45 pages • 1 hour read
Gayle FormanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Classical music not only defines Mia’s personality, but marks the major events of the novel while serving as the symbolic link between Mia’s past, present and future. The catalyst of Mia’s ambition, classical music defines not only her preference for timeless beauty and understated expression—a preference that she displays in her dress and her personality—but also defines her aspirations. Mia does not just want to play the cello, but to play it at a world-class level, on par with her idol, the cellist Yo-Yo Ma.
Classical music first speaks to Mia in grade school, a decision that distinguishes her from her punk rock and anti-establishment parents. In middle school, classical music leads Mia to an important personal epiphany. Namely, that the long solitary hours spent practicing on her cello means she must learn to be comfortable alone; however, her time at the conservatory teaches her that the music can also connect her to a larger community of musicians, friends, and family. Thus, music is both a medium of individual and communal expression.
Later, in high school, her passion for music makes her uniquely attractive to Adam, and on their first date they attend a classical concert performed by Yo-Yo Ma. Music marks the culminating event of her life, as Beethoven’s Cello Sonata plays on the radio before and after the accident. Similarly, classical music plays an important role in helping Mia make the decision that lies at the heart of the novel, as Yo-Yo Ma’s cello plays in the background as she makes her final choice between staying and going.
If classical music is the music of timelessness in the novel, rock music is the soundtrack of youth, rebellion, and non-conformity. At various stages, rock music emerges as a form of protest against institutional authority and control. For example, when Adam is initially unable to outwit the Senior Nurse, who refuses to allow him to visit Mia, he enlists the help of a rock starlet, Brooke Vega, to stage a performance that is at once an attempt to distract the nursing staff and a form of sonic protest against the limitations imposed by authority.
Rock also functions as a symbol of youthful idealism. Both of Mia’s parents were passionate about punk music in their youth, and Mia’s father once had a promising career as a musician and songwriter. Ultimately, he decides to leave this career behind and embrace fatherhood and responsibility to his family over his musical ambitions. This decision marks his final passage from youthful idealist to adult pragmatist.
Rock is not just the music Mia’s parents listen to, but the music her boyfriend loves too. Despite their personal preferences, Mia, her parents and Adam can see that both Rock and Classical are ultimately different notes of the same universal language.
Yo-Yo Ma’s cello plays at crucial moments in the novel, including Mia and Adam’s first date. Yo-Yo Ma, as a symbol of musical talent, is the epitome of what Mia aspires to become, and although Adam is a rocker, he has similar aspirations to musical greatness.
Yo-Yo Ma’s music is also present at the climax of the novel. As Mia’s past, present, and possible future converge in an overwhelming thematic and symphonic crescendo, Yo-Yo Ma’s cello forms the soundtrack to this assault on her senses and emotions. The climax of Yo-Yo Ma’s performance marks the moment when Mia makes her choice between life and death. It is quite fitting that the sound of the cello is what ultimately leads Mia to back to life.
By Gayle Forman