logo

63 pages 2 hours read

Harlan Coben

Fool Me Once

Fiction | Novel | Adult | Published in 2016

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 1-6Chapter Summaries & Analyses

Chapter 1 Summary

Content Warning: This novel contains descriptions of graphic murder, domestic violence, war, PTSD, alcoholism, and suicide.

Recently widowed, Maya Stern, in her thirties, lives in the suburbs of New Jersey with her two-year-old daughter, Lily. She is a retired Army captain who was “encouraged” to take honorable discharge after a video of an incident she was involved with on the Syria-Iraqi border went viral courtesy of Corey “The Whistle” Rudzinski, the host of a website where whistleblowers anonymously post leaked government or corporate intelligence. As a former special ops helicopter pilot, Maya has PTSD stemming from the event, in which Iraqi civilians were killed. Though her PTSD is limited to nighttime auditory flashbacks, the death of her husband has exacerbated her condition.

Joe Burkett, the charming scion of an esteemed family, was murdered in what appears to be a random attack in Central Park—which Maya witnessed. She recalls that Joe was charming and rakish, their romance unexpectedly whirlwind after meeting at a Burkett family gala. A year later, they were married, and Lily followed soon after. Now, Maya distracts herself and pushes away the memory of his murder as his casket is lowered into the ground. She notes that Joe would have been delighted by the turnout—“Joe liked people. People liked Joe” (2). However, the salacious nature of the crime—a wealthy young man gunned down in his prime—also drew onlookers.

No stranger to funerals, Maya is nevertheless at a loss for how to behave, unsure how to adapt her military bearing and disdain for pleasantries to the occasion. During the reception line, Maya uses “subtle and not-so-subtle body language to rebuff those who wanted to be more expressive in their grief via hugs and kisses” (6). Her façade slips when a member of Joe’s family mentions Maya’s sister, Claire, who was also murdered. She is more effusive with her own side of the family, especially her niece and nephew, 14-year-old Daniel and 12-year-old Alexa. When Claire’s widower, Eddie Walker, offers his condolences, Maya thinks to herself that she wishes he would take better care of his kids; his addiction to alcohol has made him negligent in Maya’s eyes, and she must pick up the slack.

Maya rebuffs matriarch Judith Burkett’s request to return to Farnwood, their sprawling family estate, aware of her status as “a tolerated outsider” (9). Judith and her surviving children, Neil and Caroline, get into limos, haunted; this is the second son whom Judith has buried, as her youngest, Andrew, died when he and Joe were in high school. Maya’s closest friends, Shane Tessier, a former platoon-mate, and Eileen Finn, Claire’s college roommate, are better equipped to give Maya what she needs: distance. Shane and her other Army friends slip away without platitudes. When Eileen drives Maya and Lily home, she insists on coming in so that she can give Maya a nanny cam disguised as a picture frame to watch nanny Isabella Mendez’s interactions with Lily. Isabella is the daughter of Rosa, Joe’s own boyhood nanny, and her family has long been in the Burketts’ employ. This history strikes Eileen as odd, but “Maya shrug[s]. ‘The rich’” (12). Maya balks at the nanny cam at first, but Eileen reminds her she trusts no one—especially when it comes to Lily.

Chapter 2 Summary

NYPD homicide detective Roger Kierce drops by Maya’s house as Eileen is leaving. Appraising him, Maya thinks, “Kierce had something of a caveman thing going on” (15). He compliments the house, making sure to point out that it is owned by the Burketts. He asks to run through the events of Joe’s murder once again. Maya says that she doesn’t recall whether she called Joe or vice versa, but they met at a secluded part of the park that they had previously visited. Kierce corrects Maya—Joe didn’t call her. Maya shrugs it off and then confirms her detailed description of the build and attire of the attackers: two men in ski masks. According to her previous statement, they tried to rob Joe, but he hesitated, frozen by the gun. Joe was shot in the shoulder and then clavicle, and neither shot was fatal. Maya ran before the third shot to call for help. Kierce attempts to comfort her, reassuring her that she’s not to blame. Maya brushes him off.

Kierce continues his questioning, noting that her astute description of the assailants’ weapons is due to her being an expert markswoman and a proud gun owner. When he tries to poke holes in her testimony, noting that a witness saw her emerge from the secluded section of the park minutes, not seconds, after the shots, Maya reminds Kierce that she wouldn’t have needed three shots to kill Joe. Opening the gun safe in the basement, Maya shows Kierce her registered Smith and Wesson 686, the same model as the murder weapon, noting that the safe can be opened only by her or Joe’s fingerprints. Though Kierce doesn’t have a requisite court order, Maya hands over the Smith and Wesson for testing. Maya knows that Kierce isn’t telling her something, and he just promises to be in touch.

