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40 pages 1 hour read

Jean Rhys

Good Morning, Midnight

Fiction | Novel | Adult | Published in 1939

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Character Analysis

Sasha Jensen

Sasha, the first-person narrator, embarks on a journey back to Paris after a period away in her native land of England. A middle-aged woman and an excessive drinker, Sasha begins the novel with a plan to maintain her composure but quickly struggles to overcome memories of the past. Sasha loses her grasp on reality as she continues to distract herself with new clothing and hair. She creates bonds with men she meets on the streets of Paris while, increasingly paranoid, she attempts to avoid the reprobation of strangers around her.

As she delves deeper into her relationships with Nicolas, Serge, and René, Sasha continues to numb herself from the trauma of her past. Once optimistic and eager to leave England, Sasha followed Enno throughout Europe before marrying him in The Hague. Sasha and Enno’s relationship quickly sours, and after the tragic loss of their child and Enno’s subsequent abandonment, Sasha is left to fend for herself and returns to England, where she resolves to drink herself to death. Now back in Paris for the last time, Sasha struggles to see if she can regain her lost sense of self. Unfortunately, she almost falls victim to René’s sexual aggression before distracting him with money and, ultimately, surrenders to an anonymous male force at the end of the novel.

Enno

Enno meets Sasha in London, where he boasts of his career as a journalist during the war. Sasha describes Enno as “the sort that plays cards very well” (40). After they marry, Enno strives to return to Paris and promises Sasha the beginning of a new, stable life “when we get to Paris” (117). He relies on the kindness of various connections to fund their voyage to Paris. Contrary to his promises, Enno abandons Sasha repeatedly in search of more diversion and sexual satisfaction. Abandoning Sasha as he pursues a job in England, Enno is absent from the birth of son, who dies five weeks later. He leaves Sasha one final time with the false promise to return to her. He never does.

Nicolas Delmar

Nicolas, a naturalized French citizen from the Ukraine, originally meets Sasha with his Russian friend on a Parisian street. They share a night of drinks and frivolity, with Sasha promising to meet his Russian friend for tea the next afternoon. Nicolas, seeing Sasha in Luxembourg Gardens two days later, admonishes Sasha for skipping the meeting with his friend and strikes up a deep conversation with her in which they discuss Nicolas’s philosophy of life. Nicolas, no longer striving to be something more than he is, “prefer[s] to be as I am” (65). Aware of Sasha’s loneliness, Nicolas commiserates with her feelings and suggests various methods he has found successful to combat his own loneliness, which includes forcing himself to make new friends. He suggests that he connect Sasha with his friend Serge, a painter. Nicolas, Serge, and Sasha enjoy an evening in Serge’s studio, where he helps Sasha choose a picture that she buys. A reliable and trustworthy friend, he helps facilitate the selling of the painting by receiving and delivering Sasha’s payment to Serge, whom he refers to as mad.

René

After her visit with Nicolas and Serge, Sasha, in her fur coat, ventures to a local bar and meets René, a French Canadian who urgently asks for Sasha’s help. Sasha suspects that René seeks her out because he believes her wealthy; René expresses that he believes Sasha will not betray him. During their time together, René, whom Sasha soon discovers works as a gigolo, shares elaborate tales of escape and adventure with Sasha; despite referring to him as an “optimistic idiot,” she also confesses, “He’s so sure that everything is going to be all right, you have to be sorry for him” (157).

Although Sasha expresses reservations and fears the scrutiny of the other boarders, René does not hesitate to seek Sasha out at her hotel. He lies to the woman at the front desk and tells her that he is Sasha’s friend from London. He appears at Sasha’s door unannounced and urges Sasha to come celebrate with him. Throughout the night, René pressures Sasha to spend the evening with him, a request she denies. Undeterred, René surprises Sasha once again and, after attempting to rape her, he quickly vanishes after being unable to deny Sasha’s offer of money.

 

Serge Rubin

A painter, Serge welcomes Sasha warmly into his studio, where he calms her with offers of tea instead of alcohol. He entertains Sasha with his dancing in West African masks and shares a personal tale of regret. He recounts a time in London when he refused to help a young mulatto neighbor woman who arrived drunk on his doorstep. After Sasha feels an overwhelming connection to one of his pictures depicting an old Jewish man playing the banjo, Serge offers the picture to her as a gift. Sasha, sincerely touched by Serge’s kindness, insists on paying. Serge later writes Sasha a note, thanking her for her payment and offering to exchange the melancholy picture with a happier landscape.

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