In mythology, dragons symbolize transformation, wisdom, and hidden knowledge. Juris shares his wisdom of forgotten Grisha knowledge with Zoya, eventually leading to her own transformation.

The thematic thread of transformation reappears in a fourth storyline in Chapter 16 with Captain Isaak Andreyev. However, this transformation is purely outward. Nikolai chose Isaak as his stand-in because he was the correct height and spoke multiple languages, and Genya now tailors—transforms—Isaak to “look enough like the king that [he] will be able to fool even the guards who have watched over [the king] for years” (271). After deportment and elocution lessons to sound and behave like the king, the transformation is successful.

In Chapter 18, Nina’s arc also reaches a major turning point. Utilizing her knowledge of Hanne’s hidden dresses, she locates one and sneaks into the factory disguised as a Springmaiden. She unearths the secret of the factory: pregnant women drugged by the Wellmother and her Springmaidens. Nina watches as the women are injected with an orange drug. Because she has experience with parem addiction, Nina can sense the drug and smells it in the air, “but [the women] were all docile, gave not a single sign of defiance. Grisha on parem didn’t behave this way” (292). This discovery is the climax of Nina’s storyline: Everything after is falling action attempting to resolve the situation. Nina barely makes it back to the convent ahead of the Springmaidens and is only saved from discovery by Hanne’s quick-thinking lie. Nina now owes Hanne the truth, which will make Hanne an active participant in the plot.

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