58 pages • 1 hour read
Kathleen GlasgowA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Cutting off her hair makes Charlie feel exposed, but she begins using her voice again. She reconnects with a friend from her past who evokes conflicting emotions.
In the cafeteria, Charlie’s shorn hair startles the other girls. Noting the severity of her scars, Isis asks Charlie what she used, calling her “Chuck” (48). Charlie opens her mouth to respond, but Louisa answers for her. When Isis calls her Chuck again, Charlie corrects her in a clear voice.
In therapy, Casper asks Charlie how the “[b]ig changes” feel and insists she answer with her voice (51). Hiding her face in her hoodie, Charlie responds, “Ugly” (51, italics in original). Casper asks whether she means “it” or “you,” saying that the difference “will be integral to your healing” (67, italics in original).
Engrossed in her online studies, Charlie has not concerned herself with Jen’s frequent disappearances, but when Barbero falls asleep while Jen is gone, Charlie opens a gmail account and messages Mikey. They exchange news until Barbero wakes up and sees that she has been sending unauthorized messages. Charlie’s visitor privileges are revoked.
Charlie later learns from Louisa that Jen was having sex with Doc Dooley and is being kicked out of the center. Louisa hopes Jen does not expect the relationship to continue “outside” (55). Louisa once thought she had “found the one,” but he took pictures of her for a “freak site” (55-56). Louisa tells Charlie that no one can love them “in a normal way” (56) after what they have done. As Louisa weeps, Charlie sits on the edge of her bed and strokes her hair.
Later, Charlie thinks about Mikey, his love for Ellis, and her love for a boy who eventually abandoned her. Charlie thinks about the boys she was with who “smelled like burned glass and anger” (57), who would never stick around. She does not want to believe that Louisa is right.
Evan calls Charlie at Creeley and gets through by pretending to be her mother. Hearing his voice takes Charlie “back to a dark place” (63) because she does not expect him to live long; he is asthmatic and addicted to drugs. Evan tells Charlie that he and Dump are moving to Portland. The two boys had saved her from being raped in a dark alley. Evan apologizes for taking her sketchbook, but her sketches of him make him “feel like I exist” (65, italics in original). She tells him that she needs it back, but he is noncommittal.
In group, Casper asks the girls to think about who their friends and community are “on the outside” (68), the people who keep their secrets and make them feel safe.
Charlie’s contact with Evan and Mikey triggers painful memories of her past. Later, she discovers that she is being discharged for not having insurance.
Charlie recalls having always been the poor, forgettable girl who never smiled and had no friends, until Ellis, who introduced her to Mikey. Friends brought complications, though: Charlie had a crush on Mikey, who had a crush on Ellis, who had a boyfriend.
Charlie’s home life was difficult. Her father loved her but struggled with mental illness and eventually died by suicide. After his death, Charlie’s mother, Misty, began hitting her. Angry and lonely, Charlie struggled to cope. Listening to music and drawing provided relief, but she began cutting, further damaging her self-esteem because she equated cutting with being bad.
Misty kicked Charlie out after she started hitting back. She stayed with Ellis’ family until Ellis’ mother found drugs; they belonged to Ellis’ boyfriend, but Ellis blamed Charlie. Ellis’ parents kicked Charlie out, leading her to return to Misty. One night, Charlie received a text from Ellis, “Something wrong Hurts,” but ignored it (82, italics in original). Ellis had cut herself and bled so much that her body went into shock, resulting in brain damage. Her parents committed her to a care home in Idaho. Overwhelmed with guilt and grief, Charlie broke Misty’s nose and ended up on the street again, which eventually led to Frank and her suicide attempt to escape him.
Recalling her past overwhelms Charlie. Needing a release, she goes to the craft room. Miss Joni presents her with a blank pad and charcoal, and Charlie fills every page with images of her friends.
Excited to share her breakthrough with Casper, Charlie arrives to her session to discover that she is being discharged because she does not have insurance. Charlie bites her tongue until it bleeds. She learns that she will have to return to her mother until a bed opens at a halfway house. Casper insists that they are not abandoning her, but Charlie runs to her bathroom and pounds her head against the wall, causing a gash that requires stitches. When Casper tries to stop her, Charlie tears Casper’s hair out then slides to the floor apologizing. Her story pours out of her, and she begs Casper not to send her “back outside” (80). Casper’s eyes are “watery” as two orderlies silently lead her away (80).
Charlie narrates her final days at Creeley, including Mikey’s visit and his intervention on her behalf.
An emergency stay allows Charlie to remain at Creeley while her housing is determined. She no longer has individual sessions with Casper, who remains kind but distant. Mikey comes to Creeley but is not allowed inside. From the rec room window, Charlie sees him standing in the rain in front of the building. Crying, she remembers the first time she met him at Ellis’ house and how they bonded over a song. She remembers Ellis being jealous, though she did not need to be because he “always loved her [Ellis] more” (86).
