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43 pages 1 hour read

V. E. Schwab

Gallant

Fiction | Novel | YA | Published in 2022

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Interlude 1-Part 2Chapter Summaries & Analyses

Part 1: “The School” - Part 2: “The House”

Interlude 1 Summary

The master of the house, an inhuman presence with bones visible through his skin, paces at the garden wall. A mouse squirms through the rocks in the wall, dislodging a small stone. The master replaces the stone and takes the mouse in his hand, turning it to ash.

Part 1, Chapter 1 Summary

Olivia Prior, a girl who does not speak, lives at the Merilance School for Independent Girls. She flees to a garden shed on school grounds after being mocked by her classmates for her disability. The shed is feared by the other girls who sense the presence of a ghost-like figure—a “ghoul”—that is visible only to Olivia. In the shed, Olivia fantasizes about having a home that isn’t Merilance: perhaps the home that belonged to her dead mother, whom Olivia is only connected to through the rambling journal she left behind. Olivia is found in the shed by a matron who punishes her for running away by denying her dinner. Olivia sneaks into the matrons’ quarters while the other girls eat and steals some of the desserts they keep there.

Part 1, Chapter 2 Summary

Olivia brings her stolen dinner back to bed and re-reads her mother’s journal. The journal is addressed to “you,” who Olivia assumes to be her dead father. The journal describes, in riddle-like language, the courtship of Olivia’s parents and the days leading to Olivia’s birth. Olivia’s father dies before she is born, though, and from there Olivia’s mother’s writing becomes fractured. Olivia assumes that this shift in her writing reflects her growing detachment from reality.

Part 1, Chapter 3 Summary

This chapter opens with an excerpt from Olivia’s mother’s journal, in which she implores Olivia to stay away from Gallant.

Olivia is summoned to the head matron’s office where she’s informed that she has received a letter from family. The letter, from an uncle named Arthur Prior, informs Olivia that she’s getting the one thing she and every other girl at Merilance has always craved—the opportunity to leave the school and rejoin her mother’s family at their estate. Arthur says that her mother was unwell when Olivia was born and took her from the family home. The matrons tell Olivia a car is already coming to pick her up.

Part 1, Chapter 4 Summary

The chapter opens with an excerpt from Olivia’s mother’s diary in which she describes being both happy and frightened.

Olivia packs her suitcase and is driven north. In the car, she reflects on the odd illustrations in her mother’s journal that seem out of place with her mother’s words. She eventually arrives at a massive, Gothic estate—Gallant—and is left at the door. The house is surrounded by gardens that include a fountain. The woman who answers the door, Hannah, seems surprised to find Olivia there. She fetches a man named Edgar and the two, confounded, read the letter Olivia received. They reluctantly bring Olivia in.

Interlude 2 Summary

The master of the house, surrounded by his three shadows, moves through the house. He sings and, because he is the only one who can make noise, it’s the only sound heard through the house.

Part 2, Chapter 5 Summary

Hannah exclaims that Olivia looks just like Grace—who Olivia learns was her mother. Hannah and Edgar seem to believe that it’s impossible for Olivia to have the letter from Arthur. Olivia explains to Edgar, who is proficient in sign language, that she received it earlier in the day but knows nothing about it. Hannah and Edgar are joined by Matthew, Arthur’s son, who is furious that Olivia has come. Matthew reveals that his father has been dead for over a year, so it’s impossible that he sent the letter. Matthew, apparently horrified by the existence of other Priors, asks Olivia to leave immediately but Hannah counsels Olivia to sleep at Gallant because the outdoors can be dangerous at night. Edgar takes Olivia to a room upstairs and tells her that he doesn’t know if her mother is dead or alive. Olivia, upset but tired, takes a long bath and relaxes in the luxury of the room. Hannah brings her dinner, and Olivia wonders as she eats about who sent the letter if Arthur didn’t.

Part 2, Chapter 6 Summary

The chapter opens with an excerpt from Grace’s journal in which she worries that, when she touches and watches Olivia, she’s not really the one controlling her actions.

In the middle of the night, Olivia steals out of her room to explore Gallant. She sees a ghoul-woman on her way downstairs, for the estate is haunted just as Merilance was. She goes to the study where she finds a mechanical object, “half clock and half sculpture” (66), on the desk. The object contains two miniature houses, mirror images of each other. Olivia hears someone moving behind her and startles. When she goes to investigate, she doesn’t see anyone there but instead finds a door that seems to lead to an outside garden. She uses a key Hannah gave her to open the lock and, just as she cracks the door open, a ghoul with half his face missing rushes toward her. Frightened, Olivia rushes back to her room, leaving the key in the lock.

Part 2, Chapter 7 Summary

Olivia wakes and begins to snoop through the contents of the room, picking locks on the cabinets and looking for clues about her mother. Hannah comes in with tea and with the key Olivia left in the door, warning her not to go out at night. Hannah, upon seeing the picked locks, says that Grace was curious just as Olivia is, and that Olivia closely resembles her mother. Hannah goes on to tell Olivia that Grace and Arthur lived alone in Gallant, but Grace was more restless, always looking to get away from the house. One day, Grace disappeared with Olivia, and Hannah spent the years since worrying about them both. Hannah gives Olivia a picture of her mother, and Olivia realizes that her mother is dead because her mother is the ghoul she saw as she went downstairs the night before.

