31 pages • 1 hour read
Ernest HemingwayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ernest Hemingway (1899-1961) wrote fictional works that included realities from his life. Events in his stories may be made up, but he was always familiar with the situations and settings in which his characters lived. Hemingway grew up in the sheltered American heartland. He wrote short stories and articles for his high school newspaper and graduated in 1917, just two months after America entered World War I.
He had already decided to become a writer and believed a job as a journalist would be more valuable than going to college. By October, he was working as a cub reporter at the highly respected Kansas City Star. Reporters there were taught to write in the clean, crisp, no-nonsense style that became characteristic of his later writing.
Even though Hemingway was too young to join the army, he was determined to experience the war. He found an opening to volunteer as an ambulance driver with the Red Cross in Italy, and he reported for duty in Milan in the spring of 1918. Two weeks before turning 19 in July, he was passing out candy bars to soldiers at the front when he was hit with metal fragments from a mortar shell. Then, while trying to help other wounded men take cover, he was hit by machine gun fire. With over 200 metal fragments inside of him, he was transported to Milan’s Red Cross hospital.
By September, after several operations, he was able to walk across town on crutches to the Main Hospital for therapeutic rehabilitation exercise, just like the soldiers in his story. Three months later, he limped down the gangplank of a ship returning to New York and had the good fortune to be interviewed dockside by a reporter from the New York Sun. He was written up as a war hero. He would build his warrior reputation for the rest of his career.
Back at home in the Midwest, Hemingway continued recovering and writing short stories based on his early life and war experience, although he was not yet able to get them published. In early 1920, he moved to Canada and, to make money, began contributing news stories to the Toronto Star newspaper. Later that summer, he was in Chicago continuing his journalism and met his future wife, Hadley Richardson. They were married in September 1921.
Hemingway was not making much money, but Hadley had a small income from a family trust, and the two dreamed of moving to Europe. They had become friendly with the established writer Sherwood Anderson, and he suggested that they should move to the Latin Quarter of Paris, which was then crowded with the writers and artists who were shaping the most exciting literature and painting of the time. Anderson wrote letters of introduction for them to the most well-connected expatriates in Paris, such as Gertrude Stein, who hosted gatherings with famous writers and artists (including Picasso), and Sylvia Beach, who ran a bookstore and was working with James Joyce to publish Ulysses.
By January 1922, they had moved to Paris and were warmly welcomed by the artistic community. Their happy times are the focus of Hemingway’s later memoir, A Moveable Feast. By the fall of 1926, however, Hemingway had an affair and fell in love with Pauline Pfeiffer, who would become his second wife. He was grieving the breakup with Hadley, but he kept busy by making final edits to his first novel, The Sun Also Rises, which became a critical success and is often named among the greatest novels of the 20th century. At exactly this time, he began working on his short story “In Another Country.”
Hemingway’s first draft of “In Another Country” has survived among his papers now collected at the JFK Presidential Library in Boston. The September version had little dialogue and focused on war and the injured soldiers. However, the final draft sent to his publisher in November added the closing conversation with the older officer—with its forceful statement that a man should avoid marriage because losing it can be too painful.
Ernest and Hadley Hemingway arrived in Paris during the transitional period following World War I and the influenza pandemic of 1917 and 1918. All of humanity seemed to be recovering from wounds and emerging to face a new reality.
Millions of people had died, and millions more were injured. The losses included some of the most promising young people of their generation. For example, over 30% of the prewar graduating classes of Oxford and Cambridge universities had been killed or injured, often while leading charges out of the trenches against similarly promising young adults on the other side. Many who were not killed suffered from what we now call post-traumatic stress and could not lead productive lives. Gertrude Stein referred to them as “a lost generation,” and the label has become emblematic of the era.
Literature was also in transition. The conventions of 19th-century novel writing did not seem to fit this new reality, and many writers searched for new forms that would come to define the Modernist movement in writing and art. Readers had been shocked by the early chapters of James Joyce’s Ulysses that appeared in The Little Review from 1918 through 1921. The novel tells the story of a man wandering around Dublin for a single day, but the events echo Homer’s Odyssey.
Joyce’s writing was far from conventional English. At times, the novel takes readers inside the heads of the characters in what was a bold new style called “stream of consciousness” writing. The last 44 pages of the book are a woman’s reflections on life and love flowing through her mind without filters and written down without punctuation. Courts declared the work obscene, and it was banned in the United States and Britain. It was published privately by Sylvia Beach in Paris and appeared there just one month after the Hemingways settled into their new apartment.
Other writers tried new techniques as well. Virginia Woolf was reading Ulysses while she worked on Mrs. Dalloway. This novel takes readers inside the mind of a woman planning a party and also inside the mind of one of her guests, a traumatized soldier who commits suicide on the day of the party. F. Scott Fitzgerald, who was in Paris with Hemingway, was busy writing The Great Gatsby, about a mysterious and damaged veteran of World War I who had somehow amassed great wealth and was living a lonely life in opulence on Long Island, trying to recapture a lost love. In poetry, T. S. Eliot worked with Ezra Pound in Paris to finalize his masterpiece The Waste Land, which had abandoned poetry’s use of rhyme and meter and stitched together a series of seemingly random vignettes.
Hemingway landed in the middle of all this. Even when he left his desk after writing to relax in a neighborhood café, he would find rival writers and artists at the surrounding tables exchanging stories and ideas. It was an inspiring environment for Hemingway’s creativity, and with the publication of his first novel, The Sun Also Rises, and his short story “In Another Country,” he started on the road that would lead him to fame, fortune, and the Nobel Prize for Literature in 1954.
By Ernest Hemingway