49 pages • 1 hour read
Stephen Graham JonesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Instead of walking home from the grain elevator, Tolly goes to Amber’s house. He is unable to remember the particulars of his movement, which he blames on Justin’s blood infecting his brain. He apologizes to Shannon and Lesley, hoping they can remember him as a face in the bleachers rather than as a slasher.
Tolly wakes up in Amber’s family barn and is brought into the house for breakfast by Amber’s dad. Amber’s mom treats Tolly’s head wound. Amber arrives reading an encyclopedia, which amazes Tolly since Amber has never been much of a reader. He suspects that Amber is trying to firm up her college plans. Amber nearly steps on an ailing baby bird, which she tends to immediately. She offers to take Tolly home. Tolly asks to show her something.
Going in the direction of the Fireworks Camper, Tolly suggests running away from Lamesa. Amber expresses her concern about finishing high school. When Tolly challenges her newfound sense of responsibility, she insists that she will look after the baby bird. She holds back on cussing, which Tolly finds uncharacteristic of her.
Tolly asks Amber to explain whether Justin had any agency as a slasher. Amber explains the slasher’s motive of revenge, driving him to kill whether he was in control of himself or not. When they reach the Fireworks Camper, Tolly confesses to killing Lesley and Shannon. He also reveals that he killed them after the two of them had sex, which Amber cannot believe because of Lesley’s sexuality. Amber thinks Tolly has a concussion and doesn’t know what he’s saying. Tolly tries to show her Shannon’s corpse, but it is missing. Lesley’s corpse is also missing from the utility pole. Amber is offended when Tolly swears on his father that it happened. Tolly insists on his claims.
Sheriff Burke and Tolly’s mother find them near the grain elevator. Amber explains Tolly’s night-time movements as a symptom of his concussion. Sheriff Burke confirms that Lesley and Shannon are missing. Tolly is taken to the hospital by his mother. He has a bad dream of finding a blood-stained marching band hat-feather in one of his dad’s pump tanks. While thinking of Shannon’s mother, Tolly is reminded of his own. Tolly’s mother was a flag girl for several years. After her mother’s death, she took out a loan to buy the hardware store. The rest of her life is defined by the sudden loss of her husband and the fear of losing her son.
The doctor advises Tolly to get a good meal and some rest. He insinuates that Tolly is grieving the loss of his schoolmates. Tolly and his mother plan to go to the local drive-in cinema, the Sky-Vue, to eat. The older Tolly notes that when a fictionalized television movie about the 1989 Lamesa killings was produced, it prominently featured the Sky-Vue. This is one of the many embellishments the movie deployed, along with the decision to change Tolly’s name and mythologize his origins.
Tolly asks his mother to drop him at the hardware store so he can help out the worker-on-duty, Rodrigo. When he arrives, he finds Amber already there, falsely collecting tools to construct a birdhouse. Amber reveals that she spoke to Mel, which bothers Tolly given the role she played in his near-death experience. She wanted to know who else had strapped Tolly to the lounge chair, confirming that Lesley and Shannon were among them. She hypothesizes that Tolly had merely fantasized about killing them as a way of projecting his desire for revenge. She confirms that she knows who else had participated in the prank but refuses to tell Tolly who they were.
In the store breakroom, Amber makes Tolly pick up a butter knife. It makes the same “Schting!” noise that the knife made when Tolly picked it up in his kitchen the previous day. She makes him try it with six other kinds of knives. They all make the same sound. By contrast, Amber picks up one of the knives herself and makes no noise. Tolly manages to make the noise again when he picks up a fork.
Amber reveals that Justin’s parents have been spotted in town. Because they moved to Georgia after Justin’s death, their presence raises questions about the poolside massacre. Sheriff Burke considers them her prime suspects. Amber adds to this by suggesting they could have been responsible for Shannon and Lesley’s disappearance. Since Amber cannot supply a potential motive for killing the marching bandmembers, neither of whom were involved in Justin’s death, Tolly insists that he was the killer.
The older Tolly points out that however concerned Amber might have been for him at the time, she didn’t really have to worry since his slasher abilities included self-healing. He describes having experienced an internal organ rupture several years before he began writing his life story. The organ healed itself after two nights.
