57 pages • 1 hour read
Shelley ReadA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide discusses racism and colonialism.
The Ute people are the oldest inhabitants of Colorado. They are a migratory group of tribes, or bands of family groups, who lived in an expansive territory across the current states of Utah, Colorado, and New Mexico, and moved through it according to the seasons. According to their creation story, they did not migrate to Colorado but were placed there, made to be strong warriors and protectors of their mountainous lands (“Southern Ute Indian Tribe Chronology.” Southern Ute Indian Tribe). After initial contact with European colonizers in the 1500s, the Ute people traded and raided for horses, eventually becoming skilled riders, which increased their mobility and expanded their trade routes.
However, in the mid-1800s, European expansion encroached on Ute territory as traders, pioneers, and gold seekers were drawn to the abundant landscape of the mountainous terrain. To preserve their land rights, the Ute people were forced into a series of treaties with the US government that ultimately diminished their territory and forced them onto reservations, destroying their traditional relationship with the land and their nomadic way of life. One of the most notorious of these agreements was the Brunot Agreement in 1873, in which the Ute people ceded the territory of the San Juan Mountains to the government for the development of mines. The Ute people were fraudulently promised the surrounding lands for farming and hunting but ended up being forcibly removed from their Colorado homelands and sent into Utah by 1881 (Horn, Jonathon C. “Brunot Agreement.” Colorado Encyclopedia).
The novel uses many of its characters to explore narratives of dislocation and Place Identity. The protagonist Victoria and her family’s forced displacement from their home is set against the larger historical and cultural context of the region through the theme of The Damaging Legacy of Racism, and Wil’s lower social status as an Indigenous man and a person who moves from place to place. Throughout these conflicts, the motif of the river serves as a symbolic force that carries the wisdom of the characters forward even through the pain of their experiences. The use of natural imagery throughout the novel emphasizes the profound role that the natural landscape has upon its inhabitants, for as the characters are forced to contemplate the looming reality of relocation, the striking descriptions of the land’s natural beauty create a sense of wistful regret. As one non-Indigenous character comments on the historical displacement of the Ute people, “I mean, the only reason we’re sitting here right now is they got forced off all this land we like to call our own” (219). This unflinchingly direct remark highlights the complexity of the relationship between the people of the Gunnison River Basin and the land that they inhabit.
Water policy is a crucial issue in the development of the Midwestern United States, shaping its landscape, its politics, and its people. The cornerstone of the “Law of the River,” a collection of legal frameworks that govern water policy in the Colorado River Basin, is the 1922 Colorado River Compact. This compact defines the relationship between the Upper Basin and Lower Basin states in order to ensure that water levels remain high enough for hydroelectric power and equitable water usage. In 1956, to help the Upper Basin fulfill its requirement, the Colorado River Storage Project authorized projects such as the construction of the Blue Mesa Reservoir, which feeds the major reservoirs of the Colorado River System. To create this reservoir, the government constructed dams to control water flow from the Gunnison River to the Colorado River. Construction of the Blue Mesa Dam began in 1962, and the project was completed within a decade. By 1966, the town of Iola, which was situated in a valley on the banks of the Gunnison River, was inundated by the rising waters.
Before being “floated,” the mountain town of Iola had a population of 200-300 residents, many of whom were farmers from families of settlers who had lived in the valley for multiple generations. The area was renowned for its fly-fishing resorts and supported by a large population of willow flies, a popular bait for trout, drawing crowds of angler tourists during each fly hatch season. The local population was forced to sell their homesteads to the government and evacuate Iola during the dam’s construction. Many lost their livelihoods and family history, as there was no collective effort to preserve the local history. The townspeople’s vocal protest of the project was not enough to counter the region’s desire for cheaper electricity and increased recreational tourism on the newly formed lake (Lofholm, Nancy. “Drought Has Revealed for the First Time a Colorado Town Flooded to Build a Reservoir. And Scientists Expect to See It Again.” The Colorado Sun, 10 Dec. 2018 ).
The Blue Mesa Reservoir project also had ramifications for the Basin’s Indigenous tribes, whose lives continue to be affected by water rights disputes to this day. Many ancient tribal landmarks, sacred spaces, and Indigenous artifacts were lost in the flooding, making the event yet another example of the widespread history of erasure of Indigenous culture in the area. The 1922 Compact was signed by European representatives of the seven Colorado Basin States without consulting or gaining the consent of Indigenous stakeholders. Today, Indigenous tribes remain largely on the outside of river management decisions, and “more than a third of the Basin’s Tribes have yet to settle their Colorado River water rights” (Pitt, Jennifer. “The Colorado River Compact at 100.” Audubon, 22 Nov. 2022). Furthermore, many reservations lack the necessary infrastructure to access the water despite having secured their rights to it.
As a historical fiction, the novel takes care to reflect many of these issues, and its setting, plot, and characters are all impacted by the events of the flooding of Iola and the changing landscape of Colorado. The novel’s depiction of Grief as a Journey, which is crystallized through Victoria’s experience of loss and the symbolic transplantation of her family’s peach farm, contains aspects that are at once personal and intergenerational. Using Victoria as a representative, Read explores the historical displacement of many families and the destruction of the town itself during this time frame, and this past issue also echoes through time to color modern-day assessments of the river’s current aridification due to climate change, as well as the ongoing effects of water policy decisions on families and the environment as a whole.