55 pages • 1 hour read
Edgar Parin d'Aulaire, Ingri d'AulaireA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Arguably the most obvious way myths of ancient Greece and Rome continue to resonate in the modern world is through their manifest influence on language, customs, and understanding of natural phenomena. By drawing attention to these throughout the book, the D’Aulaires illuminate for young readers the ancient origins of words they use and other phenomena. In addition, this collection illustrates why the myths continue to matter.
Perhaps the most immediate way the myths’ impact is felt is their enduring influence on language. The D’Aulaires repeatedly point out English words that derive from myths. “Panic” is what wanderers who startled Pan experienced when they heard his “bone-chilling” scream. The Narcissus flower and narcissists can both be traced back to Narcissus, the youth who fell so deeply in love with his own reflection that he could not tear himself away and eventually was reduced to a beautiful flower. Any time an echo is heard, it is all that is left of Echo, the nymph who wasted away longing for Narcissus. The Pillars of Hercules are so called because Heracles set them there during his labors. Laurel leaves are the descendants of the nymph Daphne (laurel in Greek), who transformed into the first laurel tree in her attempt to flee from Apollo. The Red Sea is so because that is the spot where Perseus killed the sea monster sent to punish queen Cassiopeia: The red is the monster’s blood. The word “pantheon” is a compound of two Greek words, pan (all) and theos (god): all the gods.
The Olympic Games were, and continue to be, a historical event, but they also have mythic origins. Pelops won the hand of Hippodamia, princess of Elis, by beating her father in a chariot race. The king was thrown from his chariot and died, and Pelops held funeral games in his honor. These were repeated every four years, and since they “were held on the plain of Olympia, in Elis,” they bore the name “the Olympic Games” (147).
Several of the myths that the D’Aulaires recount attribute mythical beings to natural phenomena. The decorative motif on peacock feathers exists because Hera placed Argus’s 100 eyes on them. Spring and winter exist because Hades kidnapped Persephone. Demeter grieves when she is separated from her daughter, and when she grieves, nothing grows. Dolphins are “the most human of all creatures that live in the ocean” (89) because the species were originally mortal men. Dionysus transformed them into dolphins as a kindness when they fearfully leapt into the sea to escape him.
Few in the modern world believe that the grief of a goddess called Demeter is the cause of the seasons or that dolphins are the descendants of pirates. Nevertheless, both seasons and dolphins exist in the modern world, creating a link to the ancient one. Though the beliefs have changed and knowledge has evolved, modern life continues to evoke the myths in a playful way, reminding people of experiences that transcend any particular moment, even if how they are understood has changed. By reading the origin stories, young readers can engage with the myths and feel connected to what endures about human experiences.
A central moral message of the book is the danger of taking things too far and the importance of seeking balance, which for the ancient Greeks was a form of wisdom. Both mortals and immortals, heroes and gods, were subject to excesses, and both benefited from practicing wisdom/seeking balance.
Zeus is the first and prime example of the benefits of avoiding excess and seeking balance. He ascends to the top of the pantheon in the same way that Cronus did before him: by supplanting his father. However, Zeus does not make the same mistakes his father did. Cronus broke the promise he made to his mother that he would free his brother, thus incurring his mother’s anger. By losing her support, he exposed himself to the danger of her wrath. Her desire for vengeance drove her to advise Zeus’s mother how to protect him from Cronus, preserving him to avenge his siblings by supplanting Cronus.
Zeus keeps his oaths, to a fault. After he promises Semele to fulfill any wish, she (having been manipulated by Hera) asks to see him in his true form. Though he tries to mitigate the effects on her by choosing “the smallest storm clouds he could find” and “his tiniest lightning bolt” (86), they are still too much and set Semele aflame, reducing her to a pile of cinders. Semele’s wish itself was the product of an excessive mistrust, albeit imposed by Hera’s tricks.
Her mistrust is mirrored in Orpheus’s: When he attempts to lead Euridice out of the underworld, he is warned not to look back. In other words, he is asked to trust that she is there, but he cannot bring himself to do so. He looks back too soon, and Euridice is pulled back into the underworld, leaving Orpheus bereft. Peleus similarly distrusts Thetis when he catches her holding Achilles over a fire. She was burning away his mortal portion to render him immortal, but Peleus’s interruption disrupts the process. Consequently, he loses not only his son, who dies at Troy, but also his wife, who retreats back to the sea.