The girls gather at the window with Charlie, who presses her arms against the window to show Mikey her scars. He covers his face with his hands. Blue is impressed by Mikey’s “utter devotion” (88, italics in original). Mikey is weeping as he holds up three signs that spell out the words “don’t you die” (88). Two orderlies arrive to send him away. Charlie wonders if he could love her.
The evening before her discharge, Charlie sends Mikey a message, “Please save me” (92, italics in original). After a pause, he replies, “on it” and logs off (92, italics in original). That night, she wakes up to find Blue at her side. She tells Charlie about a time she was so strung out on drugs at her grocery store job that she thought the cereal was laughing at her for being a “fucked-up asshole” (93): “Don’t let the cereal eat you,” she tells Charlie (93).
The following day, as Charlie packs, Casper cautions her about the danger of falling into destructive habits that are comfortable even though they are painful. Louisa tells Charlie that she regrets not having shared her story, which is written in notebooks stacked neatly under her bed.
Seeing her mother for the first time in a year, Charlie feels herself dissociating. After they leave, Misty gives Charlie an envelope that holds her identification cards, a bus ticket, and cash that she and Ellis earned doing odd jobs. Ellis’ mother found it and wanted Charlie to have it. Misty knows that Charlie will not thrive with her or at a halfway house. Mikey arranged for the bus ticket to bring Charlie to him in Arizona.
Out on an errand, Vinnie turns up in the Creeley van and gives Charlie a ride to the bus station. He gives her some money, tells her that “everybody that’s busted can be fixed” (101), and advises her how to protect herself during the trip.
In the second half of Part 1, as Charlie begins reckoning with her past and where she will go next, the narrative reveals more details of her story.
Cutting off her hair makes Charlie feel exposed. She cannot hide behind her hair any longer and is forced to confront the ugliness she feels. Casper urges Charlie to differentiate between the world and who she is because part of her trauma is a consequence of having internalized pain imposed on her from without—her father’s suicide, her mother’s physical and emotional abuse, Frank’s threats. Charlie cannot separate what people have done to her from who she is, her “self.”
Louisa makes no demands of Charlie. She does not mind Charlie’s silence, finding it comforting. Charlie has seen Louisa’s scars, orderly patterns of burn marks on her body, but Louisa does not speak about her experiences or attend group (which is voluntary). Instead, she writes her story in her notebooks. Louisa’s experience of silence as comfort foreshadows events in Part 3 with Felix, when he tells Charlie that Quakers believe “silence is a way of letting the divine into your body” and “heart” (352).
Jen’s affair with Doc Dooley prompts Louisa to share with Charlie her own traumatic relationship experience. Louisa concludes that girls like her and Charlie are too damaged, physically because of their scars and emotionally because of their trauma, to be loved “in a normal way” (56). Charlie internalizes Louisa’s belief, and it becomes a weight that Charlie carries throughout the novel, influencing her relationship with Riley.
Through Evan, Charlie gets the first hint of the power of her art: It can give a voice to people who do not feel that they matter, a feeling that Charlie struggles with throughout, though she only realizes and articulates it later in the novel. Trapped in the web of her problems, Charlie does not understand that her art can make people feel seen and thus empowered. Though, in Part 2, her drawings of her fellow tenants in Tucson are accepted into a show, it is not until she draws the comic of her and Louisa’s story in Part 3 that she fully realizes how she can use her art to communicate.
Casper encourages the girls to think about who their community might be. Growing up, Charlie did not have a stable home life. Her parents had their own problems and could not provide emotional support. Her father was loving but suffered from mental illness and eventually died by suicide, leaving her mother bereft and unable to cope. She became abusive to Charlie, physically and emotionally. Internalizing this abuse made Charlie angry, destructive, and unable to relate to her peers, fueling the cycle of pain and shame.
Charlie’s community became her friends, first Ellis and Mikey, then Evan and Dump. Each of her friends was troubled in a different way: Ellis had an eating disorder. Mikey used drugs. Evan and Dump were both homeless, used drugs, and engaged Charlie in schemes to rob men. Her friends’ troubles enabled Charlie to relate to them. She felt safe with them, but it was, to some extent, a deceptive feeling because none of her friends could help the others escape from their destructive habits and patterns. The one exception to this, suggested at the end of Part 1, is Mikey.
Significant events hinted at in the first half of Part 1 are revealed in this section: Charlie feels responsible for Ellis’ brain damage. Ellis had reached out to Charlie by text, but Charlie ignored her. Ellis had allowed Charlie to take the blame for drugs that belonged to Ellis’ boyfriend, which resulted in Ellis’ parents kicking Charlie out and sending her back to her abusive mother. Charlie ignored Ellis because she was angry, and the guilt she feels about what happened to Ellis is one of the weights that she carries throughout the novel. It is what drives her to destroy herself, but it also drives her to create art. The same impulse, brought about by pain, can be either self-destructive or creative, depending on how it is enacted.
By Kathleen Glasgow