Part 2, Chapter 8 Summary

The chapter opens with an excerpt of the journal in which Grace is begging someone to stay with her.

Olivia goes downstairs and overhears a conversation between Hannah and Edgar in which Edgar insists that Hannah tell Olivia “what it means, to be a Prior. To be here” (81). Olivia studies the family portraits on the walls and discovers that the ghoul with the half missing face is actually Arthur Prior. She heads through a room with a piano in it to a bay window, through which she sees the garden she tried to access last night. Matthew is working with roses there. Olivia heads outside.

Part 2, Chapter 9 Summary

While trying to sketch the garden wall—a task that proves difficult, since the wall doesn’t seem to want to be drawn correctly—Olivia is confronted by Matthew, who wants to know why she’s still at Gallant. He explains that the house is cursed, and that life as a Prior at Gallant means questioning one’s perception of reality because of the ghosts that inhabit it. Olivia, assuming he’s talking about the ghouls, wants to explain that she’s learned to live with ghouls and that they’re nothing to be afraid of, but Matthew is unwilling to try to communicate with her. Olivia starts to help Matthew with his work of pulling out the roses. She sees a gray stem pushing through the soil and, when she tries to pull it, the stem moves, cutting her. When she tries to show Matthew why she’s bleeding, she finds the stem has disappeared. Matthew, infuriated, sends her back inside.

Part 2, Chapter 10 Summary

The chapter opens with a journal excerpt in which Grace discusses a voice telling her “to come back, to come home” (97).

Edgar tends to Olivia’s hand and then gives her bread with jam. He begins to mention how someone named “Tom” used to like the jam, but he stops himself. When she’s done eating, Olivia goes back to the study. She realizes that the houses in the metal sculpture are actually Gallant, and that when she spins the sculpture it looks like a wall appears between the houses. Oliva rifles through a drawer and finds a notebook that lists various boarding schools and orphanages—one of which is Merilance.

At dinner, Hannah, sensing Olivia’s desire to stay at Gallant, lies to Matthew and tells him that the nearest car that could take Olivia away is in the shop.

Interlude 1-Part 2 Analysis

As a child in a world that makes little effort to accommodate her disability, Olivia does not communicate very often over the course of the narrative. When she does communicate with the matrons or the inhabitants of Gallant, it is only when absolutely necessary and through great effort on her part, highlighting the theme of Finding Connection in Communication. This general lack of dialogue from a protagonist is a unique feature in Gallant, and it means that, in order to familiarize the reader with Olivia’s thought processes and emotional landscape, Schwab must detail Olivia’s rich interior life. These opening chapters of the novel are deeply internal; there’s very little physical action through the opening scenes, which instead focus on Olivia emoting and thinking through her living situation. Olivia’s interiority in this first chapter oscillates between intense emotionality: “Olivia would have wrapped her hands around the other girl’s throat…”; intellectual curiosity: “She has wondered, of course, who it was, back when it had bones…” (3); and references to Grace’s journal: “Home is a choice” (3). These disparate elements of Olivia’s interior life, all presented in the span of the first few pages, paint a portrait of a girl who is continuously trying to make sense of her present-day circumstances through the lens of a personal history she doesn’t have the resources to fully understand.

Olivia’s fragmented sense of her mother’s (and her own) history is conjured by the way in which Grace’s journal is introduced. The green journal does, eventually, appear in its entirety about halfway through the novel, but Schwab doesn’t allow the reader access to this initially. Instead, only snatches from the journal are presented as they become relevant to Olivia’s circumstances and she begins to uncover The Perils and Powers of Inheritance. The next excerpt is the one read aloud by Olivia’s bully, from a moment at the end of the journal as Grace is coming unraveled; this excerpt shows Grace at her most vulnerable and gives reason for Olivia to act so protectively. This nonlinear and fragmentary approach to revealing the contents of the green journal allows the reader to feel how Olivia’s own understanding of her mother’s history is fractured and incomplete. As the reader must do through these opening sections, Olivia tries to make sense of her familiar history by piecing together disparate and often riddle-like snatches of reflection and observation from her mother’s journal.

As Olivia leaves Merilance and arrives at Gallant, the imagery of doors begins to feature heavily. When Olivia enters Gallant “the door swings shut behind her, walling off the night” (43); when Matthew refuses to admit that Arthur could have sent Olivia’s letter, he bellows his refusal “as heavy as a door” (53); and Olivia’s dashed hope that her mother could still be alive “swings shut” (79) on her when she sees her mother’s ghoul. Here, doors are figured as a means of separation, protecting characters from unseen dangers or dividing characters from truths they do not want to face. Olivia’s function, as the unwelcome intruder into Gallant and as an explorer of the house itself, is to open a door and thereby expose these hidden truths. The door imagery through this section also suggests that this will be a perilous task—the door to the car that takes her to Gallant “hangs open like a mouth, waiting to swallow her up” (34). This simile sets the tone for the dangers Olivia will face as she exposes Gallant’s secrets, suggesting that Olivia, like the Priors that came before, may become consumed by everything the house hides. This challenge, and the fact despite the danger, Olivia decides to make Gallant her home, illustrates the novel's complex exploration of the concept of home and the importance of Choosing One's Home.

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