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41 pages 1 hour read

Elizabeth Acevedo

Family Lore

Fiction | Novel | Adult | Published in 2023

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Part 3, Chapters 18-27Chapter Summaries & Analyses

Part 3: “One Day Until the Wake”

Part 3, Chapter 18 Summary: “Pastora”

Pastora begins her morning routine at the clothing store where she works, remembering when younger generations dressed up as gangsters in her neighborhood. Despite not being part of a gang, Ant was jumped and given the opportunity to take revenge through local gangsters Pipilolos Fuerte (PLF). As a result, when a 14-year-old boy spoke ill of PLF, Ant and other members cornered him. The situation got out of hand, as the other members beat the boy into a coma while Ant watched in horror. The others ran away when police came, and Ant was arrested. He was convicted and first sent to juvenile jail, then adult prison.

Part 3, Chapter 19 Summary: “Flor”

After ending her call with Ona, Flor worries whether or not she made the right decision to hold a living wake, as it seems to be imposing on everyone else. She reflects on Ona’s assessment that she doesn’t recognize the need for healthy boundaries. In the past, when she was young and alone at home, her cousin Nazario came to see Papá Susano. Flor invited him inside, where they talked while she prepared coffee. They discussed her older brother Samuel, who departed for New York and threw away his chance for a green card to marry his girlfriend. Nazario mentioned wanting freedom, which Flor did not understand since she liked structure. As she ate his gift of dulce de leche, she choked. He tried to help her breathe, which was when Susano came home and discovered them, misunderstanding why Nazario’s hands were on Flor. Despite their explanations, Nazario left, never to return. Flor believes she took care of herself by not chasing Nazario, even when he reached out to her when she came to New York. Likewise, she prioritizes Ona’s well-being by hiding her death.

Part 3, Chapter 20 Summary: “Pastora”

As Pastora reviews the guest list for Flor’s wake, she remembers being sent to live with her aunt La Vieja (“The Old”) [Redacted], as an indentured relative after the incident with Doña Yokasta (Chapter 13). At first, she tried to be docile and keep up with her chores and studies—but life was made worse by La Vieja’s gift of possession by a vicious spirit. The first time she witnessed this gift, La Vieja felled her husband. As time passed, other spirits visited more frequently, and Pastora’s uncle blamed this shift on her arrival. She could not bring herself to confide in her family and began to hate her mother. She consulted a santero (a person who makes religious images) for a spell, but his oil did not protect her. In the end, it was Flor who saved Pastora. She visited on her way to the convent, and though Pastora felt ashamed, she met with Flor, who helped her escape. When they arrived at the convent, Nun Aunt tried to turn Pastora away, but she remained. When La Vieja arrived three days later, Flor used her position to make her leave. Two days later, the sisters’ father retrieved them.

Part 3, Chapter 21 Summary: “Pastora: Interview Transcript (Translation)”

In an interview with Ona, Pastora speaks of older generations’ devotion. She believes Flor was the only one who truly accepted her, other than her husband Manuelito. However, she dulled her edges for the heartbroken Yadi when Ant was imprisoned. Pastora doesn’t know how she will cope with Flor’s departure.

Part 3, Chapter 22 Summary: “I”

As Ona’s class comes to an end, she takes pride in her lecture. One of her best students, Caridad, tells her that she is taking a leave of absence and will possibly drop out. She is pregnant and will be returning to the Dominican Republic to marry her baby’s father. Ona does not take the news well and projects her own struggle with pregnancy onto Caridad. A disgruntled Caridad leaves, and Ona is left considering the cost of pursuing success in academia. She remembers visiting the Caribbean Studies colloquium after her vaginal surgery and feeling unmoored in her research. She reunited with Soraya after nearly 15 years apart. They spent hours catching up, and Ona expressed her struggle with finding new material to research. Soraya told her to look to her own family for inspiration. Ona was tempted to spend the night with her but ultimately decided against it. In the present, Ona leaves for Yadi’s shop to help with customers. Later, she notices Yadi has been crying, and they talk about Ant’s return. Ona worries for Yadi’s mental health and advises her to stay away from past loves—which she rebuffs.

Part 3, Chapter 23 Summary: “Flor”

When Ona arrives at Flor’s house, she finds her trying on two potential dresses for her wake. As Flor asks for Ona’s opinion regarding her crimson and royal blue dresses, Ona subtly questions the nature of her death—but is rebuffed.

Part 3, Chapter 24 Summary: “Pastora”

Pastora is rearranging new stock when a pregnant woman comes to the clothing store. She recognizes her as Rafa’s pregnant mistress, and when the woman asks to use the bathroom, Pastora refuses. The woman then asks for water, and Pastora refuses her again. She finally reveals Rafa has a wife, but the woman already knows. Pastora is furious and remembers telling Mamá Silvia about Matilde’s broken marriage. However, Silvia argued Matilde had to respect her vows, that she knew better than to bring shame to the family like Pastora. She then instructed the pregnant Pastora to send Yadi to her when the time came. In the present, Pastora finishes her shift after Rafa’s mistress leaves. As she crosses the street, she overhears that a pregnant woman got into an accident. Pastora slides to the ground in shock.

