93 pages • 3 hours read
Lois LowryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The first part of Chapter 18 covers the excitement and preparations leading up to the Day of the Gathering. The villagers finish projects and desist from their usual bickering; some even wash themselves in preparation for the occasion. Thomas oils and re-oils the staff, and Kira visits Jo—who has stopped crying and asking for her mother—every night.
Kira has finished the repairs to the robe, and during one of Jamison’s visits, he sings her parts of the Ruin Song that correspond to the places on the robe that were the most challenging for her, such as the scene depicting skyscrapers, which she had never heard of, much less seen. He also tells her about the Singer’s preparations: he spends the entire year, every year since he was a child, rehearsing the Ruin Song in seclusion. Then Jamison tells her that after the Gathering, she’ll “be able to start dyeing new threads for the robe” (192). Kira is upset by the news that she will not be returning to her own work, but she knows that she cannot express her displeasure while Jamison looks at her “as if he dared her to refuse” (193).
Chapter 19 narrates the morning of the Gathering before the start of the Singer’s performance of Ruin Song. While they wait to be taken to the Council of Guardians hall, Thomas and Kira look through his window at the people waiting to enter the Council Edifice, seeing that Matt’s mother and brother are there, but he is not. Then, as people begin moving into the building, a tender comes to take Kira and Thomas to their seats just below the stage, facing the audience.
The ceremony begins with the whole group’s “worship [of] the Object” (198), as everyone bows to the “little crossed construction of wood” (198). Then the Council is presented, then Thomas, as “Carver of the future” (199), then Kira as “the Robe-threader, designer of the future” (199). Then Jo is brought in and presented as “the Singer of the future” (199). Finally, the Singer enters wearing the robe and carrying the staff, and accompanied by a “scraping clank” that neither Thomas nor Kira can identify. The Singer lifts his left arm, “displaying the sleeve with the scene of the world’s origin” (202), and the Ruin Song begins.
Chapter 20 begins in the late morning of the Gathering. The Singer has been singing for hours, and Jo has fallen asleep. As she watches the Singer, Kira thinks about all the work that went into the robe and worries that she will not remember enough of Annabella’s instructions to create new dyes. She thinks about Thomas’s pages of written instructions and remembers that she has begun to recognize the letters and decode the mystery of reading.
Thomas quietly gets her attention and points to a figure moving through the audience. Matt emerges and Kira is thrilled to see him. He tries to show her something, but she can’t see what it is. Feeling guilty for her inattention, she turns back to watch the Singer. The next time she looks, Matt is gone.
When the Singer breaks for lunch, Thomas and Kira request that Jo be allowed to eat with them. Matt and Branch are waiting for them in Thomas’s room, where he shows Kira what he has brought—a “square of filthy, wrinkled cloth. Nothing more. And yet it was everything” (209). Matt has brought her a piece of blue cloth. He tells her that he found blue “yonder”, where Annabella had pointed. He walked for many days before arriving at a village where the people had a lot of food they were willing to share with him. He also tells her that all the people in the village are “broken” (210)—like Kira. The blue cloth, however, is just the beginning of what he has brought her. Matt promises that a much bigger gift will be arriving soon.
They leave Matt and Branch in Thomas’s room and go back to the Gathering for the afternoon portion of the Ruin Song. The audience applauds the Singer’s entrance, but his expression does not change: “No proud smile. He simply stood gazing with intensity at the populace” (212). When the Singer ascends to the stage, Thomas and Kira hear the clanking noise again, but no one else seems to notice. As the Singer prepares to sing, he closes his eyes and sways; Kira hears the noise again and catches a glimpse of its source.
Chapter 21 opens with Thomas demanding to know why Kira is upset as they go upstairs after the Gathering has ended. They have just watched Jo be invited to stand next to the Singer at the end of his performance, while the audience applauds and whistles. Kira is “overwhelmed with her new knowledge and a heavy feeling that combined dread and terrible sorrow” (214), but before she can answer Thomas’s question, they see Matt, excited because the big gift has arrived.
In Kira’s room sits a stranger in a blue shirt, his hair is graying but he is around Jamison’s age. He does not rise from his seat when they enter, and Kira realizes that the stranger is blind. “Scars crossed and disfigured his face with jagged lines across his forehead and down the length of one cheek, and his eyes were opaque and unseeing” (215). Kira wonders why he is still alive, much less in her room, since “damaged people were useless; they were always taken to the Field” (215). Matt excitedly tells them that he brought the stranger “from yonder” (216), and that in addition to his blue shirt, they have also brought the woad plant Kira needs to make blue dye.
The man tells them that his presence must be kept a secret, so they decide to have their dinner sent to Thomas’s room. Thomas leaves with Matt and Branch to order their food, and Kira is left alone with the stranger. Kira tells him her name, but he already knows. He tells her that he remembers much about the village and the Gathering; it is how he was able to navigate the road on his own after sending Matt ahead. Kira asks him why Matt brought him back, and the man takes out his necklace, which matches the one that belonged to Kira’s mother. Though she already understands, he tells her, weeping, that his name is Christopher and that he is her father.
Chapters 18–21 cover the Day of the Gathering and narrate a series of moments in which Kira realizes the truth of her situation. These moments begin with Kira’s realization that her work on the Singer’s robe will not end and that she will not be allowed to create her own patterns. Her second realization is that the Singer, whom they have not met before as he lives in seclusion somewhere in the Council Edifice, is a chained prisoner. Even when performing the Ruin Song he wears his shackles under the robe Kira has so painstakingly restored. The disfigurement she spies beneath the hem of the gown is symbolic of the figurative damage done to the psyche of the artist who is not allowed to make his or her own art—who is forced, for example, to sing the same songs over and over again, year after year. These moments of dismay and horror are balanced by Kira’s joyful discovery that Matt has brought her blue cloth and the woad needed to make blue dye and the amazing realization, when the blind stranger takes out a pendant that matches Katrina’s, that her father is alive and in front of her.
By Lois Lowry