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71 pages 2 hours read

Haruki Murakami

Kafka on the Shore

Fiction | Novel | Adult | Published in 2002

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Chapters 13–16Chapter Summaries & Analyses

Chapter 13 Summary

While Kafka is eating his lunch outside the library the next day, Oshima sits down next to him. He has noticed that Kafka isn’t eating much and offers him a sandwich. Oshima asks what Kafka is reading now. He’s reading the novels of Natsume Soseki, and they discuss The Miner. Emboldened by the fact that Oshima treats him like a friend and equal, Kafka tells Oshima that he needs a place to stay that won’t attract the attention of the police or authorities. Oshima tells him that he will talk to Miss Saeki about Kafka coming to stay at the library to work as Oshima’s assistant. This will take a few days to arrange, so Oshima takes Kafka to his family’s mountain cabin in the meantime.

Oshima drives Kafka to the cabin. Oshima confides that he has a rare type of hemophilia and explains that he also has a love-hate relationship with school, having left school after junior high because he was so different from the other students.

The cabin in the woods has no running water or electricity, but it does have food and lots of books. Oshima promises to return in a couple of days for Kafka, but also indicates that he thinks the solitude of the cabin will be good for him. He does warn Kafka not to go into the woods without keeping the cabin in sight, saying that it’s very easy to get lost and hinting that he once had a “terrible experience” (116).

Chapter 14 Summary

Nakata has been staking out the vacant lot every day for a week in his search for little Goma. The cat Okawa warns him that terrible things happen in the vacant lot and tells him that he should forget about finding Goma. Nakata briefly wonders about, but quickly dismisses, the cat’s fears. What could a cat-catcher do to Nakata?

In the early evening, a huge, black dog appears and telepathically demands that Nakata stand up and follow him. Nakata does.

The dog leads Nakata into a strange area of the city, to a house where the cat-catcher is waiting for him. The cat-catcher is dressed oddly, in a red shirt with a black vest and white trousers, a black top hat and long black leather boots. He tells Nakata to call him Johnnie Walker, because he’s borrowed that appearance and name. He proceeds to tell Nakata that Goma’s fate is in his hands. 

Chapter 15 Summary

Kafka has trouble falling asleep once Oshima leaves; he’s afraid and feels like someone is watching him. In the morning, all of his fear is gone with the light. Bright and clear, the sun pours down on the cabin, the morning “mist floating like freshly minted souls” (131). He makes breakfast and chooses a book to read. He reads a book about the trial of Adolph Eichmann, a Nazi war criminal and the creator and bureaucrat of the Nazi’s “final solution”—extermination—for the Jewish people. Kafka marvels at Eichmann’s ability to not question, morally, what he is doing. Eichmann had no imagination, so he could not comprehend his responsibility. Kafka is struck by this idea, and knows that no matter what happens, he is responsible for the blood he found on his clothing when he woke up on the grounds of the shrine.

Kafka goes into the woods and he experiences the forest as a living thing. It fills him with awe, and he realizes that he must have respect for the forest. Later that night, he looks up at the sky and sees stars. He thinks, “[T]he stars are like the trees in the forest, alive and breathing. And they’re watching me” (135). He feels helpless and afraid.

Kafka overcomes his fears and goes into the forest again the next day, imagining a “3-D painting of an animal, watching my every move” (136). He finds a sunlit clearing in the forest and sits there, enjoying the sunshine. The intense feelings of loneliness and fear he experienced the previous night are gone. It rains and he goes naked out in the rain to wash himself. He feels free.

The boy called Crow intrudes to remind Kafka that he’s not in control of events or even his own mind. Imagination and dreams are real, lying in wait like beasts, and Kafka fears his own imagination, his dreams, and the responsibility for his actions that begins in them. 

Chapter 16 Summary

The dog leads Nakata to the kitchen, where he commands Nakata to open the freezer. It contains the severed heads of about 20 cats. The dog tells Nakata to look carefully and to make sure that Goma’s head is not there.

Nakata returns to the study where Johnnie Walker admits that he killed all the cats and removed their heads. He is collecting their souls to make a flute, with which he plans to collect even bigger souls—human souls, perhaps eventually all the souls in the world. However, this work does not make Johnnie happy.

Johnnie Walker promises to give Goma to Nakata instead of killing her, if Nakata will kill him. He wants Nakata to hate him, to get angry enough to overcome his reluctance and to kill him. Nakata refuses to kill Johnnie Walker.

Johnnie opens a case that he tells Nakata contains five cats that have been given a paralyzing injection. They are able to feel pain but cannot move. He proceeds to taunt Nakata, as he brutally slices open the first cat, extracts its beating heart, and eats it. After he eviscerates the cat, he saws off his head.

The horrified Nakata blanks out and refuses to believe what he’s seeing. Johnnie kills two more cats in exactly the same way, including Kawamura, as Nakata becomes more upset and confused. He begs Johnnie to stop, but Johnnie insists that this is “war,” and the “rules” of war must be followed. He tells Nakata that he can stop him, simply by killing him.

Next, Johnnie pulls out Mimi, the helpful Siamese cat. Driven beyond his endurance, Nakata grabs a knife lying on the desk and stabs Johnnie repeatedly in the chest and stomach. Johnnie Walker dies. Nakata collapses.

Chapters 12-16 Analysis

Kafka goes to the cabin and experiences nature as a real, living entity for the first time. These chapters cover all day Thursday the 29th, including Kafka’s arrival at the cabin Thursday night. Then he remains at the cabin on Friday, May 30th and Saturday May 31st.

The unspeakably brutal scenes with Johnnie Walker form a central core of the novel. Kafka wakes up on the grounds of the Shinto shrine in Chapter 9 on the same night that Nakata stabs and kills Johnnie Walker. Johnnie Walker is Kafka’s father. The first part of the tragic oedipal curse is fulfilled; except that Kafka did not kill his father, Nakata did. However, Kafka wakes up with blood all over him. How can this be?

The reader knows that Nakata is the one who stabs Johnnie Walker, though Kafka continues to believe that he is responsible, even if he didn’t kill his father with his own hands. The impossible transfer of the blood is another instance of Murakami’s magical realism.

The grisly scene inside the study with Johnnie Walker contrasts jarringly with Kafka’s peaceful coexistence with the forest and his time relaxing and reading. It’s a healing time for Kafka away from the stress and fear generated by his disturbing memory loss.

Clearly, Johnnie Walker is a bureaucrat, just like Adolf Eichmann in Kafka’s reading, caught up in the execution of his monstrous plan. Johnnie Walker wants to build a flute to capture souls, eventually collecting all the souls in the world, just as Eichmann planned to capture and exterminate all of the Jewish people. Both attempt to excuse and disguise their evil by pointing to a banal, bureaucratic step-by-step process that cannot be altered. For the reader, however, the monstrosity of the evil is magnified, not diminished, by their dull adherence to these processes.

Keeping track of the days and dates for each storyline is important, because the Nakata story line lags behind the Kafka story line for most of the novel. For example, the events in Chapter 16 that describe Nakata’s murder of Johnnie Walker occur on the same night that Kafka wakes up covered in blood on the grounds of the shrine in Chapter 9.

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