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54 pages 1 hour read

Barbara Kingsolver

High Tide in Tucson

Nonfiction | Essay Collection | Adult | Published in 1995

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Symbols & Motifs

Animal Behavior

Animal behavior, especially as it relates to human society, is a running motif throughout High Tide in Tucson. In the opening essay, Kingsolver compares her transition from Kentucky to Arizona, and the life adjustments that went with that change, to the changes in behavior that she sees in a hermit crab brought from the Bahamas to the desert. Just as it has adapted to the absence of actual high tides by living as if they still happen, so too must she make a new life for herself with pieces of her old one. When writing about rain in Tucson in “Creation Myths,” she observes that humans, frogs, and all other creatures have a joyful response to this life-bringing force. When waging war against the javelinas in “Making Peace,” she realizes that altering her own behavior is more productive than trying to change theirs—she must share her land with the animals whose life cycles she disrupted by moving to their habitat.

The author’s relationship with the javelinas introduces the idea of the human niche. A niche is the biological context in which every animal lives; in a healthy ecosystem, many species can coexist because they all occupy a different niche. Humans’ niches have become almost endless, however, as we have adapted to nearly every environment through the use of technology. Kingsolver wonders if this expansion of our niche has caused humans to feel constantly in need of better things. She suggests that people may have been more satisfied when they allowed their surroundings to dictate their lives, rather than the other way around. For example, in “High Tide in Tucson,” when she finds a set of ancient stone tools next to a small water pool in the Arizona desert, she imagines how special that humble pool was to the people who lived there, and how they were more closely tied to their environment than anyone in a modern developed country.

Kentucky

Kentucky is both a symbol and a motif in High Tide in Tucson. In many of the essays, Kingsolver’s home state is synonymous with her sheltered childhood; her journey into the wider world is used to explore the theme of life’s inevitable change. Kingsolver’s small hometown in Kentucky is painted as somewhat behind the times, slow to change, and cut off from the rest of the world: In “In Case You Ever Want to Go Home Again,” Kingsolver jokes that no one at home will be able to read her book because the town doesn’t even have a bookstore.

Kingsolver’s feelings of isolation while growing up in Kentucky are also apparent throughout the book. She writes about her high school, which did not offer enough classes to fill four years; her classmates’ hopes and dreams were mostly limited to their small slice of the world. Bookish kids like her were outcasts and had to rely on the luck of meeting an understanding adult—in her case, as “How Mr. Dewey Decimal Saved My Life” describes, it was an insightful librarian who offered Kingsolver a project with a benevolent ulterior motive. Kingsolver sets herself apart from the people she grew up with as a storyteller who dreamed of bigger and better things. Despite writing critically about her home, it is apparent throughout the book that Kingsolver deeply loves Kentucky. This is especially obvious when she writes about its ecosystem, which is vastly different from that of Arizona: “I never cease to long in my bones for what I left behind. I open my eyes on every new day expecting that a creek will run through my backyard under broad-leafed maples, and that my mother will be whistling in the kitchen” (6).

Women’s Gender Expectations

Kingsolver’s rejection of historical ideas about women and traditional expectations about gender roles propel many of the essays. Kingsolver considers the female experience from a variety of vantage points, discussing housework in “The Household Zen,” fashion in “Life without Go-Go Boots,” and loyalty in “Semper Fi.” Kingsolver characterizes herself as decidedly unfeminine, at least in the stereotypical sense of the word, and many of her stories involve her confronting the world’s expectations of her as a woman.

The role of women in society also appears in a more philosophical, world-historical sense, such as in “Making Peace,” when Kingsolver explores the idea of private property. She speculates that female power was revered for most of history, but that male supremacy grew with the idea of men as private owners:

If we can divine religion from relics, it seems pretty clear that up to this point human societies stood most in awe of female power: the pregnant Venus of Willendorf; the Woman with the Horn carved on a cliff in Dordogne, France…Our ancestors in the Fertile Crescent appear to have dropped Goddess Mother like a hot rock, and shifted their allegiance to God the Father, coincident with the rise of Man the Owner of Flock. (30)

Kingsolver indirectly asserts that women are not responsible for the destructive extremes of human power. The only women that appear in the essay “In The Belly of the Beast” are victims of the atomic bomb, whose destroyed belongings Kingsolver sees in a Hiroshima museum. In contrast, the people who wax lovingly about the Titan missile are, notably, exclusively men. This works to further the symbolism found in the Navajo names for rain in “Creation Stories”: Femininity is gentle and nourishing, while masculinity is loud, overpowering, and unpredictable.

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