56 pages • 1 hour read
Kenneth OppelA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It is Sarah’s ninth birthday party, and Peter has forgotten the cake. He rushes out to get it, leaving Ethan in charge of seven children. Ethan panics because Sarah’s birthday is not going well. She does not like her gift, a robotic dog, and she wants Lucy instead. Ethan gets upset that Peter did not ask other parents for help. He misses his mom and her way of handling parties. He tries to distract the children with drawing materials, but they fight over the markers. When they ask Ethan to draw, they make fun of his art.
Ethan runs to his room and asks Inkling for help. This time, when the kids ask him to draw, beautiful images appear, thanks to Inkling. Ethan tells the kids that the easel is magic, and they love it. Peter finally returns and takes over the drawing. The party goes well, even though Peter only prepares chips and cheese puffs. While Sarah opens presents, Ethan helps Peter with the cake, but when they realize that Peter absentmindedly left the cake at the store, they improvise by frosting a loaf of bread and adding candles. That night, Inkling returns to Peter’s room. Peter dreams of piñatas, unobtainable cakes, and the hospital bed. Inkling returns to Ethan’s room and draws the hospital bed. The next morning, Inkling finishes reading The Old Man and the Sea and wants to copy Hemingway’s style. Ethan wakes Peter, but Peter does not get up. Instead, Ethan makes breakfast and takes care of Sarah, and when Soren visits later, the two boys work on their project. Around 3:00 pm, Ethan gets worried and forces Peter to get out of bed. Peter apologizes, and Ethan walks out, confused and frustrated.
Ethan shares his thoughts with Inkling, pouring out his worries about his dad and about taking care of Sarah. He also admits how much he misses his mom. Inkling reveals that he sees Peter’s sad dreams and shows Ethan a drawing of Olivia in a hospital bed right before her death. Peter would not allow Ethan and Sarah in the hospital when Olivia’s illness progressed, so Ethan never saw her this sick. He crumples the picture, and Inkling explains that Peter is stuck. Together, they brainstorm ideas to unblock him, realizing Peter has not drawn a single thing since Inkling appeared. To help Peter, they decide to start a story for Peter to finish, but all of Inkling’s ideas come from other books.
They go to Peter’s studio to get more books for inspiration. The sketchbook tries to pull Inkling back into itself, but Ethan saves him. Later, while eating dinner, Inkling devours Peter’s books. Afterward, Ethan gives Inkling some paper, and as he falls asleep, Inkling starts drawing. Meanwhile, at the Worthington house, Vika overhears her parents discussing Peter’s financial importance to Karl’s company and decides to investigate the strange occurrences in the Rylance house.
In the morning, Ethan finds Inkling’s finished artwork. It is pretty, colorful, and a lot like Peter’s art. Ethan sees Inkling looking tired and weak, so he gets Inkling some comics and books to help him recover. After school, Ethan shows Peter Inkling’s drawings. Ethan tells Peter about Inkling, but Peter does not believe him. Ethan introduces Inkling to Peter, but things go wrong when Inkling turns into a giant “puppy” that looks more like a wolf. Peter attacks Inkling with a hockey stick, and Inkling turns back into an ink splotch, apologizing for scaring Peter.
Peter gets acquainted with Inkling and asks him to draw something. Amazed with the result, he thanks Ethan for sharing this. Peter takes Sarah and Ethan out to dinner and asks more about Inkling. Peter suggests keeping Inkling somewhere safer, where he cannot escape. Ethan worries about these words. The next day, Peter wakes up early and makes breakfast, excited to start working. After school, Peter shows Ethan another finished page. Ethan starts to get excited but soon becomes disappointed when Peter admits that it is Inkling’s work, not his. Ethan returns to his room, feeling conflicted but happy that things are improving at home.
Vika signs out of school and heads to the Rylance house. She tries to peek in through Ethan’s window, but the blinds are closed. Moving to the French doors of Peter’s studio, she is surprised to see Inkling drawing for Peter and realizes that this is what was drawing for Ethan. Vika watches as Inkling slips on a glass screen and falls into a tumbler glass. The tumbler traps him, and Vika opens the doors to try to grab Inkling, but Rickman hisses at her. She retreats, and when Peter returns, he frees Inkling. Vika wonders at the things that Inkling could create.
After school, Ethan finds Inkling looking drained. He gives Inkling another book and confronts his father. Peter argues that he needs help, and Inkling likes helping. Ethan points out that Peter is overusing Inkling and not feeding him properly. Peter apologizes and promises to take better care of Inkling; however, he still plans to keep using the ink splotch to produce art for him. Peter offers to help Ethan with the graphic novel project so that Inkling can rest, but Ethan refuses. Ethan realizes that no one has asked Inkling what he really wants. Inkling offers to help Peter and Ethan, but Ethan worries that he is just being kind. Later, Peter takes Ethan to pick up Sarah, and they go to the park for the first time in ages. Peter takes a renewed interest in his son, asking Ethan about his project. Ethan teaches Sarah to cross a stream on a fallen log, which gives her a new story to tell. That night, Inkling searches the Rylance home. Looking for something to help the family, he feels that he needs something in the studio. However, the studio and the sketchbook scare Inkling, and he returns to Ethan’s room, wishing that he were braver.
