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77 pages 2 hours read

Erin Gruwell and Freedom Writers

The Freedom Writers Diary: How a Teacher and 150 Teens Used Writing to Change Themselves and the World Around Them

Nonfiction | Book | Adult | Published in 1999

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Foreword and Freshman YearChapter Summaries & Analyses

Foreword Summary: "Foreword by Zlata Filipovic"

Zlata Filipovic is a teenager who lived in Sarajevo during the Bosnian War. She began keeping a diary before the war to record her childhood, but during the war, writing became more than fun. She writes, “When the Bosnian war started with all its horrors and disrupted my happy and carefree childhood, my diary became more than a place to record daily events. It became a friend, the paper that it was made of was ready and willing to accept anything and everything I had to say; it could handle my fear, my questions, my sadness” (xiv). Her war diary, written in 1992 and 1993, was later published as Zlata’s Diary: a Child’s Life in Sarajevo, and she became an international speaker on issues of tolerance.

In the Foreword, Zlata provides context for how The Freedom Writers Diary began. When Erin Gruwell’s Wilson High School students read Anne Frank: The Diary of a Young Girl and Zlata’s book they were inspired to write their own diaries. Entries from these diaries make up the book that will follow. The Freedom Writers also invited Zlata to visit their school, a memory she recalls fondly.

Zlata says that the Freedom Writers’ experiences could have made them feel like victims, but they have chosen instead to “deal with injustice humanely” (xiv). She compliments the Freedom Writers for taking the more difficult path and their teacher Erin Gruwell for her dedication to her students. Zlata hopes that good can continue to come out of her and the Freedom Writers suffering. She writes, “I hope this book will inspire people to write their own diaries, stories, poems, books, to fight prejudice and to choose to deal with what happens to them in a positive way, to learn new lessons and share them with other people” (xvii).  

Freshman Year—Fall 1994 Summary: "Ms. Gruwell"

Ms. Gruwell is just about to start her first official year as an English teacher at Wilson High School in Long Beach, California. Though the school is in a safe neighborhood, Ms. Gruwell says that violence and racial tension have been increasing since the Rodney King Riots in 1992, when the beating of an African American man by the police set off a firestorm of riots and looting. The student body has changed in recent years and is now more African American, Latino, and Asian than white, though Ms. Gruwell writes that it is still diverse: “Rich kids from the shore sit next to poor kids from the projects…there’s every race, religion, and culture within the confines of the quad” (2).

Ms. Gruwell recalls her time as a student teacher at Wilson the previous year. She admits to being “naïve.” She wanted “to see past color and culture” but found herself facing students like Sharaud, whose “sole purpose was to make his ‘preppy’ student teacher cry” (2). All of this changed one day, when Ms. Gruwell found a racial caricature one of her students had drawn of Sharaud. When she compares this drawing to the propaganda the Nazis used during the Holocaust, she quickly realizes her students were unfamiliar with the Holocaust. She rewrites all her lesson plans to focus on tolerance and better connect with her students.

At one point, she takes them to see Schindler’s List at a theater with a predominately white, upper-class audience, and audience members react in fear. The incident gained media attention, and she started getting death threats. Her school department head, leery of Gruwell’s upstart attitude and worried about negative publicity, assigned her to teach “at- risk” freshman this year rather than continuing with Sharaud’s class. Gruwell remains convinced that “if Sharaud could change, then anyone can,” and prepares herself for a “roomful of Sharauds” (5). 

Freshman Year—Fall 1994 Summary: "Student Diaries"

The students in Ms. Gruwell’s class are almost all African American, Latino, or Asian, and at first they are suspicious of their white, suit-wearing teacher. One student writes, “She probably drives a new car, lives in a three-story house, and owns like five hundred pairs of shoes” (6). They bet that she will quit within the first week or month. The class’s one white student writes that the school is “asking for trouble” by putting a class of “troubled kids who are bused in from bad neighborhoods” together and wishes he was across the hall with the other white students in the “Distinguished Scholars” class (8). 

Race dominates the way students interact with one another both in and out of school. As one student writes, Schools are just like the city and the city is just like prison. All of them are divided into separate sections, depending on race” (9-10). Students regularly encounter race-based violence at school and on the streets, as well as domestic violence at home. Some students feel they have no alternative but to become violent themselves in self-defense. Getting a gun is easy—“like getting bubble gum from the corner liquor store”—and students don’t worry about getting caught with them at school (12).

Students deal not just with violence to themselves, but to their loved ones. One student’s friend is shot in front of him while he is buying candy at a liquor store. Another student, a gang member, writes that the death and imprisonment of his friends is worth it to defend the gang: “To the soldiers and me it’s all worth it. Risking life, dodging or taking bullets, and pulling triggers. It’s all worth it” (17).

