46 pages • 1 hour read
Catherine Ryan HydeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Raymond Jaffe, the protagonist, steps into the hallway outside his New York City apartment. He finds his friend Andre waiting for him. Raymond is struck by the dullness of light coming through the exterior windows—“it only looked dank and muted” (1). Going back inside, Raymond asks his stepfather, Ed, for lunch money and receives a thrown-together sack lunch instead.
As the boys descend the stairs on their way to school, they see an elderly woman standing in the second-floor hallway. Hearing them, she calls: “Do you know Luis Velez? […] Have you seen him?” (7). Raymond replies that he does not know Luis. As they walk, Raymond and Andre discuss the woman, particularly struck by the odd expression on her face.
This is Andre’s final day before moving to California. Walking home, Raymond cannot express how much he will miss him. After they part, Raymond crawls into an abandoned building where he feeds a stray cat he has befriended.
Climbing the apartment stairs, Raymond encounters the woman in the hallway. He stops to talk, apologizing for leaving so hastily in the morning. The woman remembers his name. Raymond realizes she has poor vision. She explains that her caregiver, Luis, has stopped coming to see her without explanation. She asks anyone who will stop if they know him.
At supper, Raymond tells his mother, stepfather, and sisters that Andre, his only friend, has moved, and receives little sympathy in return. He asks if any of them have heard of Luis Velez. Raymond realizes that no one checks on the elderly woman since Luis’s disappearance.
The next morning is a Saturday. At 8:30, Raymond knocks on the woman’s door. She opens, asking if it is Luis. Raymond identifies himself and apologizes for not being Luis. He verifies that the woman has no one to help her obtain necessities and tells her he will walk her to the bank and grocery store. She says, “thank you for being the answer to my prayers, Raymond from the fourth floor” (19).
As they walk, she introduces herself as Mildred Gutermann, and tells him to call her Mildred or Millie. She says she recognized his approach because one of his shoes squeaks. Millie explains that she has lived in the building for 77 years. Raymond expresses astonishment, then apologizes. Millie replies: “You spend a lot of time being sorry […] But most of the time I don’t know for what” (23).
After they return to her apartment, Millie fixes tea and cookies for Raymond and he helps her put away her groceries. She asks Raymond why he is unhappy, which she sensed without being told. He describes his family and how he does not fit in anywhere. Raymond tells Millie he is Black, about which she is clearly unconcerned. They discuss his family. He promises to check on her again soon. After he leaves, Raymond decides he will find Luis.
As he enters the abandoned basement to feed the stray cat, Raymond sees a boy from his high school. The boy says he intends to find the cat and give it to another boy for “[s]ome kind of evil genius experiment” (33). Raymond tells him he saw the cat in the alley outside the building. Raymond finds the cat, puts it inside a discarded pillowcase inside his shirt, and climbs out of the basement.
Raymond takes the cat to Millie. As he enters the apartment, she asks what kind of animal he has with him. He explains that he wants to save the cat from boys who want to harm it. At first, Millie says she cannot accept the cat, which might cause her to fall. Raymond suggests she put bells on the cat; this way she can hear it and always knowing where it is. Millie replies: “I am kicking myself for not having a cat all these years, if it’s as simple as all that” (41).
Raymond goes to the store and buys supplies for the cat. Millie decides to call the cat Louise. She warns Raymond that boys who hurt animals grow up to hurt people.
Back in his own room, Raymond begins an Internet search for Luis, including obituaries. He finds nothing useful.
Determined to locate Luis, Raymond casually questions Millie about him. Raymond finds 21 separate New York City listings for Luis Velez. His inability to speak Spanish stymies his first attempt to call a Luis. His stepfather’s warning about toll calls spurs Raymond to search for each possible Luis in person.
Against school rules, Raymond convinces the school librarian to loan him an English/Spanish dictionary. He then travels to a rough neighborhood where he meets Luis A. Velez, who is not Millie’s caretaker. Luis goes with him to the subway. They discuss Luis’s desire to do benevolent work, which his large family inhibits.
Raymond goes to Millie’s apartment. Hyde writes: “When the door opened she beamed up at him, and for the first time in as long as Raymond could remember, he felt happy” (57). He walks Millie to the store again. They discuss his friendship with Andre and how alone Raymond feels.
Raymond manages to make it home just in time for supper, explaining to his mother that he helped a new friend. She remarks: “Well, I like seeing you have new friends, baby. But don’t cut it so close on dinner” (62).
To find the next Luis on his list, Raymond goes to an exclusive high-rise in midtown Manhattan. This Luis’s wife tells the doorman to let Raymond come to the 22nd floor. The wife feared Raymond was coming to tell her that her husband was involved with another woman; she expresses great relief when Raymond explains. She fixes Raymond a big breakfast as they wait for her husband, a civil litigator, to arrive. She tells Raymond her husband secretly donates money and does benevolent work. Luis quizzes Raymond, then says he is not the Luis Raymond seeks. He gives Raymond his business card, offers to help if needed, and secretly slips a $100 bill into Raymond’s pocket.
