44 pages • 1 hour read
Denis JohnsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Multiple stories in Jesus’ Son demonstrate that F**khead believes he has prescience and can see the future before it happens. This is most evident in the first story in the collection, “Car Crash While Hitchhiking,” in which F**khead knows a car accident will occur before it does. However, even outside of this, F**khead has moments where he seems to understand what will happen, and this assumption extends to other people, as well. For instance, while riding a train, F**khead remarks that, “Right beside me was the little cubicle filled with the driver […] In the darkness under the universe it didn’t matter that the driver was a blind man. He felt the future with his face” (80). F**khead’s knowledge of the future seems to reflect the ecstatic tone of the book, with its quasi-spiritual language and imagery. However, this is another demonstration of the extent to which drugs infect this narrative—that ecstatic writing can be another reflection of F**khead’s state of mind and the altered states of consciousness that the drug use puts him in. Whether or not F**khead’s knowledge of the future is real or a consequence of drug use doesn’t seem to ultimately matter, because F**khead has no ability or inclination to change anything he sees: Just as his vision doesn’t stop him from entering a car he knows will crash, it also doesn’t stop him from taking drugs, which instead requires multiple trips to detox until he succeeds at the end of the collection.
One of the most consistent areas of exploration in Jesus’ Son is that of memory. F**khead is tortured by his memories; their effect is so pervasive in his life that he frequently interrupts the story he’s telling to relate a memory that pops into his head. Part of the reason that F**khead constantly does drugs is to suppress the memories that he finds painful; for instance, when describing why he goes to get drunk at bars like The Vine, F**khead says that “with each step my heart broke for the person I would never find, the person who’d love me” (30). In this case, the alcohol serves as a way to erase the memories of the people who used to love him.
The annihilation of drugs in Jesus’ Son is frequently compared to forgetting. When F**khead and Jack Hotel purchase bad drugs together, F**khead lives because he is remembered—he’s awoken by his girlfriend and a neighbor who discovered him passed out on the floor. Hotel, however, dies of an overdose because the people who were monitoring his breathing “forgot about him, and his breath failed without anybody’s noticing. He simply went under” (34). Memories, in “Out on Bail,” serve as sources of pain and regret, but also save the narrator’s life. Despite his struggles, F**khead is at least remembered by other people. He compares the randomness of Hotel’s death versus his own life in the final line of the story, writing, “I am still alive” (34). Memories are pain, but they also save lives. When F**khead gets sober at the end of the book, he finally gains an opportunity to access the memories that he’d suppressed, and thereby starts to gain redemption.
Hopelessness is perhaps the most common mood of the stories of Jesus’ Son. Almost none of the characters in the narrative express any real belief in their own abilities to change the situations they are in. When disasters happen (such as the accidental shooting of McInnes, or the overdoses of F**khead and Jack Hotel), they are written about as if they are simply a natural consequence of the situations the characters are in, rather than any controllable actions. Through many of the stories, we receive brief glimpses of F**khead in various detox programs, highlighting the theme of The Slipperiness of Time. With the exception of the final story of the collection, “Beverly Home,” these are portrayed as not having worked, with F**khead returning to substances afterward.
“Beverly Home” is the only story of the collection that can be considered hopeful, though that hope is still tempered by F**khead’s behavior, stalking and peeping on a local woman. Johnson avoids an easy redemptive arc for F**khead through this, instead demonstrating that his old behavior doesn’t just disappear while he is sober—the drugs and alcohol merely exacerbated underlying behaviors. In this depiction, Johnson demonstrates a conditional growth—F**khead is sober, but it’s not an easy fix for his problems. The motif of hopelessness, then, can, in Jesus’ Son, grow to a tempered hope in a process of healing.
By Denis Johnson
Addiction
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American Literature
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Books that Feature the Theme of...
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Community
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Fear
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Forgiveness
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Friendship
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Grief
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Guilt
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Hate & Anger
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Mortality & Death
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Pride & Shame
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Safety & Danger
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School Book List Titles
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The Future
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The Past
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