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57 pages 1 hour read

Tim O'Brien

Going After Cacciato

Fiction | Novel | Adult | Published in 1978

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Chapters 9-12Chapter Summaries & Analyses

Chapter 9 Summary: "How Bernie Lynn Died After Frenchie Tucker"

Doc asks for the M&Ms and puts two in Bernie’s mouth. Lieutenant Sidney Martin goes to help Ben Nystrom with the radio. Frenchie has been shot through the nose and is lying at the mouth of the tunnel. While Bernie tells Doc that he heard the bang and Doc holds a bandage against Bernie’s throat, the lieutenant requests—“without urgency” (66)—an urgent dustoff (rescue helicopter). They need location coordinates, however, and the lieutenant works slowly to put them into code.

 

Bernie’s wound is “just below the throat and slanting steeply into the chest, the way men were always shot in tunnels” (67). Doc presses another compress to it and asks someone to insert an IV; Stink refuses. Oscar screams at the lieutenant to give the dustoff the coordinates and stop trying to code them. Rudy inserts the needle into Bernie’s arm, but it slips out. Doc puts it back in as Lieutenant Martin gives the coded coordinates. Ben Nystrom begins to cry.

 

There are two explosions; the second jars the needle loose again. Doc runs to his pouch to get tape to secure it. Bernie is confused and tries to sit up. Rudy holds him down on Doc’s instructions. A bubble forms and breaks on Bernie’s lips. Doc gives him “more medicine” (69-70): three green M&Ms. The men understand and move away.

Chapter 10 Summary: "A Hole in the Road to Paris"

Stink whines that he had Cacciato, that he was close enough to smell his onion breath, as Doc rips off Stink’s bandage. The rest of the men are packing up. Oscar says it seems like Cacciato had Stink, not the other way around, as Doc examines the teeth marks on Stink’s elbow and cleans and re-bandages the wound. Eddie asks if Stink needs M&Ms as they finish loading the cart and prepare to head out.

That afternoon, they find one of Cacciato’s maps attached to a log. A happy face is drawn on it, and below is a warning: “LOOK OUT, THERE’S A HOLE IN THE ROAD” (73). Lieutenant Corson decides that the best strategy is to leave the road and hike through the jungle on a diagonal to try to cut Cacciato off. Despite Paul’s protests, the lieutenant says they’ll have to leave the women behind. After the rest of the men have gone to sleep, Sarkin tells Paul that he’ll find a way for them to be in Paris together. 

The men slowly pack up the camp and load the cart after breakfast. Paul helps Sarkin to the driver’s seat as she cries a little. “Paul Berlin’s eyes ached. No solutions. A lapse of imagination, so it simply happened” (75). Then an earthquake begins and builds, and the road splits open. There’s hardly time to scream as they all start to fall, “tumbling down a hole in the road to Paris” (76).

Chapter 11 Summary: "Fire in the Hole"

“Pederson was a mess” (77). Doc puts Pederson’s broken dog tags in his mouth, tapes it shut, and the dustoff comes and carries him away. The lieutenant takes note of lost equipment and leads the men to a hill above the village of Hoi An where they wait for the lieutenant to study his maps and compass. They do not talk about Pederson.

 

Mud from the paddies coats the men and their weapons; when Paul spits, it is green with algae. The lieutenant asks over the radio for a marking round, makes adjustments to the coordinates, then asks for numerous rounds of white phosphorous to be dropped on the village. The men watch the village burn; they can feel the heat from the hilltop. “Kill it,” (78; 79), Paul repeats. “Oscar Johnson smiled with each explosion, but otherwise the men seemed blank” (79).

 

Then they line up and fire into the village, Harold Murphy with the machine gun, until they are worn out. The soldiers camp along the Song Tra Bong river that night, and once it’s dark, they talk about Pederson—“It was always better to talk about it” (79). 

Chapter 12 Summary: "The Observation Post"

Paul stands on watch at two-fifteen and contemplates courage—how it isn’t the absence of fear, but rather acting in the presence of fear. He believes that “[t]he greater a man’s fear, the greater his potential courage” (80). While the others sleep, Paul does PT (physical training) exercises and smokes one of Doc’s cigarettes. After the war, he’ll stop.

 

Paul thinks about all the things that scare him: noise and dark. “Tunnels scared him: the time he almost won the Silver Star for valor” (81). Paul would have liked to win the Star if only to show it to his father. But Paul thinks the larger issue is having the necessary strength to overcome fear. This ability lies within every man. “There was a Silver Star twinkling somewhere inside him” (81).

Chapters 9-12 Analysis

Chapter 9 presents the first real horror story from the war, the first casualty that O’Brien details for the reader. It emphasizes the soldiers’ impotence in the war; for instance, the best medicine Doc has to offer is an M&M placebo. This chapter also develops the conflict between Lieutenant Martin and the other characters, particularly Oscar. Frenchie dies because of Martin’s insistence that they search the tunnels, and then his adherence to protocol—encoding their coordinates—ensures Bernie’s death as well.

 

Tunnels are the ultimate source of fear for Paul and the subject of his reflections in the twelfth chapter. But in Chapter 10, a tunnel becomes the source of his salvation as it materializes just when Paul is unable to think of a satisfactory direction for his imagination, one that would allow Sarkin to stay. The connection between the two stories is drawn by smaller details—the move from Doc bandaging Bernie to tending Stink’s wound and Eddie’s joke that Stink needs M&Ms. The gravity of Chapter 9 is turned into humor in Chapter 10, softening the real memory.

 

But Paul’s imagination is only one coping mechanism; Chapter 11, though it deals with another casualty, shows others. The men find a certain amount of satisfaction in watching the village burn, and they achieve further catharsis by talking about what happened at night, when it feels safe to do so.

 

Paul hopes to do more with the trip to Paris than simply comfort himself. The sense of agency the story provides may help him to control his fear. Paul’s struggle to overcome his fear and find his inner Silver Star is one of the primary themes of the work; the Silver Star itself epitomizes bravery.

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