91 pages • 3 hours read
Jeff ZentnerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Carver has his first appointment with Dr. Mendez. The two introduce themselves, and Carver explains that he is named for the writer Raymond Carver; Carver’s father is an English professor, and father and son share a love of reading. He tells Dr. Mendez about the accident, the panic attacks, and Jesmyn. He also tells him about Nana Betsy’s “goodbye day” idea. Dr. Mendez prescribes a low dose of Zoloft for anxiety but emphasizes that therapy is also needed. After therapy, Carver feels lighter and has a cathartic moment, crying in Georgia’s car. She tells him he’s brave for getting help and encourages him to continue.
It’s the second day of school. Carver is gearing up mentally to return after his embarrassing panic attack on the first day. Getting ready, he has a flashback of sitting in history class with Sauce Crew and goofing off. At school, Carver runs into Adair. She accuses him of putting on a show the previous day. Carver recognizes that Adair’s anger comes from pain. She needs a target for her rage, and as she tells Carver, Mars (the driver) is dead and Carver is alive. Carver thus gets the brunt of her rage as she tells him, “I hope you go to jail. I really do. I hope you die there” (152). After school, Carver seeks comfort from Jesmyn. She plays piano for him and he finds it soothing.
Carver discovers that there is a Facebook page called “Prosecute Carver Briggs.” It has 37 likes, including a couple from Adair’s friends. He notes that none of the newspaper articles about the accident have identified him by name but that this page does. It will come up when schools or employers search his name online. Carver feels vulnerable and exposed, realizing that the accident will stain his life forever.
Georgia leaves to start college. Carver is scared to see her go because she’s such a source of emotional support. She reassures him, telling him he has to keep talking to Dr. Mendez and encouraging him to open up more to his parents. After she leaves, Carver calls Nana Betsy and tells her he wants to do the goodbye day for Blake. They make a date. Carver is left “wondering if I deserve any closure that may come of it” (164).
Carver has a dream about Sauce Crew. He dreams about them regularly. After the dreams, he is left feeling grief-stricken and guilty.
With Carver’s first visit to Dr. Mendez, the book dives further into the theme of mental health. Georgia’s character serves as a mental health advocate of sorts—not only for Carver but also for the reader—by normalizing therapy. She previously told Carver she went to Dr. Mendez for depression and a possible eating disorder after a bad breakup, making it clear to both him and the reader that people can see a therapist for any number of reasons. It doesn’t require an event as traumatic as what Carver has experienced. Carver’s session with Dr. Mendez further highlights the useful nature of therapy. The therapist emphasizes that while he will prescribe Carver an anti-anxiety medication, this must be coupled with actual therapy—talking. After his first session, Carver already feels relieved.
Of course, one therapy session doesn’t “fix” everything overnight. That Carver still has dreams about Sauce Crew shows that his guilt and grief also operate at a subconscious level. Because of his guilt, Carver is even afraid to get closure—as he admits when thinking of the impending “goodbye day” for Blake. Carver still does not feel deserving of closure, a sign that he’s still wracked by guilt.
The ripple effect theme is again brought to the forefront when Carver discovers the Facebook page “Prosecute Carver Briggs.” He thinks to himself that this is the sort of thing that future schools or employers might find online; it’s a permanent black mark on his reputation. The “ripples” of the text message Carver sent promise to continue into the future. The book will go on to expose more immediate “ripples,” consequences of the accident, as they impact the dead boys’ friends and family. However, ironically the narrative’s overarching argument is that searching for too much causality in life (x happened because of y—the accident happened because of the text) is futile and unhealthy.
One character who seems desperately in need of a cause–effect explanation for the accident is Adair. She is presumably the creator of the Facebook group, on a vendetta to pin the accident on Carver. Her rage speaks to the stages of grief, one of which is anger. Her threatening words towards Carver enhance the fear that he may end up going to jail. Adair’s character isn’t well-rounded as the reader never learns much about her. She serves two purposes. First, she’s a plot device, designed to heighten tension around the criminal investigation, which she seems eager to spur on. Second, she’s a representation of the many ways in which people grieve. Adair copes with her loss by embracing rage.
Carver’s comment that the accident will “stain” his life forever also raises the topic of trauma. Trauma is not a single moment but something that impacts a person’s life long-term. The lasting impact of trauma is paralleled by the lasting impact the accident will have practically, for example when an employer searches Carver’s name. Carver even capitalizes “the Accident” when mentioning it, indicating its significance—as if it were a historical event needing a proper noun. This choice reflects the fact that people often divide their lives into the time before and after trauma.
By Jeff Zentner