54 pages • 1 hour read
Clare PooleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Daphne is one of the four protagonists and point-of-view characters in the novel, and she is one of the main instigators of the plot. The action of the book begins with Daphne deciding to reach out and return to the world. She then plays a key role in settling the challenges and obstacles that confront the other main characters.
Daphne, turning 70 when the story opens, is feisty and outspoken, but she guards the secrets of her past and her previous life as Deliliah Jones. The reader is first introduced to Daphne’s judgmental attitude through the way Daphne enjoys spying on her neighbors through a local website, OurNeighbours.com. Daphne’s occasional incomprehension of modern slang—what it means when someone calls another “a Karen,” for instance (10), or calling someone “the bomb”—offers humor as well as a reminder that Daphne has lived in virtual isolation for 15 years.
Daphne has been hiding not only from the police but also from retribution by friends of her husband, Jack Jones, a famous thief and leader of the criminal underworld. Daphne has lived alone in her splendid apartment with her expensive art, luxurious clothing, stolen jewelry, and photographs from her former life to keep her company. She speaks aloud to Jack to engage at least in the semblance of conversation, but with Jack’s death a few months previously, Daphne wonders if she could possibly have a real life again. When she was younger, she wanted fine things, and she enjoyed her luxurious lifestyle as Jack’s wife. However, she has now found that things can’t replace human relationships.
Daphne is not at all a mild-mannered or meek person; Ziggy thinks of her as “about as bland as a chicken vindaloo, and just as likely to blow your head off” (113). Art also encounters Daphne’s disdain in their first encounter, when he offers to help her carry her new whiteboard. Daphne doesn’t trust people who seem nice, as she tends to equate kindness with spinelessness. Part of her character arc in the novel involves learning that friendship requires considering another person’s feelings and making an effort to help when they are in distress.
Daphne’s disregard for traditional values or morality adds humor to the novel, but also reflects her non-traditional upbringing. She was raised by a single mother who worked as a servant for a wealthy British family. The employers took Daphne in after her mother died, but while they supplied financial support, Daphne didn’t feel loved or part of a family. This made her ambitious, and it fed her vanity that Jack, who was handsome and desirable, wanted her. Daphne does, however, have an innate sense of justice. While she could justify robbing corporations or the very wealthy—people who weren’t using their wealth to help others—she turned against Jack when she realized the drug-running element of his business was causing harm. Daphne takes satisfaction in the fact that, while she was a person of interest as Delilah Jones, she was never recognized as the gang’s chief strategist because she was a woman.
That strategic thinking works to the benefit of her new friends when Daphne decides to use her skills on behalf of Lydia, Art, and Ziggy, as well as the community center. She gradually comes to care for Lydia, appreciate Art, and take a mentoring role, almost as an auntie, to Ziggy. Agreeing to be Kylie’s godmother shows that Daphne has softened and learned to relate to other people, just as taking in the stray dog at the end shows that she now values connections to other living things. She still retains her unique personality and expensive taste, but she equally enjoys being a benefactor, lover, and friend.
Art is a 75-year-old British white man, a second protagonist and point-of- view character. Art, like Daphne, has been living in a sort of isolation since his family left him, though Art, unlike Daphne, retains one loyal friend in the form of William, the neighbor who has been Art’s friend since their school days. This enduring friendship shows that Art is capable of loyalty and deep feelings for another person. Art has lived for over 30 years with the guilt and shame of not being there for his family in a time of crisis. He was having an affair with another woman and out of touch when one of his daughters, Katie, fell ill and died from meningitis. When she found out why he’d disappeared, Art’s wife, Jill, took their remaining daughter, Kerry, Katie’s twin, and left Art. He tried but never managed to reconcile with Jill before her death of cancer 10 years previously. He has only been able to find Kerry through social media, which is how he learned he has grandchildren. Art longs to reconnect with his daughter, but he also understands why she might never be able to forgive him.
