42 pages • 1 hour read
Torrey PetersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The chapter opens with a depiction of Reese and her latest romantic relationship. One of Detransition, Baby’s three protagonists, Reese is a transgender woman in her mid-thirties currently living in Brooklyn. Though Reese had long-term relationships in the past, she currently has a pattern of entering into short-lived flings, especially affairs with married men. Reese’s current romantic relationship is with a married man who is HIV positive due to a previous affair with another transgender woman, and who is only referred to as “the cowboy,” due to his traditionally masculine look. Though the cowboy has told Reese his HIV status is undetectable, meaning that his viral load is so low he cannot spread HIV through sex, Reese feels that his HIV status adds an element of risk to her relationship. Reese enjoys such risk, and she imagines that it is analogous to “the risk, the thrill” of becoming pregnant that she imagines to be at the core of cis women’s sexual relationships (7). Reese and her cowboy integrate this motherhood fantasy into their sexual roleplay, with the two playfully calling Reese’s PrEP—medication that protects against contracting HIV—“birth control” (8).
One night, as Reese is waiting to pick up Thai food for a date with her cowboy, she receives a phone call from Ames, her ex. During their relationship, Ames was a transgender woman named Amy; since their breakup three years earlier, however, Ames has detransitioned and changed his name. Ames calls to tell Reese that he has gotten his boss and current lover, Katrina, pregnant, and that he wants to talk with Reese about it.
The narrative then shifts to explore Ames and Katrina’s relationship. Katrina was initially guarded around Ames, partially due to her recent divorce and miscarriage, which left Katrina cynical about heterosexual romantic relationships. However, Ames and Katrina began a sexual relationship. Katrina began to open up to Ames, but Ames did not share the history of his gender identity. Ames told Katrina that he was “sterile,” believing that his years of taking estrogen had rendered him unable to produce sperm. Katrina meets with Ames in his office one day with medical tests confirming her pregnancy and informs Ames that he is the father. Ames perceives fatherhood with “a creeping sense of horror” stemming from his complex unresolved feelings surrounding his gender identity (26). Ames’s ambivalent reaction to the pregnancy news leaves Katrina perplexed and hurt, prompting Ames to come out about his past. Katrina feels shocked, angered, and alienated by Ames’s secrecy.
The chapter ends with Reese and Ames meeting in Prospect Park. Ames attempts to compliment Reese on her appearance, but Reese responds with jabs about Ames’s decision to detransition. Though Ames is hurt by Reese’s comments, he also feels a sense of nostalgia and comfort, being reminded of his time as a trans woman—a feeling akin to “coming home” (31). After detransitioning, Ames completely left his trans and queer communities, feeling a sense of shame around his detransition. At the park, Ames tells Reese that the reason he wanted to meet with her was to ask her to join him and Katrina in raising Katrina’s baby. Ames explains to Reese that he feels having Reese be a co-parent is the only way he can feel comfortable in his role as a father: “Katrina won’t know how to see me as anything but a father, but you will” (36). Though initially incredulous, Reese comes around and says she will consider the idea, partially owing to her own intense desire to be a mother. However, Ames has yet to tell Katrina his idea, and Reese is skeptical that Katrina will be willing to share her child with Reese.
This chapter explores Reese’s romantic relationships prior to her time dating Amy. The chapter opens by describing “the first time a man hit [Reese],” which is when her boyfriend Stanley hits Reese in the face, causing her lip to split, when she is twenty-six years old (47). Reese meets Stanley “on a fetish site with the word ‘tranny’ in its name”, a site typically used by so-called “chasers”—self-proclaimed heterosexual men who want to sleep with transgender women (49). Many trans women avoid such men, finding their fetishization of trans people offensive. However, Reese prefers sleeping with chasers, as she can be certain that the men she finds on the website will be fine with her being trans. Reese and Stanley first meet for dinner at a restaurant, where Stanley immediately begins discussing Reese’s genitals and pronounces his desire to dominate and control women through money.
Though Reese is initially offended by Stanley’s chauvinism, the intensity of her negative feelings towards him ultimately morphs into desire, leading them to start “a hate-courtship that built into a hate-relationship” (57). Stanley has recently separated from his wife, and Reese and Stanley quickly fall into an intense relationship. Reese moves into Stanley’s apartment, where Stanley uses his finances to control Reese and make her subservient. Though Reese is troubled by Stanley’s actions, she also feels that “his controlling behavior confirmed how badly he wanted her” (57). Reese and Stanley’s relationship revolves around “games” of mutual insults, with each seeking to show the other their dominant position in the relationship (59). It is during one of these games, when Reese returns a gift of designer boots and replaces them with knockoffs, that Stanley hits her. Though Reese is disturbed by Stanley’s anger and aggression, there is a part off her that finds it sexually arousing. She feels that Stanley’s abuse towards her somehow confirms her own femininity in a society where womanhood is often defined by “helplessness”: “Reese spent a lifetime observing cis women confirm their genders through male violence” (59).
One day, Reese goes to a picnic held by trans women with her friend Iris. While there, Reese becomes captivated by Amy, a new member of the group whom Reese has never met before. Amy’s physical features and mannerisms remind Reese of her past relationship with Sebastian, a Norwegian college swimmer who brought Reese with him to New York before breaking off the relationship and returning to Norway, telling Reese that she was “not a forever person” (70). Though Reese typically does not date trans women, she quickly develops a crush on Amy at the picnic. The two quickly bond and begin a weeklong text flirtation that culminates with Reese inviting Amy to Stanley’s apartment while he’s out. When Reese jokingly calls Stanley an “asshole,” Amy becomes deeply concerned for Reese’s wellbeing and safety, and she invites Reese to move in with her (75). Shortly after that, one day while Stanley is at work, Amy and Reese surreptitiously move out all of Reese’s things without informing Stanley she is leaving.