Ethan returns home from school to find Inkling trapped in a glass vase. Peter argues that it is easier to feed Inkling this way and boasts about the great works that Inkling has absorbed. Peter rationalizes keeping Inkling in the vase, but Inkling hates glass. Peter insists that Inkling is an extension of his imagination, but Ethan disagrees. Peter remains firm that Inkling needs to be somewhere secure because they both need him.
That night, Inkling goes to Peter’s studio to find something. Hidden in the back of a closet, Inkling finds what he is looking for: a piece of paper in a battered copy of The Secret Garden. Rickman attacks, but Inkling escapes and returns to Ethan’s room. Concerned for Inkling, Ethan takes him to school the next day. Inkling protests, saying that Peter needs him, but Ethan worries that Peter is overworking the ink splotch. During lunch, Ethan and Inkling finish the graphic novel together, and Ethan even completes the last panel without help. Ethan settles Inkling into his backpack with books and excitedly tells his friends that he has finished the art for the project.
Throughout the Rylance family’s evolution, Oppel addresses the complex interplay between themes such as Coping With Grief and overcoming Family Conflict and Communication difficulties. As Peter glories in the ostensible return of The Power of Art and Creativity to his life in the form of Inkling, the novel also implicitly addresses the ethical dilemma of true artistic ownership, for both Peter and Ethan must grapple with issues of artistic integrity and the ethics of assisted art. While both Ethan and Peter benefit from Inkling’s assistance, Ethan adopts a far more ethical approach than his father, for he realizes that taking credit for Inkling’s work is a form of dishonesty. When he utilizes Inkling as a teacher and actively improves his own artistic ability, this development stands as a significant yet implicit moral statement on the part of the author: that authenticity in one’s work is far more important than external success. This lesson is emphasized from a different angle when Peter uses Inkling for his own purposes and takes credit for the splotch’s creations. While Peter’s reasons for doing this are clear, the narrative’s descriptions of Inkling’s failing health also imply that the uses to which Peter is putting him are unethical and essentially exploitative.
As Peter’s growing dependence upon Inkling drastically depletes the splotch’s energy, this dynamic can be interpreted as an overt symbol of the relationship that Peter has with Ethan after Olivia’s death. Trapped in the depths of his own depression and grief, Peter increasingly relies on his young son to take over his own household responsibilities, and this pattern reflects the problematic phenomenon of parentification: a situation in which a child is forced to take on parental responsibilities and essentially parent their parent. In Inkling, Oppel tackles this difficult topic by demonstrating the many ways in which Ethan takes on a parent’s role for both Peter and Sarah after his mom dies. This dynamic becomes particularly clear during Sarah’s birthday party. Peter forgets essential things like the cake and the piñata filling and abandons the party to get the missing supplies. As a result, Ethan has to handle seven children on his own: a responsibility that is far too much for someone his age to handle. Because the entire situation arises due to Peter’s lack of planning and outright refusal of other adults’ help, Peter pushes these responsibilities onto his son instead of shouldering the burden himself. The true extent of this pattern is illustrated when Peter forgets the cake a second time and must frost a loaf of bread to improvise. Once again, Ethan is forced to act like a grown-up, for he ensures that Peter does not use hazelnut spread in case of allergies, and he also adds the ninth candle when Peter forgets Sarah’s age. Similarly, on the day after the party, Ethan takes care of Sarah while Peter stays in bed, and his frustration with this ongoing injustice becomes more apparent as the day wears on, for he cannot enjoy the company of his friends or even finish his homework because he has to look after Sarah. Clearly, Peter’s reliance on Ethan as a replacement parent causes severe damage to their relationship.
Children who are parentified often find it hard to trust and depend on others, and Ethan demonstrates this struggle, for he is resistant to the idea of telling his friends that he cannot draw. It is a significant step for Ethan when he talks about his worries and feelings with Inkling. Relying on Inkling and trusting him with his concerns helps Ethan deal with his emotions. However, it also means more responsibility for Ethan, such as when he tries to help his dad by using Inkling to start a story. Even though Peter does not ask Ethan to do this, it shows how much Ethan has taken on himself. However, it is important to note that Peter does not intentionally make Ethan take on adult roles, for parentification typically occurs when a parent is incapacitated by significant trauma. In Peter’s case, his depression makes it hard for him to fulfill his responsibilities at work and at home. It is not that Peter wants Ethan to do everything for him, but his sadness is so immense that he cannot do things for himself. Oppel therefore creates a deeply nuanced and sensitive portrayal of the complexities of Coping With Grief, for just as it is unfair for Ethan to bear such a heavy burden of responsibility, there is also no easy answer to Peter’s inner struggles.
As Ethan spends most of his time worrying about problems that adults should handle, Peter’s treatment of Inkling underscores this issue even more powerfully. As Peter rationalizes harnessing Inkling’s talents for his own use, Ethan’s protective instincts become increasingly strained through Inkling helping Peter. Ethan thought of Inkling as a friend. Now, however, Inkling has become yet another creature that Ethan has to worry about because Peter does not treat him well. Still, Inkling’s help encourages Peter to resume some of the roles that he has been forcing on Ethan. While Ethan is happy to see Peter improving, he also worries about Inkling’s safety. Eventually, Ethan takes Inkling to school to take care of him, even though he knows it makes things worse between him and Peter. Peter’s treatment of Inkling adds to Ethan’s challenges, showing how parentification affects trust.
By Kenneth Oppel
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