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48 pages 1 hour read

Han Kang

Human Acts

Fiction | Novel | Adult | Published in 2014

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Chapter 1Chapter Summaries & Analyses

Chapter 1 Summary: “The Boy, 1980”

Content Warning: Human Acts features graphic depictions of violence, sexual violence, and death. It also mentions a death by suicide in Chapter 4.

The first chapter is narrated in second-person perspective, with Dong-ho, a middle-school boy, being the “you” that the narrative addresses. Dong-ho sits on the steps in front of a gymnasium, listening to a memorial service occurring at the Provincial Office in Gwangju, and wondering what will happen when it begins to rain. He has trouble seeing from afar, and knows he will need to get glasses soon.

Dong-ho works with a handful of other civilians in taking care of the dead and helping their families locate their bodies. That morning, Jin-su, who serves as a leader to their group, informed them that more bodies would be arriving. Dong-ho’s job includes keeping a ledger of the victims’ names and coffin numbers, noting who had gone through the group memorial service to prevent any unnecessary repetitions. While the others attend the service, he stays behind in case any relatives show up looking for someone.

After singing the national anthem together, the woman leading the service asks for a moment of silence. After observing the moment, Dong-ho goes back into the gym hall with the bodies. The scent of decay hangs heavily in the air. Thirty-two corpses, still unidentified and unclaimed by relatives, are without coffins and lie grouped near the door. Deeper into the auditorium, seven other corpses lay with their faces and bodies completely obscured by cloth. These corpses are too damaged to be left out in the open and are covered out of respect for the pain they evoke in those who see them. Dong-ho thinks of one, a young woman who was viciously slashed with a bayonet across her face and torso, revealing raw flesh. He wonders about the souls of the corpses, contemplating how long they linger in the body after death.

Dong-ho thinks back to when he first arrived at the Provincial Office. When he entered the building, he met two young women who were cleaning up the bodies and laying them out. He told the women that he was looking for his friend Jeong-dae, and scanned the bodies they’d gathered, but did not find him. The women told him that more corpses would be brought in the next day and asked if he’d help with the work.

Dong-ho himself witnessed Jeong-dae’s death. He remembers how the two of them joined the throng of protestors when soldiers open fired into the crowd, and Jeong-dae was shot. Dong-ho fled during the chaos, pressing himself against the wall of a store among some others, and from there witnessed several deaths. When the soldiers collected the corpses, Dong-ho crept back home, fearful for his life. At home, his family carried on with their normal domestic routine while he struggled to sleep, deeply disturbed by what he witnessed.

Dong-ho and the two girls, high schooler Eun-sook and former factory worker Seon-ju, all work together as a team. The two women complete most of the physical labor, leaving Dong-ho with the task of documenting the bodies. However, one part of the process confuses Dong-ho. At each group memorial service, the national anthem is sung. Dong-ho can’t help but wonder, “Why would you sing the national anthem for people who’d been killed by soldiers? Why cover the coffin with the Taegukgi? As though it wasn’t the nation itself that had murdered them” (23). When he voiced these concerns, Eun-sook told him that the generals who were leading the violence are rebels, but this doesn’t make sense to Dong-ho, and he continues to struggle to comprehend the events unfolding around him.

On the steps of the gym, Dong-ho observes that the crowd is smaller than days before. He thinks again of those who have died, and of his grandmother’s death the previous winter after she contracted pneumonia. During her moment of death, Dong-ho thought he saw something escape from her face, comparing it to a bird escaping an enclosure. He wonders again where the escaped soul goes after death.

Suddenly, a downpour begins. Eun-sook comes to check on Dong-ho and tells him he can go home, but Dong-ho insists on staying. She tells him that she heard the army was coming back into the city that night, and he shouldn’t be out when it happens. Seon-ju comes by and gives Dong-ho some gimbap, but leaves shortly after to nap in the annex. These visits prompt Dong-ho to remember the previous day when his mother and middle brother came by to persuade him to return home. His brother warned him that the soldiers from the Special Warfare Command were not afraid of the civilian militia, and when they returned, they would kill everyone. But Dong-ho insisted that he would only return home after he located Jeong-dae.