This chapter continues the narrative from Chapter 1, following Ames and Katrina on a business trip to Chicago. Ames and Katrina both work for an ad agency, and they go to Chicago to meet a client—a pet insurance company. As they make their way to the dinner, Ames attempts to make small talk with Katrina and to reminisce about past trips they took as lovers. Katrina responds by accusing Ames of getting her to take the trip “under false pretenses”—a sign of her lingering anger over Ames’s past secrecy (80). They meet two representatives of the pet insurance company, two straight men who are neighbors in a Chicago suburb, for dinner at a restaurant. Throughout the dinner, Katrina gets drunk and makes a series of critical remarks about Ames, telling the clients that “he has the most unusual past” (84). Katrina then blurts out that Ames has a “history with transsexuality.” The clients think Katrina is implying that Ames dates transgender women (84). To Ames’s surprise, one of the clients comes to his defense, suggesting that Katrina is being disrespectful to Ames’s hypothetical lover by focusing on her genitals. Angered by the men’s’ defense of Ames, Katrina outs Ames to the clients, informing them that he used to identify as a woman.
The next day, Ames and Katrina wake up hungover and wondering whether they have irreparably damaged their client relationship, as well as whether the clients will tell the rest of Ames’s company about his past. They discuss their relationship issues and Ames tells Katrina the entire story of his coming out and gender transition. Katrina asks him why he decided to detransition, and whether he still considers himself transgender. Ames explains that he doesn’t think being trans is “something you outgrow,” and that he continues to be trans in some way even if he doesn’t present as a woman in his daily life: “I am trans, but I don’t need to do trans” (98). Ames tells Katrina of how his decision to detransition stemmed from two different incidents: breaking up with his trans girlfriend, whom he felt he “couldn’t protect and satisfy,” and getting beat up by “a rich white guy” (98).
Ames explains to Katrina that he feels trans women are like “juvenile elephants” (99). In the 2000s, a gang of juvenile elephants in South Africa lost their mothers to poachers and began to act aggressive and destructive in their absence. Ames feels that trans women are similar to such elephants, lacking “elders” to help them in their transition, as “older generations of trans women died of HIV, poverty, suicide, repression” (101). Ames closes the conversation by bringing up his idea that Reese should join them in raising Katrina’s child. While Katrina is initially skeptical, she tells Ames several days later that she is open to the idea. Katrina’s mind is changed after speaking with her mother, who tells Katrina that “the best way to be a mother is to do so with as many other moms around as possible” (110).
The chapter also follows Reese as she attends a performance night by her friend Thalia. As Thalia performs, Reese becomes nostalgic, reflecting on her role as an informal mother to Thalia. Reese also thinks about how “her first trans daughter” was Ames, who at the time was Amy (89). Reese sees such relationships as crucial for young trans women, who are often seeking guidance and may have grown estranged from their biological families.
In the opening chapters of Detransition, Baby, Peters introduces the three main characters whose relationships she will explore throughout the novel: Reese, Ames, and Katrina. All three are in their thirties and are still reeling from painful past events that are making them reconsider their life paths. Katrina has experienced a miscarriage and a divorce. Reese has yet to enter into another romantic relationship since breaking up with Ames. Reese, meanwhile, is listless and unsure what to do with herself. In order to escape her loneliness, Reese continually flings herself into temporary affairs with married men, which typically end in drama and hurt.
This pattern of Reese’s has parallels in the other protagonists, who are not always sure what they want. Ames has detransitioned since his and Reese’s break-up, ceasing to take his hormonal treatments and reverting to presenting as a man. Though Ames thinks he now feels secure in his gender presentation, his latent discomfort with masculinity resurfaces he discovers he has gotten his lover and boss, Katrina, pregnant—a discovery that fills Ames with a “creeping sense of horror” (26). Katrina, meanwhile, is excited to be pregnant, but feels betrayed and uncertain about herself after Ames reveals his past as a transgender woman.
A central theme the novel explores is how each of these individuals grapples with their past pain as they attempt to forge a life for themselves. The first chapter discusses what Reese calls the “Sex and the City Problem,” which Reese feels has defined cis women’s existential questioning as they enter adulthood. Reese believes that woman’s lives are defined by four main paths, represented by one of the characters in the hit TV show Sex and the City: “Find a partner, and be a Charlotte. Have a career, and be a Samantha. Have a baby, and be a Miranda. Or finally, express oneself in art or writing, and be a Carrie” (9). While figuring out how to do each of these things has characterized cis women’s lives for generations, Reese feels that trans women have been typically cut off from these paths owing to society’s discrimination against them.
For Reese, trans women’s exclusion from these narratives of femininity has led her and other trans women to embrace what she calls “No Futurism,” a defiant and almost nihilistic embrace of “irony, joy, and graves” in response to the “futurelessness” that seems to define them (10). However, Detransition, Baby will also explore how this futurelessness is no longer the defining characteristic of the lives of trans women like Reese. Though Ames’ proposal that the three of them co-parent Katrina’s child is initially met by skepticism, when the three begin to consider the idea, it forces them suddenly to confront questions about how they want to shape their future and lives. With queer relationships and families no longer immediately outcast or shunned by society, Reese finds herself suddenly involved in exactly the sort of interrogation of structures of womanhood that previously eluded her.