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Mei Oi and Ben Loy move to Stanton, Connecticut, to the relief of both of their families. Mei Oi herself is anxious to leave New York, feeling the need for a fresh start away from the city. Remembering Ben Loy’s violent outburst, however, she is reluctant to agree to his plans immediately and acts as if she is unsure about the move. Ben Loy hopes that leaving New York will not only separate Mei Oi from her lover but also help him forget her indiscretions. A few weeks after the move, Chin Yeun visits the couple and is unable to hide his admiration for Mei Oi. Ben Loy is flattered by his friend’s envy and doesn’t notice Mei Oi flirting back. Chin Yeun fantasizes about having an affair with her.
Ben Loy’s cousin Wing Sim asks his wife, Eng Shee, to visit Mei Oi in the couple’s new apartment. Eng Shee initially resists, harshly criticizing Mei Oi for the rumors of her infidelity, but her father-in-law, Wang Chuck Ting, insists on the visit. Eng Shee goads Mei Oi by talking openly about unfaithful wives and illegitimate children. Mei Oi refuses to react, unwilling to give Eng Shee the satisfaction of upsetting her. Later, Mei Oi writes to Ah Song, begging him to contact her. When she receives no response, she tells her husband that she is unhappy in Stanton and that they need to move back to New York. She wonders whether it’s possible to outrun the gossip about her marriage.
Wah Gay worries that Ben Loy is inconveniencing the family by leaving Stanton and his job at the family restaurant. Wang Chuck Ting repeatedly assures him that Ben Loy is a good boy. A confrontation between Ah Song and another Money Come club patron causes Wah Gay to throw Ah Song out of the club angrily. When the rent collector Chong Loo suggests that Mei Oi returned to the city because there weren’t enough people in Stanton, Lee Gong grows angry and insults him. Wah Gay leaves the Money Come club with a hard, cold object (later revealed to be a knife) in his jacket pocket.
Wah Gay sneaks into his son’s apartment building. He hides in the shared toilets at the end of their hallway to wait for Ah Song, whom he correctly assumes will be visiting Mei Oi before her husband returns from work at midnight. Wah Gay waits for nearly an hour, growing increasingly angry with himself and his son. He finally decides to enter their apartment but is stopped by the sound of someone approaching the door to leave. Wah Gay hides and watches as Ah Song sneaks out of the apartment. Filled with rage, Wah Gay attacks Ah Song, cutting off his ear. He chases Ah Song out of the apartment, hoping to kill him, but loses him in the streets of Chinatown.
Fearing Ah Song will go to the police, Wah Gay leaves New York to spend the night with his old friend Mee Kee in Newark, New Jersey. Wah Gay and Mee Kee were roommates in middle school and often visited sex workers together. Wah Gay explains his situation to Mee Kee, and he agrees that it was necessary to teach Ah Song a lesson. Mee Kee suggests that their lives are predestined and reveals that his wife refuses to come to the US despite his pleas. Wah Gay hopes that he will be able to fight any charges with the assistance of the Wang Association. He thanks Mee Kee for sheltering him, and the two friends stay up talking late into the night.
Detective Percy B. Nolan approaches Lee Gong at the Money Come club to ask about Wah Gay, who is still in hiding. Lee Gong tells Wang Chuck Ting about the conversation, and Chuck Ting calls a number of people, including Ben Loy and Mei Oi, to try to find Wah Gay. He learns that Wah Gay is wanted for attempted murder. Chuck Ting contacts the Ping On Tong, an organization to which Wah Gay and Ah Song both belong, in order to gather support for his cousin. He is hopeful the dispute can be solved internally by the tong without involving the police. He feels confident that a moral defense—Ah Song destroyed a family and Wah Gay was right to defend his son—will be accepted by the tong. Wah Gay calls Chuck Ting and says he’ll be back in a few days.
