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Content Warning: This section contains a description of animal mutilation.
The next morning, Brody wakes up to find Ellen already awake. She seems “subdued, sad” as she prepares breakfast and tells him about her plans to spend the day at the hospital (91). After the children and Brody depart, she calls Hooper to see if he is “free for lunch” (92). Hooper agrees, and Ellen chooses a restaurant that she knows will most likely be free of Amity locals. She feels nervous and excited as she gets ready to go. After briefly stopping by the hospital, she claims to be sick and—as lunchtime approaches—she slips away unnoticed.
After stopping by a gas station to refresh her appearance, Ellen arrives at the restaurant and drinks a cocktail while she waits for Hooper. When he arrives, he also has a drink, and they joke about becoming “impetuous” (96). As lunch goes on, they become more flirtatious. They don’t talk about Brody, Ellen’s children, or the shark. The conversation becomes sexually explicit, and they discuss “fantasies” (99). Hooper plans a “very interesting” theoretical trip to a motel where they could conduct an affair (101).
Hooper and Ellen drive to a motel and have sex. After, Ellen returns home and falls asleep. She wakes up to find Brody “sitting on the end of the bed” (103). He apologizes for their recent argument and Ellen feels momentarily ashamed. She assures Brody she isn’t angry, but she snaps at him when he asks her about her whereabouts for the day. Brody asks her if she’s spoken to Hooper and mentions that he has not seen Hooper “all day” (104); Ellen claims that he called but keeps their encounter a secret.
Brody is summoned to a meeting to decide whether the Amity beaches will open for the Fourth of July weekend. He is convinced that opening the beaches is “a gamble that Amity—and Brody [himself]—could never really win” (105). Vaughan, Hooper, and the town's selectmen are waiting in the mayor’s office. Vaughan insists that Amity “is dying” and cannot afford to keep the beaches closed (106). Hooper agrees with Vaughan. Brody mentions calling his hotel room the previous day, he angrily claims that he does not “have to report in every five minutes” (107). Brody refuses to open the beaches so Vaughan threatens to fire him. The argument is interrupted by a telephone call for Brody.
The call is from Meadows, who claims that “Larry Vaughan is up to his tail in hock” (109). Meadows says that Vaughan is in debt to a mobster named Tino Russo who has been buying up cheap land around Amity with Vaughan guaranteeing him loans. Vaughan needs tourists to return to Amity so that he and Russo can sell the land at a massive profit. If the price of land continues to drop, Vaughan will lose everything. Vaughan interrupts the call and threatens to sue Meadows if any of this information is published. Meadows tells Brody that he has “the knowledge, but not the proof” (110). He advises Brody to open the beaches, as he will simply be replaced by someone more willing if he refuses. In the meantime, Meadows and Brody can look for the evidence needed to convict Vaughan. Brody confronts Vaughan in private, and the mayor admits that he stands to lose “close to a million dollars” (111). Brody feels sorry for Vaughan but agrees to open the beaches only if “every person who comes down there knows the danger” (112).
After leaving the mayor’s office, Brody overhears some Amity citizens criticizing his strict measures. Brody senses that the local business owners resent him. He tells the owner of the local deli, Paul Loeffler, that he plans to open the beaches; Loeffler is pleased by the news and tells Brody about some of his financial struggles. When Brody gets home, Ellen is “visibly upset” (113). She tells him that someone brutally murdered their son Sean’s cat in front of him and shows him the animal’s body. Brody is incensed. He takes the decapitated cat to Vaughan’s house and thrusts it in the mayor’s face. The man who murdered the cat gave a message to Sean, to be delivered to his father, telling Brody to “be subtle” (114). Brody storms away, leaving the dead cat on Vaughan’s porch.
