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Ruth WareA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Nora is frightened, even though she knows she is innocent and has nothing to hide. Lamarr tells Nora that the police are interested in the last texts and emails she sent on her phone. Nora says that she only checked her voice mail at the shooting range because there was no reception at the house. She also maintains that she had not sent a text since the one to Nina telling her she was waiting on the train from London.
Lamarr abruptly asks Nora about her relationship with James. Nora confirms that they met at school but broke up after a few months and had not kept in contact. The other police officer, Detective Roberts, asks Nora brusquely, “You’re telling us you’ve had no contact with him for ten years, and yet he invited you to his wedding?” (256). Nora explains that Clare only invited her to the hen do. Puzzled, Lamarr asks why Clare would want to invite her. Nora, unsure, directs her to ask Clare.
Lamarr asks again if Nora had any contact with James, to which Nora affirms that she has not. Lamarr then asks if Nora left the house alone at any time during the weekend. Nora answers that she went out running twice. Lamarr asks for the approximate times and if Nora used her phone during her runs. Nora says she didn’t.
Lamarr then asks if Nora remembers anything else from Saturday night, after she chased after Clare’s car. Nora replies that her memory is still jumbled images of her running through the woods. Lamarr and Roberts thank her and leave. Nora tries to process that she is a suspect and desperately tries to remember those missing minutes in the woods, the only proof she’ll have to convince the police of her innocence.
The doctor checks on Nora and tells her that she is well enough for the hospital to discharge her. Nora does not know what will happen, how she can go home to London, and what she will do when she is no longer under the protection of the hospital. Nina calls Nora on the hospital phone and tells her that Flo tried to commit suicide.
Nina tells Nora that she found Flo, who had taken a large quantity of pills, in the bathroom of the bed and breakfast where they are staying. Nina blames herself and worries that Flo took an overdose of paracetamol, which can damage the liver. Nina details Flo’s note, which says she could not cope any longer. Nina explains that Flo blamed herself for what happened because she was the one holding the gun. Nora tells Nina that the police have given her a formal caution and that she is a suspect in what they consider a murder investigation. Nina, sharing the burden of responsibility, wearily says that they are all suspects.
Nora wakes up from Lamarr shaking her shoulder, as she had fallen asleep after speaking with Nina. As Detective Roberts glowers at Nora, Lamarr asks Nora to read a transcript of emails and texts taken from Nora and James’s phones over the last few days. Beginning on Friday evening, the texts show an exchange Nora initiated to James, telling him that she is at Clare’s hen weekend and needs to see him urgently. One message says, “Please. I’ve not asked you for anything but you owe me this. Tomorrow? Sunday is too late” (269). The next set of time-stamped exchanges Nora initiated are from Saturday morning and then Saturday afternoon. In his texts, James agrees to come that night.
When Nora finishes reading, Lamarr asks for an explanation, emphasizing that the police recovered the deleted messages from the server. Nora shakily says that she did not send the messages. Lamarr counters that the time-stamps correspond to when Nora went for her runs and during her trip to the shooting range. Nora protests that she did not take her phone on her runs, but Lamarr says the GPS evidence shows that she went up the hill to where she could get a signal.
Lamarr goes on to say that they have the analysis from Clare’s car and know what happened. Nora is afraid to learn the missing pieces her memory has concealed. Lamarr says that Nora grabbed the wheel and forced Clare’s car off the road and into a tree. Lamarr confirms that the investigators found Nora’s fingerprints on the steering wheel as well as physical evidence that Nora fought with Clare.
Although Nora denies this, she has a sudden flash of memory and sees Clare’s frightened face as their hands struggle for the wheel. Lamarr asks if Clare was right to worry about how Nora would react to the news of Clare and James’s impending nuptials. Lamarr concludes, “And so you lured him up to the cottage, and then you shot him” (271). Nora, unable to speak, can’t dispute Lamarr. When she finally finds her voice, Nora says that she wants to see a solicitor.
Nora considers the time stamp on the first text the police think she sent to James. When she went for that first run, Clare had not yet arrived. Nora can’t imagine who would want to destroy her as well Clare and James. Thinking like a crime fiction writer, Nora eliminates Melanie and Tom as suspects: Neither of them knew about her past with James, and neither had met her previously. Although Nina had the opportunity to send the texts and harbors contempt towards Clare, Nora rejects her as the culprit. Nina cruelly taunted Nora and Clare during the “Never Have I Ever” game, but Nora doesn’t believe Nina could have caused James’s death.
Nora next considers Flo, the overzealous weekend host who persistently insisted that Nora come to the hen do. Additionally, Flo held the gun that she falsely maintained contained blanks. Nora thinks about the strange obsession Flo has shown towards Clare and thinks: “She could have found out about James and me at any point” (276). Flo, unable to cope with James’s death, also attempted to end her own life.
Nora then notices the police guard stationed at her door and considers the “evidence” against her. She wonders what trauma might be preventing her mind from remembering the events clearly. Nora thinks to when she was first learning to write crime drama and received an interviewing policeman’s advice: “You listen for the lie” (278). Lamarr and Roberts think they’ve caught her in her lie, and Nora struggles with the possibility that she sent the texts and is blocking out the memory. Nora goes into the bathroom, and her worn appearance shocks her.
When she comes back to the bed, she realizes that the police guard has left his post. Without hesitating, Nora quickly dresses and takes the money Nina left. Nora walks out of the room, trying not to look suspicious. She sees a police officer talking into his radio, but he does not look at her. Just before she gets to the elevator, Nora sees Lamarr, so she ducks into an open room. Nora hears Lamarr’s footsteps go down the hall and turns to apologize to the room’s occupant: Clare, in an unconscious state. Nora whispers to Clare that she promises to find the truth. Nora hurries to the elevator and goes down to the lobby. At the reception desk, a woman answers the phone and says that she will keep an eye out, so Nora knows that the police are looking for her. Nervously, Nora moves to the doorway and exits the hospital, relieved to have escaped.
Nora’s situation deteriorates in these chapters. Accused of conspiring to murder James, Nora feels unable to defend herself from the damning evidence of her cell phone texts. In addition, Nora still can’t remember the crucial period after she ran away from the house: “Without those missing few minutes, how can I hope to convince Lamarr that what I’m saying is true?” (260). The police case against Nora seems solid, as they have both the time-stamped texts to James and physical evidence from Clare’s car: “Your fingerprints were all over the wheel. The scratches on your hands, the broken nails—you were fighting Clare” (271). Clare also has Nora’s skin under her fingernails, further evidence that they struggled in the car. All of this adds up to a constructed police narrative that points to Nora as the perpetuator.
Nora is a crime novelist and tries to use her talents and experiences in writing stories to help her solve her own case. However, the magnitude of what has transpired overwhelms her: “It doesn’t just feel like collateral damage; there is something incredibly malicious and personal about the way I have been deliberately dragged in, reminding us both of long-forgotten sores” (274). Nora systematically rejects her deductions, unable to accept any of the hen do attendees as culpable. Because of this, she turns her suspicions inwards and doubts her own innocence. The theme of trust reemerges as Nora’s memory prevents her from clearing her name: “Who can I trust, if I can’t even trust myself?” (278). Cliff again uses Nora’s self-doubt to draw into question Nora’s part in James’s murder.
By Ruth Ware