Part 3, Chapter 25 Summary: “I”

As Ona leaves Flor’s house, she remembers her first trip to the Dominican Republic, where she stayed with Pastora and Yadi. She would often lay in the yard, and one day, a boy named Daniel came and called her “Bella Durmiente” (“Sleeping Beauty”)—which irked her. He ran away when Pastora came, but returned to visit Ona regularly. One day, Camila brought Ona to the hotel she (and previously, Matilde) worked at as a manager. When called away, she left Ona at the hotel pool. When too much time passed, Ona searched for her aunt and found her in a room, undressed with signs of pregnancy—with another manager. Camila sent her away, both of them keeping the incident a secret. The next day, Ona grabbed Daniel’s hand and forced it into her underwear.

Part 3, Chapter 26 Summary: “Camila”

Camila ponders how different her life is compared to her sisters’, how forgotten she is. She sets a table for their evening together and feels she has something to prove. She remembers Pastora talking to their mother about Matilde’s marriage. Pastora wanted to take Camila to the city, but their older mother insisted on keeping Camila with her. As Camila went to wash clothes in a river, she was watched by one of Doña Yokasta’s sons, the same one who’d gotten Pastora in trouble years ago (Chapter 7). Though married, he made advances towards Camila. When she rebuffed him, he claimed she owed him, that he owned her since her father worked for his family when he was alive. Before he could force himself on her, Mamá Silvia dropped boiling water on him, and she and Camila ran away. Silvia decided Camila was to marry in the city because Doña Yokasta’s family had already cost her a daughter (Pastora). Using her network, she had Camila wed a man named Washington before Doña Yokasta’s son could kill them. In her comparatively wealthy life, Camila found herself unoccupied. Weeks passed, and she and Washington had yet to consummate their marriage. Still, they developed a bond, and when she became pregnant through her affair (Chapter 25), he accepted the child as his own. Eventually, they moved to New York. In the present, Matilde arrives, soon followed by Flor. Camila tries to use her gift for brewing to improve Flor’s health, but no solution comes to her. When Pastora arrives, still in shock (Chapter 24), Camila makes a tonic to calm her.

Part 3, Chapter 27 Summary: “Camila: Interview Transcript (Translation)”

In an interview with Ona, Camila explains she adorns herself with luxurious items from the natural world because they heal her. She’d always wanted a doll when she was a child, and eventually, Mamá Silvia gave her one made of scavenged items. Despite its appearance, this effort became Camila’s definition of love. She has kept the doll and wants it buried with her when she dies.

Part 3, Chapters 18-27 Analysis

This section engages in social critique—specifically, that of institutional violence. Such engagement is a common feature of magical realism narratives, which often provide spaces to leverage social commentary against injustice. In these chapters, Ant experiences gang violence and incarceration, and Pastora is forced into indentured servitude by La Vieja. Regarding Ant, Ona discusses how gangs offer safety and shelter to impressionable boys in difficult circumstances:

They [young boys] are failed by a culture that writes them off as criminal so that they must create their own internal laws.[…] I only mean, on this side of the world, every descendant of enslavement, of that inherited and invasive oppression, dreams of an island of their own, a slice of communal freedom, a hard-won respite from a world that reminds them time and again they are destined to be shackled from every angle (145).

Much of gang culture has to do with a lack of choice. When young boys, especially those of color, are denied opportunities and racially targeted, they may seek solidarity by violent means. Acevedo and Ona don’t condone gang violence but recognize it as symptomatic of larger—and often unaddressed—issues. This issue is not unique to New York or America as a whole: Nazario, who lives in the Dominican Republic, states, “the first chance I get, I’m going somewhere I can be free” (152)—hinting at the historical classism and imperialism that perpetuated violence at the time. To Acevedo, contemporary oppression is alive and recontextualized to justify its existence. For example, Pastora was sent to La Vieja in an act that was justified as punishment for theft. This injustice mirrors Ant’s imprisonment by the American justice system: At the time of their “crimes,” both characters were children who could not properly defend themselves. However, Ona clarifies Pastora’s oppression as a cultural practice to offset financial difficulty:

[…] this practice of loaning or informally adopting children was widespread in the Dominican Republic in the twentieth century. […] Apparently, it typically took place between affluent branches of families and their less-well-off kin. The richer family established basic provision and moral upbringing, and in return received unpaid domestic help (159).

This quote highlights a key difference between Ant’s and Pastora’s situations. While Ant was failed by a prejudiced society, he could rely on his family to support him; Pastora was abandoned by the very people who were meant to keep her safe and loved: her mother and the elder women of her family. Pastora found little comfort in her ability to hear truth, as La Vieja’s gift embodied a collective rage that she herself couldn’t voice. To Acevedo, be it an oppressive legal or cultural system, it is children who often suffer the consequences.

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