The violence that the students regularly encounter makes it difficult for them to concentrate at school. “I really don’t know how I made it through the rest of the school day; hell, I don’t even know how I made it to my next class. I couldn’t see straight, couldn’t walk straight,” writes one student after he’s pulled into a fight (11-12). But Ms. Gruwell beings to wins over the students’ initial skepticism with teaching methods and material that they find relatable. When California Proposition 187, the proposition to remove public benefits for illegal immigrants, is up for a vote, she has the students write about how they would be affected if the proposition passed. “Ms. Gruwell’s class was where I could express my feelings about how this event was affecting me,” writes one student. “Discussing the situation in class helped” (22).

Toward the end of the term, the students read Durango Street, a book about an African American teenager from the projects who has recently been released from a juvenile work camp after stealing cars. The students see themselves in the characters in the book and are excited by Ms. Gruwell’s assignment of making their own movie version. Students outside the class begin to envy the fun Ms. Gruwell’s students are having, and the students start to find greater meaning and connection through literature. “Not only did this movie give us a better understanding of Durango Street, we also learned a lot about one another,” writes one student. “We began to understand the true meaning of not judging a book by its cover” (27). 

Freshman Year—Spring 1995 Summary: "Ms. Gruwell"

Ms. Gruwell is sometimes frustrated by her students’ behavior. But she is more frustrated by a system that labels them as “bonehead,” “remedial,” and “basic.” She writes: “It doesn’t take a rocket scientist to figure out that if you tell kids they’re stupid—directly or indirectly—sooner or later they start to believe it” (30).

Ms. Gruwell refuses to give up on her students and begins to think up additional ways she might engage and reward the class. John Tu, a wealthy businessman, heard about what happened when she took Sharaud’s class to the theater last year and offers to help her take the class on a field trip.

She plans to create lessons that build on what the students already know—their knowledge of pop culture and their real-life experiences. She is teaching Shakespeare this term, and vows to “make the Montagues and the Capulets into a modern-day posse” (32). 

Freshman Year—Spring 1995 Summary: "Student Diaries"

The students begin the term by reading Romeo and Juliet. Ms. Gruwell compares the Capulets to a Latino gang and the Montagues to an Asian gang and gains the respect of more students. “I didn’t think she knew about all the shit that happened up in Long Beach. I just thought she left school and drove home to her perfect life,” writes one student (33). When a student complains that the feud between the Montagues and Capulets is stupid, she turns the question back to them, asking if they think it is stupid that the Asian and Latino gangs fight, prompting a student to realize that they don’t even remember why they are rivals.

The students are starting to be more accepting of people who are different than them and turn away from violence as a solution. When the class plays the “Peanut Game,” the students learn that “a peanut is still a peanut even if the shell is different” and not to “judge a peanut by its shell” (38). After the Oklahoma City Bombing occurs, Ms. Gruwell has the class write a report, and they realize that they are all susceptible to violence, but that “fights don’t solve matters, they just make things worse” (39). 

The class takes a field trip to the Museum of Tolerance for a private screening of the movie Higher Learning. One Asian student relates to the story of Mas Okui, a Japanese American who was forced into an internment camp after Pearl Harbor, just as he was forced to live in a camp during the war in Cambodia. Later, Mas Okui is part of a diversity speaker panel that Ms. Gruwell arranges. Another student was inspired by the story of panelist and concentration camp survivor Renne Firestone. She writes, “By meeting these people, it made the books we’ve been reading more meaningful. It also made me realize that anything is possible” (43). Another student is excited to talk to John Tu, their wealthy benefactor, and have dinner at a nice hotel.

The final entry for the year is from a student who has been skipping school, sure that no one noticed. When Ms. Gruwell pulls her aside at the end of the year and tells the student that she believes in her, it is something the student has never heard from a teacher before. “I hate to admit it, but I’m actually starting to like school. I can’t wait till next year to have Ms. Gruwell all over again. You never know what exciting things will happen” (46). 

Foreword and Freshman Year Analysis

This section introduces the book and establishes the nature of the relationships between Ms. Gruwell and her students and Ms. Gruwell and her fellow teachers.

As Ms. Gruwell describes herself, she is different from her students. She is white and middle class, while they are mostly poor African Americans, Latinos, and Asians. But Ms. Gruwell also sees herself as different from her fellow teachers, as she disregards standards and employs her own style of teaching. 

In their entries, the students at first concern themselves with school only to note that it, like all aspects of their lives, is separated by race. They don’t think their “preppy” white teacher will last long in their class of troublemakers. The students recognize their position in the school. They are not “Distinguished Scholars” like the mostly white students across the hall, but students who have been labeled as “at-risk” and “basic.”

The students’ early entries focus on the race-based violence they encounter on a daily basis. The focus of the entries changes as the students begin to lean about tolerance and relate to the books they are reading. They start to enjoy school and the activities that come about from Ms. Gruwell’s connection to wealthy donor John Tu, who funds a field trip to the Museum of Tolerance and a panel discussion on diversity. They begin to recognize that their lives need to change, but don’t see how they could possible take action themselves. After a class discussion comparing the family feud in Romeo and Juliette to the Long Beach gang violence, one student writes, “I realized she was right, it’s exactly like that stupid play. So our reasons might be stupid, but it’s still going on, and who am I to try to change things?” (34). 

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