In addition to keeping his oaths, Zeus creates alliances and is willing to share power. To achieve supremacy, he is obliged to wage war against the Titans. In this effort, he recruits gods from their ranks: He frees his uncles (as his father failed to do), and they fight alongside him in gratitude. He is not above relying on his preeminent might to restore order when conflicts break out, but he also shares power with his siblings and recognizes the authority of other gods, brokering negotiations among them, as he does with his sons Apollo and Hermes.
A critical message of the ancient myths, which is retained in the D’Aulaires’ retellings and shaped into a lesson for their young readers, is that even the most powerful entity exists within a community. If each life is, as suggested by the Fates, a single thread, those threads find their purpose within the larger fabric. The ultimate wisdom is to recognize this and act in accordance with it.
Throughout the myth retellings included in the D’Aulaires’ collection is an exploration of what makes a hero, in both the ancient and modern senses. In the ancient world, heroes were believed to be an earlier generation of mortals who descended from the gods, and they were worshiped in ritual events. The D’Aulaires do not approach the myths as sacred knowledge; their intention is not to teach their readers about the power of heroes and how to properly propitiate them. They are retelling captivating stories intended to entertain young readers and, in the process, educate them about the past and what they can learn from it. Thus, the hero narratives they retell explore the trials that heroes face and how they navigate them, with positive and negative outcomes.
As in the ancient narratives, mortals in the book are closely connected to the gods. They are descended from them, marry them, or otherwise engage directly with them. Also as in the ancient sense, heroes are subject to excesses and make terrible mistakes as a result. They can be overconfident and lack the foresight to recognize when they are going too far, but they can also face their trials with humility, recognizing their gifts and the limits of them.
Heroes who suffer dreadfully as a consequence of overconfidence include Arachne, Phaëthon, Sisyphus, and Oedipus. Arachne believes so much in her skills that she challenges the goddess of weaving to a weaving contest and meets a bad end as a result. To teach her humility, Athena transforms her into a spider. Phaëthon believes that he can control the chariot and horses of his father, the sun god Helios. His overconfidence threatens to burn the world, until Zeus intercedes to bring his joyride, and with it his life, to an end. Sisyphus manages repeatedly to trick the gods, extending his life and his time with his beloved wife, but when death finally comes, Sisyphus faces eternal punishment. Oedipus tried to outrun the prophecy that he would murder his father and marry his mother, but his attempts to evade his prophecy bring him face to face with it. Peleus wants to save his son but ultimately consigns him to a mortal life by interrupting Thetis’s attempt to immortalize him.
Peleus’s love for his son and desire to save him, like Oedipus’s pious attempt to avoid committing a terrible crime against his parents, demonstrates that even the greatest gifts of a hero can become their undoing when taken to extremes. Tantalus is so intent on pleasing the gods that he commits a grave crime: He offers his son as a human sacrifice, incurring the gods’ wrath, and he is thrown into Tartarus. Asclepius’s great gift for healing turns into a terrible flaw when he uses his skill to raise mortals from the deal, angering both the Fates, whose domain of power is deciding the length of each human’s life, and Hades, whose domain is the souls of the dead.
The two heroes who navigate their trials with the greatest success are Heracles and Perseus. Heracles’s extreme strength put him in danger when it causes him to commit crimes, even unwillingly, but he accepts his punishments with an increasing degree of humility and is ultimately rewarded with a place in the pantheon. Perseus accepts immortal gifts long enough to achieve his quest, save Andromeda, and defeat his usurping uncle. With his goals achieved, he returns the gifts to their rightful owners, the gods, and is rewarded with a happy marriage, many illustrious descendants, and an eternal place among the stars.
Ultimately, what makes a hero, then and now, in ancient myths and the D’Aulaires’ modern retellings, is that they strive for excellence. Some achieve it for a short while but fail to sustain it. Others escape the pitfalls that come with great gifts, maintaining a sense of balance and the capacity for humility.
Appearance Versus Reality
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Books & Literature
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Books on Justice & Injustice
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Brothers & Sisters
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Challenging Authority
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Colonialism & Postcolonialism
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Community
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Daughters & Sons
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Education
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Fate
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Fathers
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Good & Evil
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Juvenile Literature
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Marriage
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Mythology
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Nature Versus Nurture
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Order & Chaos
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Power
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Safety & Danger
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Truth & Lies
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