The Fourth of July weekend begins with cloudy weather. Brody watches the private beach, Hendricks watches the public beach, and Hooper patrols the shoreline in Gardner’s boat. Despite himself, Brody cannot help but think that there is “something to wonder about” with regards to Hooper and Ellen (115). The weather clears up, but the beaches are not yet crowded. Brody speaks to a man from Queens, New York City, whose sons are desperate to see “the shark that’s killed all them people” (117). As Brody’s legs "[begin] to sunburn” in the afternoon heat (119), a group of teenagers goads one of their number into venturing into the sea. Before the boy enters, he is interviewed by “WNBC-TV News” and their reporter, Bob Middleton (120). The boy insists that he is “not scared” and they film him running into the water (122). As the boy swims, Hooper thinks he sees “a shadow” (123). Brody orders the boy to return to the shore. The TV crew film as Brody becomes increasingly concerned. Hooper, Brody, and the film crew spot the shark nearby. The boy reaches the shallows just in time as “the fin” rises out of the water and then sinks away (125). Brody sends the boy home and, despite his irritation with the film crew’s callousness, he allows Middleton to interview him. Brody says he has no choice but to announce that “the beaches are closed” (126).
Later that day, Brody sits in his office with Hooper and Meadows. He has heard from Vaughan, who is “drunk and in tears” (127). The three men talk to a reporter from the New York Times about their limited options. It seems like their only choice is contacting Quint about catching the shark. When they call Quint, he says he’s been expecting their call about the “piece of fish [they] got there” (129). As this is a “premium job” (130), he requires double his daily rate. Brody has no choice but to pay. Still suspicious about Hooper and Ellen, he volunteers himself and Hooper to join Quint, hoping that Hooper might “make a slip” that would confirm or dispel his paranoia (131). As they leave the office, Brody is told that Vaughan’s wife called him. He calls her back and she explains that her husband has drunk “almost a whole bottle of whiskey” (133). She knows something is wrong. Brody offers to talk to Vaughan the following day. Elsewhere in Amity, the deli shop owner Loeffler discusses all the business he’s gotten from people coming from all over “just to see a fish” (134).
the story of the shark attacks in Amity pauses in these chapters to allow Ellen to explore her own sense of identity. She is a complicated figure, caught between two worlds without ever truly being part of either. Ellen loves Brody and her family, but the people of Amity do not necessarily love her. She feels like an outsider and, as time goes on, she wants to reconnect with her past. Ellen wants to know what kind of life she might have led had she never met Brody. The meeting with Hooper provides Ellen with an entry point into the world she left behind. Hooper is a wealthy individual and a summer person to the core; Ellen, who once dated his older brother, can’t help but wonder whether small-town life has constricted her ambitions and robbed her of purpose.
Ellen’s affair with Hooper is conducted entirely on her terms. Hooper is merely a passenger in Ellen’s exploration of her identity. She is attracted to him solely for what he represents in her mind. In this respect, Ellen retains agency over the situation. Ellen's affair is not so much with Hooper as it is with a different version of herself; the brief fling allows her to temporarily become an alternative version of herself, which helps her resolve a tension she’s struggled with for many years.
Meanwhile, the people of Amity want to open the beaches in time for the Fourth of July weekend. The Fourth of July is American Independence Day, a celebration of freedom from oppression. Ironically, this celebration occurs within a small town dependent on wealthy visitors for survival. Amity is anything but independent. The townspeople are entirely reliant on the whims of tourists, and their main attraction—and source of income—has been taken over by a vicious killer shark. The people of Amity are forced to put their own lives at risk so that their wealthier American compatriots can celebrate freedom and independence. The Fourth of July weekend ironically becomes a prison for the people of Amity, discrediting any notions of independence or agency that they might have.
Earlier in the novel, the people of Amity were afraid that the arrival of the shark would destroy the tourism industry which sustains their local economy. After news of the shark attacks goes national, however, the opposite proves to be true. The town is alive with tourists who desperately want to see the shark. Brody is confronted by a dissatisfied man from Queens, whose children are complaining that there is no shark on display. Rather than its standard beach tourism, Amity finds that it can sustain itself by turning death into a spectator sport. This development adds weight to Minnie Eldridge’s claims that the shark is a form of punishment for the immoral people of Amity, who are profiting on the fear and morbid curiosity of their fellow humans.