Jin-su arrives with more coffins and tells Dong-ho that they’re closing up by six and he should leave by then. Dong-ho thinks of the corpse of the young woman who had been badly damaged by a bayonet, wondering if it’s Jeong-dae’s sister Jeong-mi, but being unable to confirm this without Jeong-dae. As Dong-ho hurries to finish up his work, his mother visits him once more to entreat that he return home. She grabs his wrist, urging him to come home and saying that the army is coming. Dong-ho promises to return home in time for dinner.

In the final scene, an old man comes to visit, looking for his youngest son and granddaughter, both of whom are missing. When he doesn’t see them among the uncovered corpses, he asks about the ones which are covered. Dong-ho is hesitant to show him the horrors done to these bodies by the soldiers, but begins to remove the covering, again wondering where souls go. He wishes his eyesight were worse, so he didn’t have to see the bodies, and waits as the old man looks in horror at the body of the woman.

Chapter 1 Analysis

By using second-person perspective, Kang puts the reader in the role of Dong-ho, a middle-school boy. Her use of the pronoun “you” instead of “he” creates a space in which the reader imaginatively becomes Dong-ho. By blurring the distinction between narrator and reader, Kang creates a sense of shared pain and responsibility for the events being described. Throughout the novel, other characters think of Dong-ho and also address him as “you,” such as when Dong-ho’s mother directly addresses him when she thinks she sees him and when Eun-sook later mouths his name while watching a play about grief. This shows the impact that one life has on the many lives that it touches.

By setting the novel around the events of the Gwangju Uprising, the trauma of state violence becomes a central theme. The narrative provides a detailed account of the Gwangju Uprising and its aftermath, seen first-hand through the eyes of the characters, during which hundreds of unarmed civilians were massacred by government forces. In Chapter 1, Dong-ho’s work with the dead highlights the brutal reality of state violence and the traumatic effects it has on individuals and communities. The description of bodies, particularly that of a young woman who was viciously slashed, is a powerful depiction of vulnerable people affected by the authoritarian regime and military dictatorship. Through Dong-ho’s experiences handling the bodies of the dead and wondering about their families, the chapter underscores the long-lasting effects of state violence on both victims and survivors.

A powerful motif introduced in this chapter that reoccurs throughout the novel is the crowd. The one memorial service featured and the crowd’s response to the speaker’s words demonstrate The Power of Collective Action in the face of injustice. The characters who generously donate blood, care for the wounded, and assist the students with supplies show how collective action can provide comfort and support in the midst of tragedy, and how it can also serve as a catalyst for social change. The presence of the crowd also highlights the importance of community and solidarity in the aftermath of violence—in order to heal and slowly move on.

The nature of the human soul is another theme introduced in this chapter and explored throughout the rest of the novel. Dong-ho’s musings about the souls of the dead reveal a childlike curiosity about the nature of existence and the afterlife. He wonders how long the souls of the dead remain in their bodies and imagines what they might see from their vantage point: “Suddenly it occurs to you to wonder, when the body dies, what happens to the soul? How long does it linger by the side of its former home?” (18). These reflections on the soul suggest a search for meaning and understanding in the face of tragedy and loss. Furthermore, the work done by the volunteers to clean bodies and prepare them for burial reflects a cultural belief in and respect for The Relationship Between Body and Soul.

Finally, the chapter highlights death rituals as being an essential part of preserving and honoring humanity. Dong-ho’s work among the bodies, the group memorial services, and the placement of portraits and candles around the coffins all underscore the importance of rituals in honoring the dead and providing closure to their families. Furthermore, when the families arrive, they provide additional care, as “…it was left to the bereaved to stop their noses and ears with cotton wool and give them a fresh change of clothing” (23), doing the best they can to preserve a sense of humanity amid horror. These moments show how these rituals create space for humanity in the chaos of violence, and how they allow individuals and communities to navigate and parse meaning from the complexities of grief.

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