Chapter 3 Summary

The next morning, Isabella arrives to take care of Lily, her eyes red from crying. The Mendez family, including her brother Hector, the Burketts’ gardener, seem to have taken Joe’s death quite hard. Lily is thrilled to see Isabella, to Maya’s ambivalence. Despite Maya’s vetting of a local daycare, Joe insisted on hiring Isabella. Maya, who was being deployed overseas at the time, had little leeway to protest. Although Maya is a very wealthy widow even in spite of the prenup that she signed, Maya returned back to work right after Joe’s death, teaching flying lessons. She was not built for the “coffee klatches with her fellow moms [who] slow-bragged with genuine interest about their own child’s mundane development” (29). These social engagements thrust Maya into memories of the battlefield, with the carnage she witnessed and the danger she relished—even longed for—in her new life as a suburban mom.

After a flying lesson, Maya sees an earlier text from Daniel saying that Alexa doesn’t want to go to her soccer game. Her protective nature kicks in, and Maya rushes to the field to confront Coach Phil who rules his tiny realm of intramural soccer like a spoiled king. When he cites league rules to favor his own daughter’s playing time, Maya gets in his face, and she pulls down his pants in a fit of rage. Coach Phil physically threatens her, but Maya stands her ground. Though her actions were childish, her aim was to signal to her niece that she has her back. Alexa smiles at Maya.

Driving Daniel and Alexa home, Maya spots a red Buick seemingly following her, but she shakes it off for the time being. Eddie’s house has fallen in disrepair since his wife’s death, the once homey fixer-upper now clogged with boxes of Claire’s belongings meant for storage. She smells mouthwash on his breath to cover up alcohol consumed. Eddie takes Maya to task for her behavior at the soccer game, but she says that she will stand up for Alexa because he won’t. Eddie’s anger dissolves into sadness: Maya, the fighter, can no longer protect her loved ones. Maya swears that she wouldn’t let anything happen to Daniel or Alexa, but Eddie tells her to get out of his house. He says, “Death follows you, Maya” (40), a refrain that haunts her.

Chapter 4 Summary

A week later, the red Buick is back on Maya’s tail. However, she’s not convinced yet that she isn’t seeing things. When she goes home after work, Maya asks Hector, who picks up Isabella after her shifts, if he could do some work at Claire’s house. She volunteers to clear it with Judith since working for someone other than the Burketts seems to make him uncomfortable. Alexa texts about her upcoming soccer game, but Maya comes up with an excuse, heeding Eddie’s order to stay away for the time being. Maya flashes back to when she got the call from Joe about Claire’s murder when she was stationed in Afghanistan. Maya was used to being on the other end of these calls when “voluntold” by the military to inform a service member’s loved one of their death. Her world shattered with one phone call.

Shane brings over pizza so that they can talk after putting Lily to bed. As the head of the local branch of the military police, Shane knows that there is a brief circulating about Corey Rudzinski possibly being back in the US. Maya is unmoved—he can’t hurt her anymore. Shane is not so sure, as the audio of the leaked tape was never released. Even though he doesn’t know how damning it could be for her, he knows Maya well enough to understand its gravity. He posits that Joe’s death could be a convenient time to do more damage and maximize publicity. Shane is concerned about Maya’s non-reaction and asks what is really going on. Before Joe was killed, he ran a ballistics test on a bullet for Maya under the table—an illegal act that could have severe consequences. He assumes that she is going after Joe’s killers herself, but Maya tells him to let it go. However, she also gives him the plate of the red Buick to run, to which he begrudgingly agrees.

Maya works out in the fitness room that Joe built her to assuage her discomfort in a house that was fancier and bigger than they needed. Later, Maya pulls up Corey’s website and finds the video. After four American soldiers were killed and two pinned down by enemy fire, Maya and Shane flew in to rescue survivors. While waiting for the order to take out the SUV, the Joint Operations Command radio went in and out. Maya shot a missile at the SUV, saving the lives of the remaining two soldiers. However, the SUV carried civilians, including a mother and children. Maya maintains that she did what she had to: “At the time, it had all seemed pretty righteous” (53).

Judith calls, reminding Maya that family attorney Heather Howell will read Joe’s will at Farnwood in the morning. She considers checking the nanny cam’s SD card but is too tired to bother. As she heads to bed, a PTSD episode creeps up on her, and the visions and sounds of the incident “rip[] through her brain tissue, shredding her dreams and thoughts and wants like hot shrapnel” (55). She takes anti-anxiety medication to ride it out.

Chapter 5 Summary

Maya gets up at around five o’clock like clockwork, her military training unshakeable. She debates making breakfast for herself, deriding her female friends’ obsession with cooking as “a menial task given to lowly servants” (57). She checks the nanny cam, noting Isabella’s sunny demeanor throughout the recording, which concerns Maya since Isabella shows affection for Lily but is otherwise stoic. She wonders if Isabella knows about the camera; Maya herself is cognizant of being filmed whenever she is in the living room.

