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44 pages 1 hour read

Denis Johnson

Jesus' Son

Fiction | Short Story Collection | Adult | Published in 1992

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Background

Authorial Context: Denis Hale Johnson

Content Warning: Jesus’ Son includes depictions of sexual assault, murder, substance use disorder, racist language, stalking, self-harm, and death by suicide.

Denis Hale Johnson was an acclaimed American novelist, short story author, and poet. Born in 1949 in Munich, Germany, Johnson published his first book of poetry at the age of 19 in 1969. He earned a BA in English from the University of Iowa, as well as an MFA in Creative Writing from the Iowa Writers’ Workshop. While Johnson is best known for Jesus’ Son, which is widely regarded as one of the most important American short story collections of the 1990s, he also won a National Book Award for his novel Tree of Smoke, as well as two shortlists for the Pulitzer Prize for Fiction. In total, Johnson published nine novels, one novella, two books of short stories, and three poetry collections before his death in 2017.

For most of the 1970s, Johnson had a substance use disorder, particularly with heroin. During this period, he did not write much. Johnson quit drinking alcohol in 1978 and quit recreational drugs in 1983; Johnson was then hired to teach at his alma mater, the Iowa Writers’ Workshop, during which time he composed the stories that make up Jesus’ Son. Much of the critical acclaim for Jesus’ Son stems from the perceived verisimilitude of the scenes of drug use; Johnson incorporated many of his real-life experiences into the collection, contributing to its authenticity. In addition, the narrative voice of Jesus’ Son has been acclaimed as lyrical, intense, and surreal, and is considered to realistically mimic the thinking of a person with a long-term substance use disorder, like Johnson.

Cultural Context: Severe Substance Use Disorders and Drug Culture

All the stories in Jesus’ Son center around characters who are either longtime drug users or part of drug communities. The cultural context that Johnson investigates is the culture of hard drug use, particularly examining the ways in which people connect with each other or have disputes based on drugs. For instance, F**khead is surprised and suspicious when, in the story “Work,” his friend Wayne invites him to come along to help him strip a house of its copper wiring. F**khead believes, based on previous experience, that Wayne is trying to cheat him out of money in some way, but it turns out that Wayne just needs a ride to and from the work site. In this passage, it is clear that, based on the cultural context, F**khead expects Wayne to take advantage of him, and he only agrees to go because he also gets something out of it. This suggests that within drug culture, an exchange is expected in social interactions.

Additionally, most of the stories in the collection are based in rural areas of the Midwest, particularly rural Iowa. This is an uncommon literary setting for drug narratives, which typically take place in larger metropolitan areas. However, by setting his drug narratives in rural areas, Johnson depicts a subset of substance users that aren’t typically written about in American fiction. Johnson himself spent many years living in the rural US, and the reflections of the counterculture in low-income small towns in the Midwest becomes one of the central draws of Jesus’ Son from a cultural perspective.

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