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19 pages 38 minutes read

Ada Limón

Dead Stars

Fiction | Poem | Adult | Published in 2018

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Further Reading & Resources

Related Poems

"The Carrying" by Ada Limón (2017)

"The Carrying" is the titular poem for Limón's most recent collection, and the one including “Dead Stars.” The natural world is evocatively described—November bites the sky with teeth and dying trees retain a flush of color, showing Limón’s interest in portraying the natural world with distinct and artistic descriptions. The speaker then sees animals, a suffering dog and pregnant mares, and the mixture of pain, life, and death create a heavy burden. The speaker senses she can carry the burden of the life around her, and that all life has purpose and meaning, establishing a tone and thematic message for the collection echoed in “Dead Stars.

"How to Triumph Like a Girl" by Ada Limón (2018)

"How to Triumph Like a Girl” is another poem included in the same collection as “Dead Stars.” Like “Dead Stars,” "How to Triumph" includes vivid descriptions of nature--this time focusing on female horses. Again, Limón connects people to the world around them. Like her observation that humans are made from dead stars, the poet envisions the power of a horse within her.

Thematically, however, “How to Triumph Like a Girl” differs from “Dead Stars.” Where the latter poem calls for a world filled with more love and empathy, the former is explicitly feminist in its thematic message. The speaker, a woman, values the strength of female horses, and she ends the poem having created a powerful, female-centric tone. The poem therefore demonstrates Limón’s aesthetic sensibilities, while also showcasing the thematic variety in her work.

"Notes on the Below" by Ada Limón (2016)

Published in Poem-a-Day, “Notes on the Below” finds Limón again contemplating people’s relation to the earth. The poem is dedicated to the Mammoth Cave National Park and depicts the speaker directly addressing the park and its natural wonders. The poem is composed in stanzas of varying length, ranging from single lines to quintains, showing Limón’s willingness to depart from a strict structure or rhyme scheme. “Notes on the Below” also includes experimentation with spacing. Line 18 and Line 27, for example, conclude with a dramatic amount of space before the final word, creating a greater pause in the rhythm of the poem and adding greater emphasis to the chosen words (“see” and “bat”). Consistently, Limón demonstrates a willingness to experiment with form, while keeping many of her poems thematically similar.

"Instructions on Not Giving Up" by Ada Limón (2017)

Another poem first published in Poem-a-Day, “Instructions on Not Giving Up” also connects life and death, positive and negative, together. As the poem progresses, the seasons change and new greenery covers the hurt of winter. There is still the pain from the cold—human troubles never leave—but people can continue to grow. Limón shows that the pain and joys of life are always connected, there is not one without the other, but by the end of the poem, she embraces everything life has to offer. Much of her work bears this message, including “Dead Stars.”

Further Literary Resources

"How I Made It: Ada Limón" Latino USA (2021)

In an interview with Latino USA, Limón reflects on her debut poetry collection, Lucky Wreck, for its 15th anniversary and re-release. The collection was inspired by Limón's experiences with a variety of items including death, community-building, and living in New York during 9/11. Limón's childhood in California is also discussed, a time where she first began to appreciate the natural world. The article includes a brief text summation of the interview as well as an imbedded link to the full twenty-minute audio interview.

This is a short segment shot for PBS News Hour’s segment "In My Humble Opinion." The segment centers on Ada Limón and her observations on the modern condition. Limón comments on the toxicity and false-perfections rampant on social media and news outlets. However, she also sees the current moment as creating a spark that has ignited a renewed interest in poetry. Poetry, she argues, is an ideal place to channel rage and hope. She cites poets Terrance Hayes and Jose Olivarez, both who used their work to comment on the constant suffering but also the constant resilience of the world. Limón reads a brief excerpt from “Dead Stars,” which she wrote with similar thematic intent: “Look, we are not unspectacular things. / We have come this far / survived this much. What / would happen if we decided to survive more?” A text transcript is also available on PBS’s website.

Limón, in conversation with Lauren LeBlanc, discusses her fondness for poetry as an artform and her inspirations for her collection The Carrying. Ada believes poetry is the finest of human art forms, a place that best resembles how life is for humanity—a mixture of chaos and control, a place without clean answers. She candidly discusses her influences, her difficulties conceiving a child, and the new opportunities that arose once when accepted she wouldn’t bear children. The poet routinely displays an interest in the complexities of life and her desire to reflect those complexities in her work.

"On making work that matters" The Creative Independent (2021)

Limón discusses the evolution of her creative process with T. Cole Rachel. Over the years, Limón’s approach to writing has changed. At first, she wrote every day, but she has recently been willing to wait to write for months on end. Being receptive to the world, she states, has become integral to her writing--even more so than daily writing. She also discusses the contrast between living in New York and Kentucky, and her appreciation for country living and having more space and time to create. The interview ends with Limón briefly describing some of her influences, including Aretha Franklin, Lucille Clifton, and Pablo Neruda.

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