Amber lets Tolly throw several nails into a dartboard. All of them hit the bullseye with minimal effort. Amber asks for some space, so Tolly goes to help Rodrigo with cleaning and fitting new spark plugs into a pair of chainsaws. Rodrigo is skeptical that the chainsaws will work, on account of their age. Tolly accidentally pulls the ripcord on one of them, which instantly activates it. Amber watches and tells Tolly to try activating the other one. It works perfectly.
Amber pulls Tolly aside to ask him to recount his experiences the night before. When Tolly tells her about a possum he had seen near the camper, she tells him that the colorblindness he experienced enhanced his ability to see in the dark. They reach the high school and go to the football field, where a pack of wild dogs is eating scavenged food. Tolly’s presence scares them away almost at once.
Amber makes Tolly run 40 yards on the track, timing him to get his average pace. They discover that he not only runs quickly; he can also sprint faster when injured, as Amber discovers when she puts a sharp rock in his shoe and makes him limp. They embrace, frightened by their discovery.
The older Tolly admits that he still puts a bolt in his shoe sometimes to help him move faster at work. He reflects upon the grief of losing his father when he was still young, as well as the aimless direction his life could have taken if he had never become a slasher. He suspects that he would have blamed his grief for his inability to make anything of his life.
To reassure Amber, the younger Tolly expresses his doubt that she had timed his last run correctly. They talk about freshmen initiation rituals to distract themselves. Amber asserts that the timing was correct. She adds up details that support her theory, like Tolly’s ability to open locked doors, his natural skill with weapons, and the difficulty of restarting Amber’s truck in Tolly’s presence. Tolly cannot reconcile his actions and his motivations, but Amber stresses that his life is now being dictated by the logic of slasher movies.
Amber identifies Mel as Tolly’s final girl, anticipating that she will be the one to stop his massacre. Tolly doesn’t believe that Mel has it in her to stop a killer. Amber explains that she is transforming into a final girl just as Tolly is transforming into a slasher. She wonders if it is possible to expedite Tolly’s hibernation, which corresponds to the period of inactivity between a slasher movie and its sequel.
Amber drives Tolly back to the hardware store. Tolly is concerned that he could harm his mother, so Amber advises him to tell her all about it. Tolly doesn’t think she will believe it, much less know what a slasher is. They discuss the murders of Lesley and Shannon again, which reminds Amber that Lesley was gay. She struggles to reconcile this against the additional knowledge that Shannon was voluntarily celibate.
Amber and Tolly stop at the Town & Country store. Amber indicates that Justin’s parents had been spotted there, prompting her to wonder why their visit coincided with Justin’s rampage. She suggests that Justin’s parents don’t realize why they’ve returned to Lamesa, just as Lesley and Shannon didn’t realize why they were having sex with one another. Her theory is that if Tolly and Mel are transforming into a slasher and a final girl, then Justin’s parents have likewise transformed into red herrings, throwing the police off Tolly’s scent. Tolly is momentarily repulsed by a welder who shares flirting glances with Amber. He feels protective of Amber but is also confused when she returns the welder’s flirtations.
Amber calls Tolly’s potential victims to warn them away. Tolly meanwhile buys a greeting card to explain his situation to his mom. He leaves the card at his father’s gravestone in the cemetery. Amber notifies him that the Josses are also at the cemetery. They speak to Justin’s parents, and though Tolly insinuates that Justin’s bullies got what they deserved, Amber tries to reassure them that Justin was higher in the social ladder than they thought. Amber cautions them to take care, especially if they encounter the sheriff. Later, Amber explains that red herrings typically die in slasher movies.
Amber and Tolly go to Amber’s barn. They consider the possibility that Tolly’s final girl may subvert the usual characteristics of the archetype, meaning that she may not necessarily even be a girl nor a virgin. The only thing they can guarantee is that a final girl exists to balance out the slasher.