At Millie’s apartment later, Raymond raises the issue of his asexual nature. He wonders if Millie thinks he is abnormal. She says that “normal” varies for each human being and he should not worry about what other people think. Millie says:
People laugh at things they don’t understand. It makes them feel safe. But it’s a false feeling. They are no safer. They just feel as if they are. The world is full of people too foolish to judge the difference. (78)
Raymond continues his search for Luis. In a tenement hallway, he pesters a young woman for the privilege of asking the Luis inside the apartment if he was the caretaker of a 92-year-old woman. The woman insists that he is not, and Raymond persists, asking: “But how do you know” (83). Finally, the woman opens the door enough to reveal an elderly, enfeebled man sitting in a wheelchair.
A tough-looking young man stops Raymond outside another tenement, demanding to know what he is doing. The man identifies himself as Luis. When Raymond explains that he is seeking a caretaker, the hostile Luis replies: “Do I look like a guy who helps little old ladies cross the street?” (85). Frightened, Raymond hurries away.
Raymond takes Millie to his favorite Midtown restaurant for Sunday brunch. Using the money from the attorney, he treats her to an omelet and champagne. He thanks her for telling him to research his gender concerns and says that he discovered a term that fits: “asexuality.” They discuss the pervasive nature of prejudice. As they take the subway home, Raymond recommits himself to finding the missing Luis.
Hyde’s reviewers note that this novel follows many of her storylines and thematic interests. Hyde writes about marginalized citizens of New York City who find themselves in stressful, unusual predicaments. When writing about young people, Hyde often depicts them as dealing with gender issues. In this case, Raymond struggles with his fear that being asexual means he is abnormal.
The first six chapters tend to be short and quickly paced compared to later chapters in the book. Hyde introduces most of the major characters in this section, with the exception of two men named Luis Velez and Isabel Velez, the caretaker Luis’s widow. The tone of this section is much lighter and less focused than the later sections, when the fate of the caretaker Luis and the results of the trial become clear. Hyde uses these early chapters to introduce her two primary characters, Raymond and Millie, to describe how they bond and share information with one another that they do not share with others, and to present the dilemmas each face. As a blind, fragile elderly woman with no living relatives or friends, Millie’s concerns are primarily existential: how to survive and thrive from one day to the next. Luis’s absence adds an emotional burden to her troubles. Raymond’s issues are primarily emotional, as his physical needs are being met. Once he begins caring for Millie and decides to locate Luis, he too picks up existential obligations.
Hyde sets the stage for exploring the theme Different Ways of Seeing in Chapter 1: Raymond notices the dullness of the light coming into the building, then realizes Millie has great difficulty seeing. Despite this, she recognizes him as he approaches her the second time. Hyde also lays the groundwork for exploring Similarities and Differences. She introduces two very distinct characters. Each has lost someone irreplaceable, yet they have found one another.
Chapter 2 reveals the worthiness of the main characters. Raymond deduces that Millie has no one to procure her necessities and takes her shopping, fending off hostile drivers as they cross city streets. Millie intuits Raymond’s deep unhappiness and imparts compassion and wisdom.
Raymond’s need to rescue the cat in Chapter 3 highlights his compassionate nature. The other student, wants to torture the cat, serves as a foil, or a character who highlights the personality of another character through contrasting traits. Millie discusses human nature: Those who are cruel in small ways often expand their cruelty as they mature. Hyde drops clues as to how Millie knows so much about human nature: Millie has a German name, a European accent, and has resided in New York for a period corresponding to the Nazi’s persecution of Jewish people. These clues foreshadow Millie’s eventual acknowledgement of why her family came to the United States.
When Raymond starts his “Luis Project” in Chapter 4, the immediate results are discouraging: He can’t draw helpful information from Millie without her guessing why, he does not speak Spanish as Luis probably does, his father does not want him to make long distance calls, and his search takes him to a rough neighborhood. However, each of these setbacks motivate Raymond to take a new approach: He locates 21 possible Luis candidates, decides to visit them in person, and convinces the school librarian to lend him a Spanish/English dictionary. When the first Luis guides him out of a bad neighborhood, Hyde explores The Contagious Nature of Goodness. This theme is expressed again in Chapter 5 when Raymond meets the attorney Luis and his wife, who quickly take a liking to him. The wife feeds him breakfast while the husband offers legal help and clandestinely funds Raymond’s work by slipping him a $100 bill.
For Raymond, the events of Chapter 6 serve as a trial. When he embarrasses himself by badgering the elderly Luis and runs away when frightened by the hostile Luis, Raymond recognizes the difficulty of his task as well as his own weakness. Raymond sees how fragile and beautiful Millie is. This reaffirms his decision to find Luis despite his misgivings and his own fragility.