Maya is interrupted by Lily asking her to read, a request she reluctantly accepts, but the video playing on her computer draws her attention. On the monitor, the image is blocked by someone standing in front of the frame, someone too tall to be Isabella. It’s a man in a forest green shirt, someone to whom Lily—who is not good with strangers—reacts positively. When he crosses to the couch, the man smiles at the camera; it’s unmistakably Joe, and “[t]here, on the computer monitor, Maya watche[s] Lily crawl onto the lap of her dead husband” (63).

Chapter 6 Summary

Stunned, Maya questions Lily about seeing her father, but Lily is confused and then scared by her intensity. She takes her daughter upstairs and heads to the closet to look for the specific green shirt that Maya had gifted her exacting husband. It’s gone.

When Isabella arrives, Maya questions her, asking if she left the house at any point the day before or if a man was in her home. Upon her denial, Maya shows Isabella the video. Isabella takes offense at the existence of the nanny cam but then gets scared; she doesn’t see a man, let alone Joe, on the recording. Maya grabs Isabella’s lapels, releasing her only when Lily comes into the room. Isabella rubs her neck “far too dramatically” for Maya’s taste (73). Isabella agrees to answer more questions but first requests a glass of water. When Maya goes to hand it to her, Isabella sprays her with mace. Isabella runs. Maya scolds herself: “Turning her back on the enemy. Amateur hour” (75).

Detective Kierce appears. To explain why her nanny pepper sprayed her, Maya goes to show the video to him. However, the SD card is gone; she assumes it was taken by Isabella. Maya stays calm, weighing her response in order to “have the best intel before making any sudden, life-altering moves” (77). Maya tells Kierce that she saw Joe in the video. He assumes that it’s an old recording, and Maya is unable to convince him otherwise without evidence. Kierce changes the subject; he has come to take Maya to the station.

Chapters 1-6 Analysis

The first six chapters establish the novel’s tone and themes and the status quo. Maya is in control of the world around her, even as her emotional state is tempestuous at best. Coben employs a limited third-person narrator focused on Maya’s point of view, and she is an unreliable source of information; this creates an air of mystery to engage the reader with the question of who killed Joe. Coben generates exposition as the characters and conflicts are introduced, all centered around Maya’s lies of omission that mount throughout the novel, culminating in the reveal that she killed Joe. Maya is strong-willed and distant, and her need for secrets puts her in conflict with the other characters. In a similar fashion, the Burkett family’s secrecy sets them on a collision course with Maya. As an antithetical force, Corey’s livelihood is concerned with exposure. These conflicts introduce the theme of The Lasting Consequences of Trauma and Secrets, from which the plot unfolds. The novel hinges on the unearthing of secrets that corrupt or irrevocably change the characters’ worldviews. The past bubbles up and challenges their carefully constructed suburban lives. From Chapter 1, however, the characters’ actions preserve their self-interest by withholding information, which preserves the conventions of the novel’s mystery genre as Coben waits to slowly reveal answers.

Throughout these first six chapters, Maya has a clear sense of what’s happening, even though the reader does not. Maya is an unconventional protagonist for the mystery genre in this section since she is not seeking answers but withholding them while others around her, such as Detective Kierce, investigate her. The drama revolves around her, but it is also caused by her. Furthermore, Joe’s murder is the catalyst for the mystery to unfold, but the novel begins in the middle of Maya’s story, as Coben slowly reveals. Maya’s preoccupation with being an outsider makes her a sympathetic figure, and her creeping disdain for people whom she deems fake emphasizes her status as an outsider but ultimately turns out to be a cover for her misdeeds. By situating her as the unconventional, unreliable protagonist, the novel has a sense of misdirection that primes the reader for the ultimate twist as the protagonist turns out to be the killer.

Maya’s characterization is informed by her family history and career as a soldier, and her actions incorporate the theme of The Reintegration of Veterans Into Society. Knowing firsthand the death and destruction that contribute to the civilian sense of peace, Maya is unable to assimilate into a culture of unserious, sheltered parents who appropriate military lingo to describe mundane, low-stakes events. Maya also chafes against the trappings of her newfound class, noting that the house (owned by the Burketts) is too big for her yet pales in comparison to the ludicrous sprawl of Farnwood. Coben often sets his novels in a milieu of comfort before upending the illusion of security that privilege affords. However, Maya’s sense of righteousness is her undoing. She justifies her murders of Iraqi citizens as the price paid for freedom and the safety of her fellow American soldiers. Killing Joe, similarly, is an act of vengeance that she believes is justice for both Claire’s and Andrew’s murders. Violence begets violence in the novel, and Eddie’s refrain of death following Maya, introduced in these chapters, becomes a touchstone during Maya’s attempts to figure out who is messing with her. The wake of death and violence in Maya’s life suggests the difficulty of reintegrating veterans into society after they have lived a life consumed with violence.

blurred text
blurred text
blurred text
blurred text