Amber passes a message to Tolly’s mother that she and Tolly have gone to visit her “doctor cousin” near New Mexico. This is meant to lure Tolly’s mother away from Lamesa. While Amber has dinner with her mother, Tolly considers where his mask might have come from. He spends time fixing each of his mother’s belts around his head but is unsatisfied by any combination he tries on. He repeatedly sparks a torch striker to check if his color perception is changing.
Amber comes back to bring Tolly food. She suggests an alternate way of fixing belts around his head, which he lies about having tried already. After testing Tolly’s color perception again, they go out to a set of abandoned stripper baskets and cotton trailers. Amber considers the possibility that slashers might have exploitable weaknesses other than the final girl. Amber fixes chicken wire into the basket, allowing her to restrain Tolly when he climbs inside it. Once they guarantee Tolly’s immobility, they express their love for one another.
Amber’s pet llama, Osh Kosh, finds Tolly in the stripper basket. When Tolly notices how clearly he can see Osh Kosh in the dark, he realizes he is transforming once again.
In the aftermath of his first kills, Tolly turns immediately to Amber for help. Importantly, his reliance on Amber’s support begins subconsciously, bringing him to her house while his slasher persona remains in control. What naturally distinguishes Amber as Tolly’s primary ally is not just their friendship, but also her expertise with slasher movies. Between Chapters 4 and 5, Amber goes from refusing to believe Tolly’s claims to finding ways to prevent Tolly from harming others. This small arc requires Tolly to demonstrate several of the abilities that Amber can connect to slasher movies.
Notably, none of these abilities directly harm others per se. Outside of Lesley and Shannon’s deaths, Tolly is simply demonstrating enhanced physical capabilities. What sets a slasher part from any other superpowered human being is the drive for revenge and the willingness to harm people in brutal ways to satisfy that need for revenge.
Once Amber opens herself up to the idea that Tolly really has become a slasher, she quickly identifies the patterns of the slasher movie against the milieu of their town. This transforms the slasher genre conventions into an important motif for the theme of Fate Versus Free Will. Genre conventions raise the question of whether the people of Lamesa are forced to enact their assigned plot roles or if it is possible to act against those roles and exert their agency. Corollary to this is the recurring question of how Tolly and Amber might stop Tolly from killing again. Whether he can rely on his weaknesses, the presence of a final girl, or his own sheer will, the attempt to stop Tolly represents their drive to take control of their reality. To submit to the genre tropes, on the other hand, suggests that they have doomed themselves to the shape of the expected narrative. Characters like the Josses, Mel, and Tolly himself would be less dynamic people than they are pawns of an abstract power that determines their fates.
Tolly’s narrative voice reinforces the pressure of destiny upon the lives of the characters. He frequently makes asides to discuss his present life after the events of the novel. By speaking to his present and the fact that he maintains his abilities in the wake of the massacre, he hints at the way the novel will end. This could be an admission that he and Amber will fail in their attempts to prevent further destruction. Tolly also considers the relationship between his destiny and his grief and muses on the possibility that his life would have been aimless anyway without his transformation into the slasher. Tolly suggests that he would always use the loss of his father to excuse the lack of direction in his life. That aimlessness is Tolly’s expected destiny.
On the other hand, Tolly’s awareness of the slasher genre tropes also hint at the state of his life after the Lamesa killings. Tolly’s references to his present-day work life and the way he leverages his abilities to aid him in his job suggest that he has moved past the drive for revenge. Instead, he has repurposed his slasher abilities in a productive way. By acknowledging his actions and distancing himself from Lamesa, he also rejects the anger and embarrassment he felt as an outsider there. This leans into The Perils of Revenge as a theme as Tolly rejects the ways of the slasher.
Tolly also references the creation of a television film that mythologizes his life as a slasher, cementing this part of his identity in the public consciousness. In theory, this kind of transgression could elicit his need for revenge, allowing him to enact the supposed sequel that Amber expected him to carry out as a slasher. Instead, Tolly merely remarks on the inaccuracy of the film, calling out the disservice it does to the truth and the victims of the massacre. Tolly writes his memoir to speak truth to power, no longer indebted to notions of popularity or reputation. In this way, the older Tolly has moved past his Grief and the Struggle for Social Acceptance.
By Stephen Graham Jones