58 pages • 1 hour read
Yulin KuangA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Helen arrives at work to an empty office, only learning later that the others are all stuck in traffic or working from home. Helen runs into Grant on her way out and notices his obvious distress. He manages to explain that he is having a panic attack from seeing an accident on the freeway, and Helen coaches him through breathing and relaxation exercises. When he can speak again, he reluctantly explains that seeing car accidents triggers him. Helen immediately recognizes that this is because of Michelle’s death.
Helen takes Grant into his office, putting his head in her lap as they talk more. When he confesses that he was worried about being arrested all those years ago, Helen assures him she understands. Grant tells her that he doesn’t deserve comfort from her, but Helen tells him she is ready to hear his side of the story. Grant begins to speak.
Grant recalls the night of the accident. He attended a party where he sipped a beer. He left for a nostalgic sexual encounter with his ex-girlfriend, feeling slightly guilty because he also had plans with Lauren. Afterward, as he was driving, he was trying to decide whether to see Lauren or go home when he suddenly realized he was about to hit a person running into traffic: This was Michelle.
At the scene, Grant remembers seeing Michelle’s body on a stretcher as an older man discouraged him from coming closer. The same man asked Grant his name and if he had been drinking. Grant felt a moment of doubt and felt like he was lying when he said no, even though the breathalyzer test he took later supported his claim that he wasn’t.
Helen recalls her memories of the same night. She remembers being alone in the house while her parents went to identify Michelle’s body. In a final, desperate effort to protect her sister, she flushed all the drugs she found in Michelle’s room down the toilet. What truly haunts her is their final, bitter fight. Helen told Michelle she could not borrow a necklace she wanted to wear to a party. When Michelle reacted angrily and said she sometimes wished she didn’t have a sister, Helen responded that she felt the same way. Helen remembers searching through Michelle’s laptop later and discovering that her last internet searches were about death and running into traffic. Helen resolved to keep searching her sister’s computer for a final message from her.
Grant tells Helen what he did after interrupting Michelle’s funeral. He drove to a pizza shop and ran into his friends. He participated in the conversation but felt guilty that he’d gotten away with killing someone and no one treated him any differently for it.
Back in the present, Grant gasps out apologies to Helen, and she realizes how similar their suffering is. She asks Grant to cover her body with his and tells him she forgave him before she forgave Michelle. Grant tells her not to hold on to that anger, and he apologizes for leaning on her emotionally; Helen privately admits she values the ability to support him.
Grant accepts Helen’s suggestion that they go out for lunch. As Helen looks at him fondly, Grant realizes he is falling in love with her. She asks him what he wants for his upcoming birthday. He tells her he wants her to host a party at his house, with their coworkers, where they will act like a couple.
Later, Helen faces Nicole’s scrutiny over her plan to host Grant’s birthday party. Nicole is certain this means Grant has serious feelings for Helen. She admits this might be true but insists Grant knows she cannot give him more.
Helen spends the night before the party with Grant, telling him she sometimes misses him even when they are together. They have passionate sex, and Grant assures her they are together for now.
Grant and Helen prepare dinner for the party, cuddling and kissing between tasks. Their guests arrive before they can fully discuss Grant’s concerns about their future. They are openly affectionate with each other in front of their guests, and Helen has an unwelcome epiphany, realizing that this is how it would feel to be in love with Grant. She finds the intensity of the emotion painful.
After the others leave, Grant tries to force Helen to talk about her feelings. She says it is unnecessary because their relationship has an expiration date, but he insists, declaring that he has fallen deeply in love with her. Helen tells him he does not really love her, but Grant demands she at least pretend, for the rest of the night, that they are in love. She agrees, and they both briefly impersonate Hollywood actors Katharine Hepburn and Jimmy Stewart; while in character, Helen openly declares her affection for him.
The next day, Grant apologizes, telling her he will respect her boundaries going forward. They kiss intensely, dropping the subject.
Helen prepares for her first day on set for filming. Grant distracts her from her nerves with sex. She feels intense guilt and longing as she leaves for work and he sleepily tells her that she’s always leaving him. Meanwhile, Grant feels renewed pride in Helen’s accomplishments, briefly remembering her ambitions in high school.
