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47 pages 1 hour read

Michael Herr

Dispatches

Nonfiction | Essay Collection | Adult | Published in 1977

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“Breathing Out”Chapter Summaries & Analyses

Summary: “Breathing Out”

Now that Herr is at home, he has difficulty talking to people about the war. Either they are not interested in talking about it, or when they do ask, Herr doesn’t know what to say. He starts to recount people and events from Vietnam. He remembers a Marine who swore he could see his ghost on night patrol but was okay with it because the ghost was behind him: “It’s when he goes and moves up in front that you’re livin’ in a world of hurt” (252). He recalls having hallucinations, in which he was convinced that the people he saw walking around were people that he had seen die. He describes Flynn and Dana one last time, before explaining that neither had beenseen since April 1970, when they biked into Cambodia. It is presumed they had been captured and are now considered Missing in Action.

It seems that whatever spurred Herr to go to Vietnam in the first place was not resolved by Vietnam: “There’d been nothing happening there that hadn’t already existed here, coiled up and waiting, back in the World. I hadn’t been anywhere, I’d performed half an act; the war only had one way of coming to take your pain away quickly” (251). Herr finds it hard to distinguish his life and death from those he left behind in Vietnam, and he doesn’t feel particularly invested in either.

The book ends on a picture that Herr sees of a North Vietnamese soldier sitting along the Danang River where the press center used to be. He imagines the man sitting with his Vietnamese neighbors talking about “the bad old days” (260). And there’s nothing left for Herr to do except “write down some few last words” (260).

“Breathing Out” Analysis

Dispatches ends with the North Vietnamese soldier sitting on the banks of the Danang River, and Herr back in New York. For those not involved in the war, not much has changed materially. The same demons that haunt people before the war haunt them once it is over. But for those who experienced the war directly or lost someone in Vietnam, it is a life-changing event. Herr’s retelling of the death of his friends, Flynn and Dana, is told almost as an afterthought. It is as if putting down the words describing their loss is so painful that he tries to tell it in as few words as possible.

At one point in “Breathing Out,” the writing seems chaotic:

Great sounds at Me Phuc Tay, the commander dug the Stones. At An Hoa we heard ‘Hungry for those good things baby, Hungry through and through,’ on the radio while we tried to talk to an actual hero, a Marine who’d just pulled his whole squad back in from deep serious, but he was sobbing so hard he couldn’t get anything out. ‘Galveston oh Galveston I’m afraid of dying,’ at LZ Stud, two kids from Graves having a quarrel… (257).

One interpretation could be that this is a result of being drug fueled, so that it comes out like “old acid backing up” (252). Another explanation is that Herr is expelling everything that he has been holding inside him in one mad rush, and that the only way to give readers a true sense of the war is through language and sentence structure that is as chaotic as the conflict itself. 

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