In Newark, Wah Gay struggles with the shame of his actions and worries about going to jail. Although he is not sorry about attacking Ah Song, he realizes that the attack draws attention to Mei Oi’s affair, increasing the shame brought to both his family in New York and also his wife in China. He bitterly wonders why Ben Loy didn’t attack Ah Song or otherwise address the problem himself. He calls Lee Gong and asks him to contact Chuck Ting and to run the Money Come club in his absence. When Wah Gay gives instructions for him to pick up the keys, Lee Gong calls Chuck Ting.
That night, Mei Oi is awake when her husband arrives home from work. They exchange polite, stilted small talk until Mei Oi reminds her husband of a private joke, and he laughs and relaxes. Ben Loy tells his wife about Chuck Ting’s call and the news that his father is not at his clubhouse. Privately, Mei Oi remembers news of increased muggings in the neighborhood and wonders if her father-in-law was attacked. Remembering a commotion after Ah Song left the night before, she wonders if Ah Song himself was hurt. She momentarily regrets reigniting their affair but decides that Ben Loy’s impotence gave her no choice.
Eat a Bowl of Tea primarily features male characters, reflecting the male-dominated demographics of Chinatown in the mid-20th century, when immigration restrictions made it difficult for families to be reunited. This section of the novel features a rare conversation between two female characters, Mei Oi and her new cousin-in-law, Eng Shee. Although the subject of the conversation—Mei Oi’s rumored infidelity—is also taken up by male characters, the relationship between Mei Oi and Eng Shee reveals the strict expectations guiding life for Chinese American immigrant women in mid-century New York. As the wife of Wang Wing Sim, a prominent business owner and member of the Wang Association, Eng Shee feels she has earned a level of respect in her community that she must maintain. As a result, she is reluctant to visit Mei Oi, whom she believes is a “bad woman” (172). Eng Shee tells her husband that if she had known Mei Oi “got pregnant by another man. […] I would have given her cow’s dung” (171) and that even that would have been “too good for her” (171). For Eng Shee, Mei Oi’s infidelity is a stain on the Wang family name, and continued association with her would be shameful for her husband and children and damage their standing in the community. Eng Shee’s reluctance to be understanding with Mei Oi is not the result of “misguided snobbishness” (172), as her husband suggests, but rather a desire to maintain her family’s place as a pillar of the community. Eng Shee’s desire to protect her family’s reputation is contrasted with Mei Oi’s willingness to pursue her own pleasure at the risk of her family life.
Eng Shee ultimately visits Mei Oi at the insistence of her father-in-law and head of the Wang Association, Wang Chuck Ting. Unable to hide her disdain for Mei Oi’s infidelity, Eng Shee brings up a news story about another unfaithful wife, claiming that “this generation of girls […] is no good” (176) and wondering “what the husband will do to her when he catches up with her” (176). Eng Shee’s use of the infantilizing term “girl” to refer to a married woman and her suggestion that her husband will punish her suggests that she believes Chinese American immigrant women like she and Mei Oi should be subservient to their husbands, who rightfully control their lives. Although Mei Oi is “burning inwardly at the bringing up of” (176) her affair, she remains polite throughout the conversation, speaking “succinctly” (176) and “deliberately” (178) to her cousin-in-law in order to avoid offending her and causing further scandal. Mei Oi understands that responding to Eng Shee’s goading remarks with anger would be “tantamount to admission of guilt” (172) and that “she must not show any antagonism to Eng Shee” (172). Mei Oi struggles to maintain her composure throughout the visit and is physically and emotionally drained by the effort.
The relationship dynamics between Mei Oi and Eng Shee reveal a strict hierarchy among the Chinese American immigrant women featured in the novel. Although Eng Shee is subservient to her husband and his father, she is in a position of power over the younger women and newer wives in her family, such as Mei Oi. The novel suggests that Eng Shee abuses this power because she is relatively powerless elsewhere. Her conversation with Mei Oi allows her to feel briefly superior, a welcome relief from the condescension of her husband and father-in-law.
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