52 pages • 1 hour read
Lamar GilesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Fake ID uses bases much of its worldbuilding on the expectations of noir detective fiction, a genre in which all the characters are flawed, morality is gray at best, loving relationships seldom work out, and the vulnerable protagonist is less than perfect. Nick’s description of Stepton as a faltering community, with polluting smokestacks on one side and an aborted new city hub just out of town is also a noir trope—a traditionally unappealing setting. Everybody in Stepton has a dark secret; no one is without a problematic past.
Giles populates the novel with classic types from noir thrillers. Nick is the antihero detective: brave, clever, willing to compromise his principles, in love with a girl out of his league, and hiding a criminal past. Reya is a more modern take on the damsel in distress: plucky, seductive, bright, but a target for trouble. Dustin is the sap who turns out to be the mastermind, warning Nick about danger and seemingly trustworthy until he is revealed to be behind all the murders. The minor characters also fill traditional roles. Zach is the meddlesome thug who interrupts the detective from an important task—as when Zach hits Nick with his SUV and kidnaps him. Sheriff Hill is the corrupt police officer, whose drive to restore law and order is stymied by the favors he owes to local higher-ups, like the equally corrupt town mayor.
The novel’s red herrings are another noir trope. James, Mayor Burke, and Miguel Rios loom over the narrative as potential killers, but their misdeeds only keep the reader distracted from the true antagonist. Through the use of these genre markers, Giles translates noir into a young adult thriller.
Thrillers succeed by injecting anxiety and suspense into the storyline. Here, Nick is beset by constant conflicts: His father cannot stop breaking the law, his mother desperately wants to leave, Nick must hide his WITSEC status, and on top of that there are the typical stressors of high school. More suspenseful than all of these tension amplifiers, however, is the constant threat of violence hanging over the main character. Not only does Nick find himself in truly dangerous situations, but his history of seeing violence results in a hypervigilant, almost paranoid anxiety.
The first line of the book describes the physical attack Nick will encounter in the first hour of his first day: “This is how you get your ass kicked. Bump into the wrong girl. Or have her bump into you” (1). Nick’s introduction to high school is being jumped by four football players. This posse poses a physical threat throughout the narrative, as Zach and his minions corner Nick three times.
Nick often expresses concern that he will fall victim to violence from other sources as well. Nick feels physically inferior to his father, James, a dynamic that underlies his empathy for the seemingly abused Dustin. Nick also feels threatened by Sheriff Hill, who almost strikes him in the interrogation room. When Mayor Burke takes him to the deserted city-center project and opens the trunk, Nick flashes back to a violent scene in his past that he fears will be repeated. Surrounded by a crowd in Eli’s living room, Nick fears Reya’s family will beat him. Face to face with his father after surviving a car bomb meant for Reya, Nick fears that his insolence will provoke his father to violence. Giles uses the specter of violence to add tension and draw the reader deeper into the narrative.
Another motif that Giles employs throughout is Nick’s defiant attitude. Regardless of the situation he is in, Nick expresses no fear and refuses to back down from conflict with authority figures who patronize him or use his youth to manipulate him. After Eli’s death, when the vice principal attempts to send Nick to grief counseling—something the jaded Nick scoffs at—Nick instead ditches school and is intercepted by Sheriff Hill, who takes Nick to the police station. After several hours of intimidation him, Nick refuses to give in to his fear; rather, Nick tries to provoke Hill into hitting him as a way to turn the tables. That same afternoon, Nick finds himself in a frightening position as the mayor, a man who frightens his father, drives him to a secluded site where hiding a body would be easy. Yet when the mayor threatens his family, Nick insolently brings up Whispertown, getting the upper hand in the conversation.
Whether dealing with his WITSEC handler Bertram or confronting Miguel Rios, Nick is unyieldingly defiant. He takes this tack because he has no alternatives: As a powerless teen, Nick only has his attitude to fall back on. Nick needs to gain the respect of the corrupt authority figures around him—that’s the only safety he has.
By Lamar Giles
Action & Adventure
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Coming-of-Age Journeys
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Diverse Voices (High School)
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Family
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Realistic Fiction (High School)
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Sexual Harassment & Violence
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