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47 pages 1 hour read

Erik Larson

Dead Wake: The Last Crossing Of The Lusitania

Nonfiction | Biography | Adult | Published in 2015

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Symbols & Motifs

Submarines

The submarine is an important motif throughout Dead Wake, often signifying the broader ways in which new technology alters warfare throughout World War I. At the start of the war, both Germany and Britain underestimate the importance of submarines, instead focusing on traditional strategies of naval warfare. However, on September 22, 1914, a German submarine torpedoes three large British cruisers, causing them to sink. Both Germany and Britain quickly realize the power of submarines, and Germany devotes its entire naval strategy to submarine warfare. The shift in strategy proves successful, and Germany’s submarines prove to be difficult foes for Britain’s naval cruisers. However, submarine warfare ushers in a crueler form of naval warfare. Submarines operate in isolation, allowing the submarine’s captain total control over which targets the submarine will attack and whether the submarine will help rescue any survivors. Many of Germany’s submarine captains, such as the U-20’s captain, become known for brutally pursuing and attacking innocent ships. In one instance, Captain Schwieger torpedoes (and misses) a ship clearly “marked with large red crosses” to denote that it is a hospital ship (59). The cruelty of this naval warfare parallels the similarly brutal trench warfare that characterizes World War I’s land combat.

Though it is a powerful weapon, the submarine also comes with a new set of difficulties and dangers that differ from those associated with traditional battleships. Because submarines must spend days below the ocean surface, a submarine crew is forced to endure cramped quarters as well as stale and stuffy air, which often reeks due to the submarine’s toilet. A single accident or attack could mean a horrible death for the submarine’s crew because they could become trapped and slowly suffocate in the submarine. Larson describes how submarines are often left vulnerable to attack during their daily operations. In one section of Dead Wake, Larson describes the so-called “blind moment” that occurs when a submarine resurfaces (139). As the submarine travels from the ocean floor to the surface, the crew is unable to know whether any enemy ships are nearby until the submarine’s periscope exits the water. This means that a submarine could easily ascend to the surface and find itself surrounded by enemy ships. As Larson makes clear throughout Dead Wake, the submarine is a double-edged sword, one that is both a powerful new weapon and a terrible threat to those who operate it. 

The German Newspaper Warning

On the day of the Lusitania’s departure, Germany places an advertisement in American newspapers warning that any Americans who travel on British ships through war zones are placing their lives at risk. Though the advertisement does not specifically refer to the Lusitania, many newspaper readers believe that the advertisement is meant to warn the Lusitania’s passengers. Larson frequently refers back to the newspaper warning throughout the text, often using the warning to emphasize the Lusitania’s passengers’ false sense of security about the ship’s safety.

Before the Lusitania departs, reporter Jack Lawrence boards the ocean liner to question passengers about their thoughts on the newspaper warning. Many of the passengers have not heard of the warning, and those who have believe that the Lusitania is impervious to submarine attacks. Such beliefs are reinforced by the Lusitania’s crew, who tell passengers that the ship is safe from attack because it can sail faster than any submarine. Both passengers and crew—including Captain Turner—also falsely believe that the British Admiralty will send an escort to protect the Lusitania once it enters British waters. Further, most passengers and crew members view the newspaper warning as a bluff, and they do not believe that Germany will directly attack a passenger liner filled with innocent civilians. All of these false assumptions lead passengers and crew members alike to remain underprepared for crisis. As Larson continuously refers to the German newspaper advertisement throughout Dead Wake, the warning becomes a symbol for the broader ways in which the Lusitania’s passengers and crew ignore clear signs of approaching danger. 

Photographs of the Lusitania’s Victims

In the section entitled “The Lost,” Larson describes the attempts that are made to find and identify the numerous victims of the Lusitania’s sinking. As bodies are found floating in the ocean or washed up on the shore, they are collected and brought to a makeshift morgue in Queenstown, Ireland. While some of the bodies are able to be identified, the identity of the majority of the corpses remains unknown. The Cunard Steamship Company decides to photograph each of the unidentified corpses before burying them, hoping that the family members of the victims will be able to identify the bodies later on. As Larson describes these photographs, they become powerful symbols of the horrors endured by the Lusitania’s passengers as well as the trauma and loss felt by the victims’ families. Larson writes that the photographs invite “viewers to imagine last moments” because the corpses are often frozen in their moment of death. For instance, Body Number 165 has its “mouth open as if in a scream” (303). The photographs become symbols of a death that never dies because they preserve a moment in human life—the moment of death—that usually passes and is forgotten.

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