This self-loathing is part of why Art steals. Stealing was initially an action made in anger and retaliation, but has become a compulsion he fears he can’t control. At first he justified stealing because shopkeepers made him feel invisible, or retailers were not quite honest; one of his particular targets is a shop where the manager displayed prejudice toward William. Art has hidden his stolen items in Kerry’s room, in the wardrobe and beneath her mattress, almost as if he is trying to fill the distance between them. When he stuffs his coat with stolen items at the supermarket, it is in some ways a cry for help—Art is asking to be noticed and for someone to do something about his stealing. When Daphne orchestrates the effort to clear out the wardrobe and his house, Art feels an enormous sense of relief and gratitude, as if he’s been cleansed from the errors of his past.
Once his living area is transformed, Art is better able to deal with his current reality, including disappointment over his lackluster acting career and worries over how to pay for his house and bills. Rather than self-destruction, he chooses to reach out to help others in return, like helping punish Lydia’s cheating husband and training Maggie the dog for a chance to win a prize and save the Mandel Community Center. Art’s warming feelings toward Daphne, whom he first regarded as an adversary, demonstrates the change in his character over the course of the novel.
Lydia is the third protagonist and point-of-view character. She is 53 and experiencing menopause and an empty nest, missing her two daughters who have gone away to university.
Lydia grew up in a traditional middle-class family and has recreated this family structure in her marriage to Jeremy. She gave up her job as a food stylist to be a wife and mother, but now finds that her husband has grown distant and cruel. It comes as a blow to learn Jeremy is having an affair with a younger and more attractive woman, but the larger blow is that Lydia realizes she has lost all faith or pride in herself. She isn’t certain she even likes herself anymore. She turns to self-help books but finds them less useful than the support she comes to receive from her new friends in the senior group.
While Lydia feels intimidated, anxious, and a failure at the beginning of the novel, she grows in confidence as she comes to have friendships and personal interests. Rather than trying to be the leader of the senior group, Lydia accepts that she is the one learning from these more experienced, interesting adults. She does her best to use her facilitation skills but also accepts mentorship and instruction from Daphne. Lydia is kind and considerate at heart, and that wins the support of her friends.
As she begins to recognize her own skills and regain her confidence, she learns to like herself again. It hurts her deeply that Jeremy has betrayed and then abandoned her, but once she feels back on her feet, she realizes she doesn’t even like the man much. She has found a sense of purpose in running the senior group and adapts to this new phase of her life as best she can.
Ziggy, the fourth protagonist and point-of-view character in the ensemble cast, represents the younger demographic. He is an 18-year-old single father, having gotten his date, Jenna, pregnant by having unprotected sex during prom.
Ziggy was raised by a single mother who works several jobs and lives in council housing. Poverty and crime are prevalent on their housing estate. Ziggy’s mother insists that Ziggy take responsibility for his infant daughter, so Ziggy cares for Kylie with the help of the local nursery school at the Community Center, while he tries to complete high school. Ziggy is bewildered and a bit resentful over how his life has changed, but he is doing his best to deal with the circumstances. He once imagined going to university, studying computer science, and getting a well-paying job that would allow him a degree of social mobility. When a supportive teacher offers to help him, Ziggy grasps at the chance to create a better future for himself and Kylie.
Ziggy is well-meaning and does his best, but often finds himself caught up in situations, especially around more confrontational personalities like Daphne and Floyd. Ziggy’s attraction to a fellow student and oboe player, Alicia, shows his sweet side, as does his deep love for and protectiveness of Kylie. Though he knows he is very young for the parenting role, Ziggy tries to do his best to take care of Kylie. When Daphne settles things with Floyd and gives him the opportunity to go back to school, Ziggy takes it. He is intelligent and capable, passing his exams with high marks. He uses his skills at technology to help his new friends, including getting funding to save the community center. Like several other characters, Ziggy’s character arc involves developing a new appreciation for his relationships and restoring his confidence in himself and his future.
By Clare Pooley