Helen’s parents come to visit, and she picks them up at the airport. She struggles to explain to her father why she is not the show runner, reflecting that so much of her communication with her parents is “lost in translation” (276). Helen’s parents admire her condo, and Helen feels a deep sense of pride. Later, she tells Grant what a welcome surprise their approval is, and she tries to hold on to the pleasant feeling.
Helen takes her parents to set, and at dinner afterward, they tell her she has impressed them. Helen excuses herself from the table to cry from joy. When she returns, the mood has broken: Her parents have been added to a production listserv and have discovered that Grant works on the show. Helen’s mother is furious and storms out, while her father is equally dismayed and leaves soon after.
Helen retreats to Grant’s house for comfort, explaining to him that her parents have found out about his presence on the show. Helen upbraids herself for adding to their pain and realizes Grant does not fully appreciate the depth of her despair.
Meanwhile, Grant is struggling to grasp Helen’s declaration that their relationship must end before her parents begin to suspect something. She tells him they would be devastated if they ever found out. Helen refuses to accept his point that she is an adult who can make her own choices; instead, she points out that losing her parents would damage her, too. She reminds Grant that she never lied about the limits on their time together. Grant professes his love for her, and Helen only tells him he is making things more difficult than she hoped, but she admits she shares his pain. Helen tries to tell him he will find someone who can love him without requiring him to encounter trauma. Grant tells her he loves her as she cries. She kisses him goodbye and leaves reluctantly, fighting tears.
As Helen and Grant fully confront their past, the novel continues to develop the theme of Overcoming Grief and Trauma. Their relationship deepens and they are able to trust each other after they discuss how Michelle’s death has affected them both. Grant no longer conceals his panic attacks or fights them alone, instead choosing Helen as his refuge. She sees this as an honor rather than a burden, highlighting that as much as she pretends to give great importance to maintaining her emotional boundaries, she has come to care deeply for him. Their mirrored recollections of the night Michelle died underline how young, vulnerable, and frightened they both were, and how much they still reproach themselves for their supposed roles in her death. Helen’s constant anger at Michelle, even as an adult, is a legacy of the last argument they had and is also evidence that she still resents Michelle for taking this step without confiding in Helen or asking for her help. Grant, too, hasn’t forgiven himself for Michelle’s death even though the world has absolved him of all blame; however, he is receptive to Helen’s forgiveness, and afterward, he is able to more openly ask for her affection.
Grant’s growing love for Helen also connects with the theme of The Link Between Creativity and Intimacy. He is instrumental in nurturing her creative life, from expressing his admiration for her writing to calming her nerves about the show’s adaptation. He also recalls her youthful promise and ambition as a writer, and he is proud of her successes. Grant encourages her to elaborate on her creativity even within their relationship, asking her to pretend she loves him when she says she doesn’t. When Helen perceives the relationship as a fictional performance, she feels free to relax and embrace her true feelings without any pressure. Grant’s tactic to get her to loosen up speaks to his desire to blur the boundaries between life and art.
However, Helen’s happiness with Grant is short-lived because she gives in to The Pressures of Social Roles and Expectations. For a short period, it seems as though Helen may be able to fully integrate herself, as her parents take pride in her work on the show, and she shares her joy with Grant. But this changes when she refuses to contradict her parents when they disapprove of her, and she is shattered when they are angry after discovering that Grant works with her. While Helen was always the obedient daughter growing up, she feels even more pressure to make her parents happy after Michelle’s death. She demands the perfection they expect from herself and refuses to hear Grant when he tells her that she deserves both adult boundaries with her parents and personal happiness. She believes her relationship with Grant is a betrayal to her family; simultaneously, she also believes she is unworthy of a relationship since she is a failure and wants Grant to seek his happiness elsewhere.
Grant’s final gesture—telling Helen he loves her with no expectation she will reciprocate—demonstrates his character growth. He not only mines his emotions for the stories he writes but also genuinely feels them and acknowledges them. Helen’s insistence that he deserves better and that their love could only be a tragedy for them both underscores how she is stuck in Michelle’s death and cannot see meaning beyond it, both in her life and in her fiction. This dynamic tension, where unresolved trauma drives the protagonist to an emotional impasse, is a familiar trope in the romance genre and serves as a driver of conflict and eventual resolution.