77 pages • 2 hours read
Robert KolkerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Lindsay
In the aftermath of Mimi’s death, Lindsay took charge of selling the house. While in the area one day, she decided to stop by Pueblo to look at her brothers’ medical records. It was only then that she learned about Donald’s attempted murder-suicide. Unexpectedly, she also found a file on her father and learned that he was receiving ECT for depression in the years leading up to his death. She wondered whether his need for the treatments had more to do with a genetic predisposition to schizophrenia or depression from how his general life circumstances.
These further proofs of Mimi’s secrecy frustrated Margaret deeply. Lindsay, however, simply recommitted to living her own life openly, hoping that doing so would enable some good to come of her family’s suffering and “might make life better for others” (314)
Margaret
Even after marrying and beginning a family, Margaret continued to struggle with resentment towards Mimi, who she felt had neglected her as a child. As a result, she was frustrated when Lindsay began to spend more time with their mother in the years leading up to the Mimi’s death, caring for her in her fragile state and getting Mimi’s attention and some belongings in return.
Meanwhile, Margaret had finally taken up painting—a hobby she previously avoided for fear her mother would criticize her work. Though often abstract, much of her work was inspired by her family and their experiences; her paintings achieved some commercial success, but mainly served as a form of therapy for Margaret.
Although progress in the field has been slow, the state of schizophrenia research and treatment has evolved since the Galvin brothers’ diagnoses. Efforts to end the stigma surrounding mental illness have been bolstered by research suggesting that mental illnesses tend to exist on a spectrum not only with one another, but also within the population at large.
While it’s now known that repeated psychotic breaks can damage the brain, growing awareness of how damaging neuroleptic drugs themselves can be has led to experimentation with other forms of treatment: “A relatively new wave of research supports the effectiveness of so-called ‘soft interventions’: a mixture of talk therapy and family support, designed to keep the amount of medication to a minimum” (321).
Meanwhile, Freedman and others continue to investigate ways to either prevent schizophrenia entirely or to intervene before the patient experiences a full psychotic break. DeLisi’s family studies have also been vindicated, and when McDonough began working at Pfizer and learned the other half of her data was still in storage there, he launched a new genetic study of his own.
Margaret and Lindsay
After Mimi’s funeral, Margaret cut off contact with Lindsay, feeling that she was unfairly pressuring her siblings to take on as much as she had. Lindsay, meanwhile, was skeptical of Margaret’s insistence that involvement with the family hurt her overall well-being: “We both have worked very hard to save ourselves […] [b]ut she didn’t see trying to help them as any part of that, whereas I did” (327).
The healthy Galvin children decided to use the money from the house’s sale to make their brothers’ lives a little more enjoyable: outings to the opera for Donald, a new car for Matt, etc.: “Lindsay planned to get Colorado College hockey season tickets for Matt—something Mark might want to take him to, since they once loved playing together” (329).
After six months of silence, Lindsay and Margaret met to talk honestly about their grievances with one another and decided that, to move forward, they needed to accept their fundamentally different coping mechanisms.
Kate and Jack
While Lindsay’s two children, Kate and Jack, were growing up, their mother was quick to notice when either seemed to be showing signs of mental illness. Kate, for instance, had sensory difficulties as a young child, but with therapy and other interventions outgrew them, excelling in high school to the extent that she was able to skip a year of college.
Jack, meanwhile, received therapy as a child and was diagnosed with ADD. In his teens, he began to smoke marijuana and skip classes, sending his parents into a panic. With financial assistance from the Garys, they enrolled Jack in an outdoor youth therapy program and sent him to a boarding school designed for children struggling with substance use, mental illness, or behavioral disorders: “It was there that Lindsay and Rick learned that Jack’s issues had less to do with pot or ADD than with anxiety—the fear of becoming mentally ill” (333). By the time Jack returned home two years later, he had learned new coping techniques and hoped to one day work with troubled children himself.
In 2017, Kate’s interest in psychiatric research and unique family history earned her an internship with Freedman at just 18:
Lindsay’s daughter walked past the room where her mother and aunt and several of her uncles had come to test their auditory gating […] Her grandfather’s brain was probably lying around there someplace. She wondered how long it would take before she could have a look at it (335).
The tension between Lindsay and Margaret that came to a head after Mimi’s death had been building for some time and involved questions of trauma, family, and healing. After marrying and having children, Margaret had increasingly centered her life on the family she chose for herself rather than the one she had been born into. It wasn’t simply that she saw the latter as a burden, but rather that she felt cast out of it and unable to participate in family life even if she had wanted to, having left to live with the Garys during childhood. She sought normalcy, which she couldn’t find in her family.
Lindsay, by contrast, had grown closer to her mother and brothers over the years. Although her involvement with them could be painful, she viewed it not so much as a duty imposed on her by any biological relationship, but as a choice she was making for herself and her own well-being. She saw her assistance of her family as a part of her own recovery. As a result, she came to see her sister’s attitude toward their family of origin as “a dodge—an attempt to preempt any criticism that she, Margaret, wasn’t helping enough” (326). Meanwhile, despite t that Lindsay’s own involvement with her family was voluntary, the stress of taking on so much responsibility had increasingly made her resentful of those who, like Margaret, took a more hands-off approach.
It's therefore a measure of how much both sisters had grown that they were able to walk away from their meeting agreeing to accept one another’s differences, even as they acknowledged that they weren’t happy about it. This openness and respect for difference marked a shift from the secrecy that had characterized their childhood. It also reflects one of Hidden Valley Road’s central themes: the idea that recovery from trauma is a highly individual experience, and that while certain coping strategies may be more effective than others, there isn’t a single “right” way to go about healing.
Kolker’s decision to end with Lindsay’s two children also contributes to the hopeful tone of the work’s conclusion. In part, this is because both Kate and Jack plan to devote themselves, in one way or another, to the treatment of mental illness. However, it’s also because both children at one point or another showed possible signs of mental illness that early intervention appeared to resolve. If Hidden Valley Road centers on the mounting evidence implicating genes in the development of mental illness, its final chapter serves as a reminder that biology isn’t destiny.